Showing posts with label home studio. Show all posts
Showing posts with label home studio. Show all posts

7/13/2012

CAD Professional Mics E100S Supercardioid Large Diaphragm Condenser Microphone Review

CAD Professional Mics E100S Supercardioid Large Diaphragm Condenser Microphone
Average Reviews:

(More customer reviews)
I have a modest home studio, and my recordings have received kind comments from listeners and fellow engineers alike. Though I am on a budget like almost everyone else, I take my equipment seriously, and believe that one is better off saving for what will deliver widely-recognized quality, rather than trying to economize by buying the minimum you need to get a recording done. When you buy too cheap, you often end up spending 3x what you would have spent (for the good stuff) in money lost through trade-ups--because you just can't get happy.
My personal philosophy out of the way, I have respectable gear that can help me tell the difference between a decent mic and a wannabe.
I tested the e100s through a Metric HALO ULN-2 extended, Logic Pro-9, ADAM A-7 Monitors, and various reference quality headphones, including the AKG K-701 and Ultrasone PRO 750s.
I used the mic by itself, X/Y with a Peluso CEMC-6 SMC, and in an M/S configuration with a RODE K-2 Tube mic. I recorded both vocals and acoustic guitar (this last being my personal favorite for showing up crappy wannabe equipment. Transients, fundamentals, and harmonics from a quality guitar are a great test for mics, pre-amps and monitors, and I have two guitars I tried: a Martin D-35, and a Larrivée LV-05e).
The e100s didn't disappoint. It delivered nicely textured, transparent sound, and as a bonus (especially for those of us who want to make clean, quiet, acoustic recordings), it wasuncannily, blissfully, quiet. I mean quiet. Did I say quiet?
My ULN-2 has something like a 125dB S/N Ratio, and this mic made it worth the investment. Holy-moly. I've used Neumann, RODE, Peluso, MXL, etc., etc... this mike is the quietest of them all...even quieter than the TLM-103.
Great sound. Dead quiet. Buy it.

Click Here to see more reviews about: CAD Professional Mics E100S Supercardioid Large Diaphragm Condenser Microphone

Engineered and built in the USA, the new E100S large diaphragm supercardioid condenser has the lowest noise floor in its class (3.7 dBA) and the smooth vintage tone and robust low end CAD is known for. The bootstrapped, full differential Quadra-FET front end delivers high sensitivity and low distortion, plus CAD's proprietary circuitry ensures the highest performance. The nickel plated 1" capsule delivers accurate phasing on instruments, and a full rich vocal tone, accentuated by the extended low frequency response. Features include an 80Hz hi-pass filter and a 10dB pad. From vocals to percussion, acoustic instruments and everything in between, the CAD Equitek E100S will prove to be one of the most versatile tools in your microphone locker, in the studio or on stage. Vintage woodgrain cherry case and stealth shock mount included. 48V phantom power is required. ApplicationsStudio Vocals Choir Acoustic Instrument Guitar Cabinets Bass Cabinets Strings Piano Cymbals/OverheadsSpecificationsOperating Principle: Condenser Polar Pattern: Supercardioid Frequency Response:

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6/30/2012

RODE NT1A Cardioid Condenser Microphone Review

RODE NT1A Cardioid Condenser Microphone
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If you are in to producing/engineering and want a super mean condensor mic without spending alot of cash, this is one to get; very cheap with an extremely expensive sound. It does not have any polar switches or any built in eq's, but most all DAW's do have eq's and phase reverse abilities. Plus, its better to cut freq's that are there, then to try and boost freq's that aren't there; the latter is impossible actually. I'm telling you, don't let the price tag throw you off; this baby makes everything sound good. I've used it on vocals, acoustic guitars, drums as an overhead/ride mic as well as a room mic for ambience. I also have a matched pair of NT 5's that are also absolutely amazing. Rode is a great Australian company that makes amazing mics with a 10 year warranty; yep...10 years. Get one, you won't be dissapointed. Remember though, bad acoustics = bad recording sound.

Click Here to see more reviews about: RODE NT1A Cardioid Condenser Microphone

The original NT1 was voted "Best Microphone at Any Price" by the editors of Electronic Musician magazine. The NT1A delivers performance usually associated with higher priced microphones. Features: large capsule (1") with gold-plated membrane; cardioid polar pattern; ultra low noise, transformerless circuitry; state of the art surface mount electronics; heavy-duty satin-nickel finish; internal shock mounting system; gold plated output connectors; true condenser (externally biased); full frequency response. The NT1A will blow you away! Ultra low-noise, transformerless circuitry.Cardioid polar pattern.Large capsule (1") with gold-plated membrane.Surface mount electronics.Heavy-duty satin-nickel finish.Internal shock mounting system.Gold plated output connectors.True condenser design (externally biased). WARRANTYAll RODE products are warrantied for 1 year from the date of purchase. Your purchase may be registered ?on-line? or by mailing the warranty card. The RODE Warranty covers parts and labour that may be required to repair the microphone during the warranty period.The Warranty excludes defects caused by normal wear, modification, shipping damage or failure to use the microphone as per RODE's Instruction Guide.

