Moog Music MF103 Moogerfooger Twelve Stage Phaser Pedal Review

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(More customer reviews)I just bought this pedal and I must say, I will never again buy any other chorus/flange/phase shifter pedal again! I have a Boss BF-3 stereo flange and an Electro-Harmonix small cone full-chorus unit and neither of them even come close to the prestige of the Moog stage phaser. The tones and sounds that this pedal produces are like none that I have ever heard before. This pedal comes fully load with an extremely diverse collection of sounds that opens your ears to a whole new world of noises! An excellent choice.

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The MF-103 produces two comb-filter responses. They are called 6-Stage and 12-Stage, because of the number of phase-shifting circuits that are used internally. The 6-Stage mode has three dips in its frequency response, while the 12-Stage mode has six dips. These two modes have distinctly different sound qualities. In addition, the MF-103 features a variable feedback circuit which increases the resonance, or 'depth' of the phaser sound. Features RATE rotary control, which varies LFO's frequency over a 250:1 range. AMOUNT rotary control, which adjusts the amount by which the LFO output varies the phaser sweep. SWEEP rotary control, which moves the phaser frequency response over a six-octave range. RESONANCE rotary control, which adjusts the height and sharpness of the peaks of the phaser frequency response. DRIVE rotary control, which adjusts the gain of the audio input to the phaser. OUTPUT LEVEL rotary control, which balances the phaser signals with the bypassed signal. LO-HI rocker switch, which chooses between the low LFO range (0.01 Hz to 2.5 Hz) and the high LFO range (1.0 Hz to 250 Hz). LEVEL, a three-color LED that is used to set the DRIVE control. LFO, a LED that indicates the LFO rate. whether the phaser is active or bypassed. ON/BYPASS, a rugged, smooth-acting 'stomp switch'. Phasing is one of the best ways to impart motion to a track and to make sounds come alive. With the MF-103 Phaser you can get swirling, shimmering, vibrating effects; fill up a whole stage from one sound source; even create brand new sonic textures. A phaser is a type of comb filter, so called because its frequency response has several dips and peaks, like the teeth of a comb. As the phaser response sweeps back and forth across the frequency spectrum, the harmonics of the audio input signal are alternately increased and decreased. This produces the classic phaser 'whooshing' sound.

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