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6/26/2012

CAD Large Diaphragm Supercardioid Condenser Review

CAD Large Diaphragm Supercardioid Condenser
Average Reviews:

(More customer reviews)
I have a modest home studio, and my recordings have received kind comments from listeners and fellow engineers alike. Though I am on a budget like almost everyone else, I take my equipment seriously, and believe that one is better off saving for what will deliver widely-recognized quality, rather than trying to economize by buying the minimum you need to get a recording done. When you buy too cheap, you often end up spending 3x what you would have spent (for the good stuff) in money lost through trade-ups--because you just can't get happy.
My personal philosophy out of the way, I have respectable gear that can help me tell the difference between a decent mic and a wannabe.
I tested the e100s through a Metric HALO ULN-2 extended, Logic Pro-9, ADAM A-7 Monitors, and various reference quality headphones, including the AKG K-701 and Ultrasone PRO 750s.
I used the mic by itself, X/Y with a Peluso CEMC-6 SMC, and in an M/S configuration with a RODE K-2 Tube mic. I recorded both vocals and acoustic guitar (this last being my personal favorite for showing up crappy wannabe equipment. Transients, fundamentals, and harmonics from a quality guitar are a great test for mics, pre-amps and monitors, and I have two guitars I tried: a Martin D-35, and a Larrivée LV-05e).
The e100s didn't disappoint. It delivered nicely textured, transparent sound, and as a bonus (especially for those of us who want to make clean, quiet, acoustic recordings), it wasuncannily, blissfully, quiet. I mean quiet. Did I say quiet?
My ULN-2 has something like a 125dB S/N Ratio, and this mic made it worth the investment. Holy-moly. I've used Neumann, RODE, Peluso, MXL, etc., etc... this mike is the quietest of them all...even quieter than the TLM-103.
Great sound. Dead quiet. Buy it.

Click Here to see more reviews about: CAD Large Diaphragm Supercardioid Condenser

CAD Large Diaphragm Supercardioid Condenser with low noise floor - includes stealth shockmount and woodgrain cherry case

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6/25/2012

Focusrite ISA428 Four Classic Microphone Pre-Amps and High-Quality A/D Conversion Review

Focusrite ISA428 Four Classic Microphone Pre-Amps and High-Quality A/D Conversion
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Very versatile preamps! I've had them for 3 years and wouldn't dream of getting rid of them! Very clean, but colorful (in a good way). I've used them on everything from drums to voice to symphony to bass & keyboards (direct). No complaints. I've done shootouts with preamps that were much more expensive and I won't say the ISA428 blew them away, but it came closer than it should have considering the price difference!

Click Here to see more reviews about: Focusrite ISA428 Four Classic Microphone Pre-Amps and High-Quality A/D Conversion

The ISA 428 features four classic, transformer-based microphone pre amps with switchable impedance and direct Instrument Inputs are combined with an optional eight channel 192kHz ADC. An all-new, Soft Limiter circuit precedes the A/D, providing the perfect path into any DAW, Digital Console or direct to Hard Disc Recorder. The input stage provides enhanced control and creativity allowing you to switch between four carefully selected input impedance settings. The original ISA 110 setting is supplemented by three further impedance settings to either perfectly match the pre-amp with any microphone and maximise level, or to use different settings creatively to shape the sound of the microphone being used. Should the need arise to place extra processing between pre-amp and conversion, insert points are also featured on every channel. Protecting the ADC, Focusrite's Soft Limiter is a new optical circuit design, entirely preventing any digital overs, whilst reducing to an absolute minimum the undesirable distortion artefacts that common limiter circuits typically generate. This limiter requires the optional ADC to be fitted in order for it to operate.The ADC embodies cutting-edge conversion technology, encompassed within Focusrite circuitry, providing eight high quality conversion channels, at sampling frequency rates of 44.1, 48, 96 and 192kHz. Running at 96kHz allows for up to 16 (2 x 8, parallel) digital outputs. Digital output formats are dual 9-pin D-sub (AES/EBU, SPDIF) and dual ADAT light-pipe. Full digital metering is provided for every channel, alongside moving coil peak meters, designed to catch even the fastest transients. A second ISA428 analogue unit can be connected utilising the four extra ADC input channels on the rear of the unit containing the optional ADC. This makes full use of the eight channels provided and expands front-end capacity from four pre amps and eight digital outputs to eight Pre amps and eight digital outputs.

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Tascam US-1800 USB2.0 Audio/Midi Interface Review

Tascam US-1800 USB2.0 Audio/Midi Interface
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I bought this unit partly because it came with a nice audio recording program called cubase. I like the interface but trying to register and run the free software has proven to be impossable. Great interface but don't buy it hoping to be able to use the software the company behind the Software has made it impossable to use their product (Steinberg). Interface is really usefull and easy to use. 8 xlr, six 1/4" plus midi and spdif(digital) inputs to connect to your computer with a single usb cord. Four assignable outputs. Phantom power to boot on the xlr ins. Very clean sound and I haven't add any problems with latense. Used it to record my band live, no problems running all 14 analog inputs and spdif at once for 15 tracks.

Click Here to see more reviews about: Tascam US-1800 USB2.0 Audio/Midi Interface

The US-1800 audio interface from TASCAM offers more inputs than any interface in its class. Up to 16 inputs and 4 outputs are transmitted to Mac or Windows over high-speed USB 2.0 connection. The US-1800 features eight XLR microphone inputs with phantom power and 60dB of clean gain. Six balanced line inputs are also provided, as well as stereo S/PDIF digital and MIDI in and out.Included with the US-1800 is Cubase LE5, the latest workstation software from Steinberg. This 48-track audio workstation includes must-have features like automation, plug-ins, mixing, editing and MIDI tracks. Cubase LE5 uses standard VST plug-ins for adding virtual instruments and effects.If you want the most inputs into your computer for the minimum amount of cash, TASCAM's US-1800 is the only choice!

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6/10/2012

Behringer Eurodesk SX2442FX Ultra-Low Noise Design 24-Input 4-Bus Studio/Live Mixer Review

Behringer Eurodesk SX2442FX Ultra-Low Noise Design 24-Input 4-Bus Studio/Live Mixer
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Bought this mixer to have the whole band on ONE mixer...... This solved the problem with channels to spare and added some beautifull extras. The busses where great for isolating the whole drumset, vocals etc..... And sending dry sounds to the house PA. The fx are great that no extra gear has to be hauled. In live performances we need minimal fx so these are awesome. Still have to try it out in my studio setup to see the performance there but I don't think I'll be disappointed. Great product and great handling.

Click Here to see more reviews about: Behringer Eurodesk SX2442FX Ultra-Low Noise Design 24-Input 4-Bus Studio/Live Mixer

Ultra-Low Noise Design 24-Input 4-Bus Studio/Live Mixer with XENYX Mic Preamplifiers, British EQsand Dual Multi-FX Processor

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6/07/2012

Mackie MC Extender Pro 8-Ch. Control Surface Extension Review

Mackie MC Extender Pro 8-Ch. Control Surface Extension
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Of course we all know what this unit does! Like its mother the MCU Pro its solidly built and now equipped with really cool Alpine motorized faders! Worked straight out of the box! I use it with Sonar and Reaper and its simply perfect! However!
This unit requires two short midi cables to connect with the main MCU Pro so why, why, why do Mackie ship this with a USB cable??? I mean it doesn't even have a USB port! Maybe someone at the LOUD factory was a little hung over when they packed my unit! Anyhow, that aside! I recommend this product to anyone!

Click Here to see more reviews about: Mackie MC Extender Pro 8-Ch. Control Surface Extension

The Mackie Control Extender Pro control surface extension lets you expand your Mackie Control Universal Pro control surface, eight motorized, touch-sensitive faders at a time.

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6/04/2012

Behringer B2030A Active 2-Way Reference Studio Monitor Review

Behringer  B2030A Active 2-Way Reference Studio Monitor
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I purchased these with the assumption that I was not going to get the quality sound I wanted as opposed to KRK monitors (WAAAY overpriced) for my small studio. Boy was I wrong! The sound quality is better than expected to say the least. They're HEAVY, thus you won't be too worried about knocking them over (like the smaller KRK's or M-Audio Studiophiles I've seen). Took these over to a friends house for mixdown of video's he's been working on, and adjusted the settings for his video editing hardware and room dynamics. He then changed his mind after about some 5 hours of video editing. Not the best, but I'll be putting my money into what I can use rather than a name (KRK, JBL, Tannoy, Genlec are just TOO much. . .even for just one monitor). And it'se never about what you got, it's what you do with it.
There are going to be reviews bashing them, but when I have audio engineers telling me "good choice, cuz the KRK's are sometimes WAAY too bassy", I feel I've done my job and research into finding what I can afford.
Just a quick note. . .do give these "burn in" time. meaning give them some time to run before going all out on those mixes. Similar to tube preamps for guitar heads/cabs. . .burn em in slowly so you can get the full effect later. I haven't had these long enough, but I can say they are the best part of my studio.

Click Here to see more reviews about: Behringer B2030A Active 2-Way Reference Studio Monitor

The TRUTH B2030A has all of the great features of an active TRUTH monitor packed in a compact cabinet.It's a high-resolution, active 2-way reference studio monitor that is perfect for nearfield monitoring applications: from small mixing environments to multi-channel surround setups.

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5/30/2012

Mackie HR624mkii 6-inch2-Way Studio Monitor (Single Speaker) Review

Mackie HR624mkii 6-inch2-Way Studio Monitor (Single Speaker)
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This speaker has a very smooth response on and off axis, narrow dispersion, and virtually no diffraction. Bass seems a touch heavy, but easily adjustable on the back of the enclosure. The vertical polar response shows a rather narrow window. Not a big problem if you keep your ear level between the drivers or slightly toward the tweeter side. The tweeter's break up is sort of low at about 15kHz, but it's not really audible. It holds up well at high volumes. Build quality is incredible! That sums this up as far as I'm concerned. I'd get another of it were stolen or destroyed.

Click Here to see more reviews about: Mackie HR624mkii 6-inch2-Way Studio Monitor (Single Speaker)

With its smooth sound and design, the 6.7-inch HR824mk2 high-resolution Active studio reference monitor turns your studio?s sweet spot into a full-on sweet zone.

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5/20/2012

Allen & Heath AH-ZED-14 14-Channel Mixer with USB Interface Review

Allen and Heath AH-ZED-14 14-Channel Mixer with USB Interface
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This is a board that you take out of the box, plug the USB in, and you are recording in minutes. The quality is amazing. You will be very happy you spent the extra money, ESPECIALLY for the USB portion. If you own a Mac, it is amazingly simple and trouble free. A great buy at any price for the small home studio.

Click Here to see more reviews about: Allen & Heath AH-ZED-14 14-Channel Mixer with USB Interface

The new ZED-14 is a small format, USB-equipped stereo mixer for live and recording. The ZED-14 has a fantastic pedigree which comes from nearly 40 years of making mixing desks for the professional sound community. The audio circuitry is based on years of continual development and refinement and the performance of all the elements within the mixer is has been perfected to ensure the very best sound quality possible. This is a mixer for anyone, from entry-level to professionals, who appreciates fantastic sound, rugged build quality and imaginative feature sets. It'll be equally happy running your gig on stage, recording live or mixing down in your studio at home. The feature-set is incredibly advanced for a mixer at this level – it has 13 independent sources to the mix, 10 independent outputs, 4 aux sends, a USB send & return for PC or Mac recording, playback and effects, a unique dual stereo input capability and some very advanced monitoring facilities. In fact, ZED-14 is so packed full of great features that you'd think it would cost much, much more! It can be used for many different tasks, whether in live performance, utilizing plug-in effects via USB, live recording via USB and Cakewalk, studio recording or mixing down to produce your own 2-track recordings. What about the sound quality? Our chief designer, Mike Griffin, has been at the forefront of audio innovation for many years and has developed the designs for our spectacularly successful MixWizard and GL series professional live mixers. Mike is always striving to produce the best possible sound for our mixers, and for ZED has produced the ‘DuoPre', a mic preamplifier which sounds as sweet as a nut, as pure as the driven snow. The DuoPre combines an optimized line input circuit together with the microphone preamp circuit so that it will not color or distort your sound, will give you lots of headroom, and give you a truly professional feel.

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4/13/2012

Sennheiser e835 Dynamic Vocal Microphone (3 Pack) Review

Sennheiser e835 Dynamic Vocal Microphone (3 Pack)
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Hi there, I'm currently using a single Sennheiser e835 Dynamic microphone. It delivers professional quality sound. Now when you hear that, your thinking... it means whatever your mind wants it to mean. Basically when i say its got professional quality, i mean.. it'll suite you... for whatever you have to record. It does an amazing job for my podcasting studio delivering great variance between highs and lows. As long as your between 1-4 inches from the mic you will get amazing quality sound, everything outside that will be ignored. I often times have my tv going, my music playing or i'm having a conversation at the same time as having a podcast, and all i have to do is move the mic away from my mouth. The 10 year warrenty is very good, and the construction of this microphone screams nothing but quality. The Shure Sm57 and 58 havn't been changed since.. *cough* 1957 and 1958. In these last 40-50 years we've come up with a lot of better tech to go into a mic, this microphone hosts some of that. The cage on top is also much more durable than the Shure models. I believe i'll be happy to have this microphone for 10+ years.

Click Here to see more reviews about: Sennheiser e835 Dynamic Vocal Microphone (3 Pack)

The Sennheiser e835 Dynamic Vocal Microphone; A top selling mic for lead vocals The e835 is a quality vocal mic with performance and build characteristics never before available at this price. The e835 utilizes a cardioid pick-up pattern providing good signal isolation and feedback rejection, enabling higher sound levels to be obtained. Metal construction and internal shock-mount system minimizes handling noise. Designed as a lead vocal stage mic, the e853 performs under pressure. Available here in two separate packages: A mic, cable and stand package that includes a tripod boom stand and 21ft mic cable. - or - A 3 microphone package that offers 3 e835s with great savings. Uniform frequency pick-up pattern maintains signal quality when moving on and off axis during performance. Gentle presence boost to even tonal response ensures clarity and projection. Minimal proximity effect provides consistently clear bass end performance when singing closer to or further from capsule. AmericanMusical.com is an authorized dealer of Sennheiser products.

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4/06/2012

Mackie Onyx 820i FireWire Recording Mixer Review

Mackie Onyx 820i FireWire Recording Mixer
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After an existing audio interface went bad, I ordered the Mackie Onyx 820i as a replacement (not from Amazon), setting out to love the thing. I did at first, but after noticing some limitations, I am exchanging it for a different setup. My biggest gripe is the low output to the DAW. At detent, the highest level captured in a waveform was -22dB. At full gain (firewire send is pre-fader, so gain is only option for adjusting level unless you route everything - and I do mean everything - through a preamp) I was capturing -16dB, regardless of instrument (this introduced a lot of noise when recording guitar). A follow up call to the vendor from which I purchased it revealed that other customers had noted the same characteristic. Some would argue that this is just fine when recording in 24-bit, but I'd prefer to make that adjustment on my own rather than having hardware make the decision for me. Gripe #2 - no control panel. The only setting you can adjust outside of the DAW software is buffer size.
Maybe this thing needs someone smarter than me at the wheel, but all the same, I'm going with a different interface.

Click Here to see more reviews about: Mackie Onyx 820i FireWire Recording Mixer


The feature-packed and performance-optimizing Onyx 820i is the most compact and desk-friendly version of the Onyx-i Series. With eight channels, three Onyx mic preamps, two aux sends, talkback, flexible control room routing and a variety of Perkins EQ configurations, there is plenty of analog goodness to go around. Plus, FireWire I/O lets you route all channels, auxes and the master L/R to nearly any DAW for recording and return a stereo signal to the control room or into a channel for mix integration. The 820i packs a big punch in a very small package.

DAW-Friendly Doesn't Even Begin to Cover It Mackie-designed gear is more often than not the result of customer interaction and suggestion. After all, we are making gear for you. For years, our customers have been asking for the freedom to work with any DAW they choose. So when we designed the Onyx-i series, we took this suggestion to heart. We are very proud that Onyx-i mixers are more DAW-friendly than any other interface ever. Onyx-i mixers are qualified by Mackie for use with all major DAWs, including Pro Tools M-Powered 8* Logic, SONAR, Cubase, and more. Now, dedicated Mackie customers can enjoy using their Mackie mixer with the world's most popular DAW. And Pro Tools M-Powered 8 users now have a variety of new--and different--tools to use with their favorite DAW. It's a win-win situation.

*Pro Tools M-Powered 8 users will need to purchase the Mackie Universal driver upgrade available at Mackie.com.

Deep FireWire Integration The Onyx-i Series features deeper FireWire integration than any other mixer out there and offers immensely powerful routing capabilities:

Wet or Dry?--Every channel on the mixer can be routed pre or post EQ to the computer, allowing you to choose whether to implement "EQ to tape" or not.
Studio Quality Effects--All aux sends are routable to the computer, allowing you to utilize your computer as a powerful FX engine by implementing your favorite plug-ins in a live scenario.
Preserve Your Mix--Master L/R is routable to the computer for recording your analog mix. Burn and sell CDs of the mix at the end of the gig!
Mix Integration--Stereo return from the computer can be routed to either the control room for instant monitoring or to a stereo channel for mix integration.
Latency-Free Overdubs--Having a "real" mixer has its benefits. Latency-free overdubs are simple since you are using an analog mixer. No more wasted time dealing with the complicated "DSP" mixers commonly used on standalone interfaces.

The flexibility offered by the 820i allows you to work faster and more intuitively than ever before. Imagine a world where your recording sessions run smoothly, every single time. Dream of a live sound mix that is both archived for history and simultaneously recorded multi-track for later mixing. No need to dream, the 820i is here.

Premium Analog Mixer When it comes to the high pressure environment of a recording session or live performance, you simply cannot beat the stability and reliability of an analog mixer. With features honed over 20 years of design by some of the legends in the industry, the Onyx-i Series mixers are simply the best sounding full-featured analog mixing boards available to the modern sound engineer.

The 820i has a plethora of analog features that are sure to please. First off, there are three Onyx mic preamps which have been proven as some of the best boutique quality preamps available today. That is, without having to re-mortgage your house in order to pay for all the inputs you need. Then there's the Perkins EQ, which offers highly musical Q filter without sacrificing the precise control that Mackie EQs are known for. Two mono mic/line channels feature 3-band Perkins EQ with a sweepable mid, the stereo line channels have 3-band EQ and (talk about flexibility) a unique hybrid channel features 4-band Perkins EQ. So, regardless of the type of signal you need to input, there is sure to be a channel with the right EQ for the application. Other analog tools include two aux sends with pre/post fader assignment, allowing for monitor mixes, effects loops or additional headphone mixes. There are built-in DIs on the first two channels for direct connection of guitars or bass and a dedicated talkback section with a built-in mic that lets you easily communicate with band members while on stage or recording. With all these proven, great-sounding analog features, it is easier than ever to create a memorable mix.

Smacks of Quality The Onyx 820i offers a tremendous collection of professional analog features and extremely deep DAW integration, but it is so much more than that. The sleek, modern design might even tempt you build a museum quality display for your engineer friends to admire. Plus, since it's a Mackie, you can be sure that it is "built like a tank" and will survive years of abuse.

Any audio company can cram a bunch of inferior components into a chassis and, believe us, a lot of them do. This is never the case with a Mackie mixer. Everything about the Onyx-i Series smacks of quality, because only the most quality, high-end components are used throughout the entire signal path. At the front end, you have the pristine signal boost offered by the Onyx mic preamps, which will likely get routed through the legendary Perkins EQ. The signal then passes through a series of sealed rotary knobs, which keep dust and grime out of the potentiometer. Then your mix hits the summing bus, which has been custom-designed to offer the highest possible headroom while preserving the sonic quality offered by the aforementioned components. Maybe you assigned the signal to stream across the FireWire outputs. If so, they had the pleasure of passing through the high-quality Cirrus analog-to-digital converter on their way to your computer. Or maybe you were overdubbing and streamed your backing tracks from your DAW and integrated them into the mix. In that case, you can thank the ridiculously high-end AKM digital-to-analog converter for the immaculate quality of the playback. These converters are extremely high-quality and easily rival the most esoteric (and expensive) interfaces out there today. From start to finish, no matter how you use it, the 820i offers the quality demanded by industry professionals.

Software Requirements:For PC
Microsoft Windows 7 32 / 64, Vista 32 / 64 RTM, or XP SP 2
Pentium 4, Celeron or Athlon XP processor
512 MB RAM
For Mac
Mac OS X 10.4.11 – 10.6.2
G4 processor
512 MB RAM



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3/24/2012

SE Electronics Reflexion Filter Pro Ambience Control Review

SE Electronics Reflexion Filter Pro Ambience Control
Average Reviews:

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In my home studio I record in a Whisper Room, which is a terrific sound booth. However, due to it's relatively small size I did hear a boxy quality especially when working a louder volume. The filter works as claimed and smoothed out the 'rough edges' so to speak - highly reccomended!
H2

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The SE Electronics Reflexion Filter is a great way to take out problem ambience with out all the expense of acoustically treating a room. The Reflexion Filter envelopes the rear of the microphone to produce a smooth, drier sound and reject unwanted reflections. The Reflexion Filter is perfect for a home studio with out acoustic treatment or a performer that also has to operate the recording device. The Reflexion Filter also works very well on an instrument that requires a dry, accurate sound. SE Electronics Reflexion Filter Features An incredible tool for home studios or for recording in the Control Room Adds that extra polish to your recordings by starting at the source Removes problem ambience without acoustically treating a room Rear of the mic is isolated producing a smooth, drier sound Excellent for live or studio; vocals, instruments, amps and percussion An included variable position, stand clamp assembly allows you to attach the Reflexion Filter to any standard microphone stand. The Reflexion Filter has 6 main layers. Firstly, a strong layer of punched Aluminium which allows sound waves to pass through it, diffused, to a layer of absorptive wool. The sound waves then hit a layer of Aluminium foil which helps dissipate energy and break up the lower frequency wave-forms, and from here they hit an air space kept open by rods passing through the various layers. The air gap acts as an acoustic barrier. The sound waves then pass to a further layer of wool and then through an outer, punched, Aluminium wall which further serve to absorb then diffuse the remaining acoustic energy. The main absorb

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3/20/2012

Sennheiser e945 Supercardioid Dynamic Handheld Mic Review

Sennheiser e945 Supercardioid Dynamic Handheld Mic
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I have been performing live for almost 20 years now, and unless we had pro sound happening during a show, I struggled, like so many other singers, to cut across the band. Not to mention the impossibility of even using all the dynamics in my voice because the low volume/range stuff just would disappear. I was mostly using Shure SM58, the old horse, and knew how to work it well. But as my chops grew over the years and I started to be pickier, I tried several handhelds before finally coming across this one. And WOW. All I can say is, in comparison to the SM58, it's like someone threw on the light switch while you never even knew you'd been in the dark. It has much more gain to start with, and does wonderful things to my voice across my (huge) range. Crystal clear lows, excellent highs, and just really, really comfortable to sing through. I would buy it again in a heart beat.

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The Sennheiser e945 Dynamic Vocal Microphone brings vibrance to your vocals The e945 is a supercardioid stage microphone specially designed to perform under pressure while exhibiting a naturally smooth response. Made for the working musician - especially lead singers. Excellent sound results guaranteed, day to day, 365 days a year. First choice for rental companies. Sennheiser e945 Features Metal construction: Rugged and reliable Shock-mounted capsule: Low sensitivity to impact and handling noise Supercardioid pickup pattern: Insulation from other on-stage signals Hum compensating coil: Reduces electrical interference Neodymium ferrous magnet with boron: mic stablity regardless of climate Falcon ring: Consistent sound over time Made in Germany Includes Protective pouch and mic clip AmericanMusical.com is an authorized dealer of Sennheiser products.

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3/10/2012

Rode NT2000 Vocal Condenser Microphone Review

Rode NT2000 Vocal Condenser Microphone
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Everyone should have a multi-pattern mic around for utility purposes and this is the one I chose after demoing a half-dozen of interest (I had particularly high hopes for the Blue Mics). Aside from one super-expensive, and unnamed mic, the Rode NT2000 was actually my favorite by quite a margin. As I regard this type of mic as a utility piece, I was looking for a mic that was fairly neutral on voice/cardioid and without too heavy a proximity effect, airy and crisp on omni, and had to have an attentuation switch.
The NT2000 has all that, plus a rugged build. I've been very pleased since purchase, having used it for voice, acoustic guitar (could probably use a warmer mic here), cab miking on electric, bagpipes, recording ambience, and percussion. I'm especially pleased with the mic's ability to capture detail in high sound pressure conditions.
The NT2000 has continuously variable patterns, not a fixed selection of patterns. It has a variable pad, not a simple cut type attentuation switch, which really helps in nailing the sound without having to compromise the mic's position. Finally, the high-pass filter is also continuously variable. All go a long way in making this a HIGHLY adaptable mic.
After my demos, I went in to buy one mic, got an offer I couldn't refuse on two, and walked away poorer but happier! You won't be able to equal that price, as it was something of a favor, but the price here is good.
Although I love NT2000's sound and capabilities, I'm not wild about the controls (pattern, etc.). These aren't knobs you grab and turn - they're thin and flat. They have an edge pattern, but I can't turn them reliably by trying to grab the edges. I have to put my thumb on the knob surface and rotate it that way. It works and the knobs won't get accidently moved, but it's not exactly the height of convenience.
Great multipurpose mics.

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The World's First Fully Variable Control Microphone! The RØDE NT2000 is the latest brainchild from Australian master microphone designer Peter Freedman. Never before has this much control and versatility been available in a superlative class large capsule recording microphone. You have totally variable polar pattern, filter and pad all located on the body of the microphone! The NT2000's state of the art surface-mount electronics combined with the new Australian designed and manufactured HF1 Capsule, provide extremely low self-noise (7 dBA) and a maximum SPL of 147 dB (157 dB with pad fully engaged) ensuring exceptional results and the ultimate in recording creativity. The NT2000 includes a hard case and a shockmount. Rode NT2000 Features Large 1 inch HF1 gold sputtered capsule Continuously variable polar pattern, from omnidirectional to cardioid to figure 8 controlled on the microphone Continuously variable pad and high-pass filter Ultra low noise, transformerless surface mount circuitry Wide dynamic range High strength welded and heat treated steel mesh head Internal capsule shock mounting 'I could go on to share the thousands of hours that went in to the research and development of this microphone, instead I am prepared to put my reputation on the line. I am saying without fear of contradiction, the NT2000 is the best sounding and most versatile 1' FET studio microphoneon the world market today, regardless of cost.' Peter Freedman, President RØDE Microphones AmericanMusical.com is an authorized dealer of Rode products.

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Apogee Duet - Audio input adapter - IEEE 1394 (FireWire) Review

Apogee Duet - Audio input adapter - IEEE 1394 (FireWire)
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I bought the Duet to use with my Aluminum iMac and Logic Studio 8 and have had zero problems with the unit. The interface is very streamlined so you have to get used to using a single, multi-function knob for everything. The quality of conversion between analog and digital is head and shoulders above anything else near this price level. It sounds as good as units costing 3 times as much due to the designers' emphasis on quality sound. To get the high quality conversion at this price you are limited to the line outputs and headphone output levels being permanently linked. Some people find this a drawback, so be aware before you buy if this feature is something that is a deal breaker for you.
The small form factor is nice because as anyone with a home studio can attest to, space is not a luxury we have. I didn't pick this for its portability but as it is the size of a paperback book I can imagine it being very easy to tote around with a macbook/pro.
The included Maestro management software is straightforward and lets you set the unit up in seconds with a very easy to understand user interface. Configuring my iMac to use this as the audio input and output took less than a minute from reading the instructions. Making Logic label its mixer to match is equally simple. One thing I found convenient is how OSX lets you still use the iMac's built in speakers for the system alerts so that an error message gong sound isn't sent out through your 100watt studio monitors. You can set the output level of the system alerts separate from the duet's outputs.
The breakout cable is securely attached and the plugs are labeled with big, clear markings so changing hook-ups is easy. It has phantom power if your mics require it, which is set using Maestro.
Most audio interfaces in this price range try to win you over with more I/O channels or other add-ons instead of making the best sound conversion. They trade quality for quantity with predictable results. Apogee decided on doing a simple 2 channel interface, a single physical control and top shelf A/D/A converters so the result is the best 2 channels you can get. When you want more channels without sacrificing quality then you can step up to their Ensemble line.

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The Duet is a two-channel FireWire audio interface that features the amazing sound quality that made Apogee Electronics famous. With control functions built directly into Apple's Logic Pro, Soundtrack Pro and GarageBand software, Duet empowers you to create professional recordings effortlessly on your Mac.With Duet, you can plug in guitars, keyboards, and microphones to record your music, or simply experience how much better your favorite tracks in iTunes sound. Duet is compact and powered by FireWire, so you can pack up your studio and go anywhere your music takes you.Its dual, 1/4" high impedance inputs allow you to combine and record your two favorite instruments, whether it be two guitars, one bass, one guitar, etc., simultaneously using your favorite Core Audio-compatible application. You can also capture vocals with two microphone inputs that have phantom power and 75dB of gain. Whether you're noodling out new ideas, completing a personal tune, documenting a podcast, or recording a live performance, your new little buddy can handle it. The flexible breakout cables come with icons to make it easy to know what goes where, keeping everything in order, out of the way, and properly connected for maximum input and output, with minimal mess. Duet's bus-powered FireWire interface frees you from the traditional four-wall studio setting. So grab your laptop, find a spot where inspiration takes you, whether it's in the solace of a park or in the echoey confines of a subway tunnel, turn it on, and start doing your thing.If you don't have Logic Pro, Soundtrack Pro, Garageband, don't panic. Apogee's includes it's own Downloadable Maestro software, so you'll still be able to work with any Core Audio-compatible application. Maestro allows you to turn the Duet's multifunction control knob into a one-click manager.

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3/02/2012

Tascam DP-02 Digital Portastudio - 8 Track Review

Tascam DP-02 Digital Portastudio - 8 Track
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This is an outstanding system for demo recording and I am sure it would also be useful for live recordings with some added components.
After much research, I purchased the Tascam DP02 Portastudio instead of the Boss BR900CD. I had previously used the BR900 with much success and had my mind set on it for quiet some time. I kept my options open and the DP02 seemed to be the most comparable system. Despite some reviews stating the DP02 did not allow you to hear the effects while recording, I decided on it due to the on-board high, low, and reverb adjustment options. (I did not want to transfer to a computer for mastering) I was going to add an effects processor and pre-amp for the mic, but found all effects do play through recording.
The system has a lot of built in guitar (acoustic and electric), drum, bass, and vocal effects. It took me only a few hours to record several tracks, master them, and burn them to disk. Only being able to record to 2 tracks at once is a small drawback, but if you are doing all of your own recording shouldn't be a problem.
READ THE MANUAL!
Although it is not the easiest to follow page to page, if you know how to find what your looking for it's in the manual. For those of you that want to sit down, push record, and be on your way, you may want to look for a simpler system. Once you get it down, the DP02 is quite easy to use, but not something you can just turn on and go without some instruction. The trickiest part would would be mastering, but it is by no means difficult if you follow the directions.
All around this is a great system for a home studio and possibly more.
P.S. Thanks to Amazon for having the lowest price, and quick delivery.Just a quick update. May 29, 2010. I have put many hours onto this Portastudio and can say it has absolutely been worth it. The volume on the final track can be a little tricky, but nothing some time and patience cannot overcome. It has not given me any trouble and has never locked up as some people have said. Great piece of equipment for a very fair price.

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With a classic, well-known interface that's easy to pick up by new users, the 8-track Tascam DP-02 Digital Portastudio sports dedicated controls for level, pan, effects send and EQ instead of the menu-cursor interface found on most other recorders. You can make music with two hands with the DP-02--just reach and twist a knob when your creativity strikes. The DP-02 records to a 40 GB hard drive, and it includes a multi-effect processor, stereo reverb and CD burner for CD masters and song backup.
A pair of CD-quality XLR mic inputs includes phantom power for condenser mics and a direct guitar input. High and low EQ controls for level and frequency are provided for every channel. It also includes a multi-effects processor, stereo reverb, even a dedicated stereo channel for recording your mix. You can transfer tracks and mixes to a computer using USB 2.0, or burn a master disc in the CD drive.

Key Features
Two XLR mic/line inputs with phantom power for condenser microphones
Eight-track recording at uncompressed 44.1k/16-bit audio quality
Portastudio-based interface with volume fader, pan, effect send, high and low EQ controls per channel
EQ frequency button to access high and low EQ shelf frequencies
USB 2.0 interface for transferring tracks, mixes and backup files to a computer
Dedicated stereo master track for mixdown
Internal metronome and bar/beat display for song position
Headphone output
Stereo line outputs on RCA analog and S/PDIF optical digital connectors
40GB internal hard drive
Multi-effects processor with guitar, bass, vocal and drum programs
Stereo reverb processor with send/return controls for multichannel mixing
Built-in chromatic tuner
Built -in CD-RW burner for CD mastering and song backup


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