Showing posts with label firewire. Show all posts
Showing posts with label firewire. Show all posts

7/07/2012

Edirol FA-66 6 x 6 FireWire Audio Interface Review

Edirol FA-66 6 x 6 FireWire Audio Interface
Average Reviews:

(More customer reviews)
I've been using this product for about a year now and it has some real strengths in terms of audio fidelity and everything being in the one unit. I shared some of the difficulties of the last user initially, using a Dell Inspiron 8600, but was able to resolve them. The FA-66 can be resource fussy - not much extra needs to be going on with the computer before there is skipping. Maxing out the buffer fixes this, but this is devastating in terms of latency. The Windows that ships with Dells is less customisable than plain-vanilla Windows, and does have lots of things running in the background. I eventually identified that the anti-virus software was launching a separate app to check for updates (every 10 minutes!) and that this was causing skipping. Audio programs themselves - despite being resource intensive - don't seem to cause the problem. Once I disabled this app everything was good and I could operate at latencies of about 4ms without any problems.
There are a lot of good external units out there of which this is one. It really comes down to what you want and what software is packaged with the unit. 192KHz is overkill since consumer products like these have too much DAC jitter for this to be relevant. 96KHz is probably pushing it. But for straight-forward home or field recording where you don't want to bother with a mixer or a separate midi box, this is hard to look past. The inclusion of an analogue limiter sets it apart from offerings from M-Audio and the like, it is solidly built and having phantom power is very handy.
November 2007 Update - I've been using this with a MacBook Pro for a year now and its a dream. My recent purchase of Apple Logic Studio completes a really solid set up, exposing me to the harsh reality that any remaining limitations are user-based.

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6 x 6 FireWire Audio Interface

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6/26/2012

Mackie Onyx 32 Mixer (4 Bus, 28 Onyx Preamps and 2 Stereo Channels) Review

Mackie Onyx 32 Mixer (4 Bus, 28 Onyx Preamps and 2 Stereo Channels)
Average Reviews:

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Esta mezcladora es un equipo increiblemente genial, logramos superar todas las desventajas que habíamos tenido tiempo atrás. Tiene una consistencia robusta en los componentes, todos los controles demuestran gran calidad. El manual es sencillo e incluso puedo mencionar que aprendí muchas cosas del manual ya que no se limitan a explicar cuestiones técnicas sino más bien se obtienen ejemplos prácticos. El control que me proporciona sobre lo que quiero tener en el monitor/phones es increible. Todo lo que siempre había querído hacer para poder monitorear la mezcla ahora es posible. La calidad de la ecualización es estupenda realmente no es dificil lograr una equalización adecuada en pocos segundos. El compresor/limitador es un recurso importantísimo que va por el mismo precio. El control de las líneas auxiliares es genial.

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Mackie Onyx 32·4 and Onyx 24·4 mixers build upon the legendary Mackie SR24.4 and SR32.4 consoles - with their flagship Onyx mic preamps, new 4-band Perkins EQ, 100mm faders, a 6x2 matrix and a built-in stereo compressor limiter - all at a price that won't break the bank. These new mixers bring the innovative feature set and unequalled sound quality of Mackie's Onyx Series to the world of mid-format live mixers, effectively filling the gap between the Onyx Small-Format and 8-bus Onyx 80 Large-Format Live Sound Consoles. The Onyx 4-bus Series mid-format consoles incorporate a host of new features like a full complement of Mackie's highly acclaimed, flagship Onyx preamps that combine greater fidelity, increased headroom and unequalled sonic performance with greater radio frequency rejection and wider dynamic range. Additional Onyx 4-Bus features include a fully balanced signal chain for lower noise and wider frequency range, as well as Mackie's exclusive Cal Perkins-designed four-band EQ circuitry, renowned for its highly musical British sound and wider-range control. Both Onyx 4-Bus consoles also feature a 6x2 matrix, 100mm Panasonic faders, and a fully assignable stereo compressor/limiter section built upon the high-quality THAT 4301 chip. This compressor/limiter features independent threshold, ratio and fast/slow attack controls, and can be assigned to the main output mix, Groups 1 and 2, or Groups 3 and 4. Onyx 4-bus Mid-Format Live Sound Console Features Premium Onyx Mic Preamps on all mono channels Four-Band Perkins EQ Six fully assignable Aux Sends with Pre/post switches, mute and AFL solo Smooth, long-throw 100mm Panasonic Faders Analog direct outs per channel Two Dedicated Stereo Inputs 4 segment channel metering Dedicated talkback section 6 x 2 matrix Built in stereo compressor/limiter An All-New Design for Superior Sound A

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6/07/2012

Mackie MC Extender Pro 8-Ch. Control Surface Extension Review

Mackie MC Extender Pro 8-Ch. Control Surface Extension
Average Reviews:

(More customer reviews)
Of course we all know what this unit does! Like its mother the MCU Pro its solidly built and now equipped with really cool Alpine motorized faders! Worked straight out of the box! I use it with Sonar and Reaper and its simply perfect! However!
This unit requires two short midi cables to connect with the main MCU Pro so why, why, why do Mackie ship this with a USB cable??? I mean it doesn't even have a USB port! Maybe someone at the LOUD factory was a little hung over when they packed my unit! Anyhow, that aside! I recommend this product to anyone!

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The Mackie Control Extender Pro control surface extension lets you expand your Mackie Control Universal Pro control surface, eight motorized, touch-sensitive faders at a time.

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4/19/2012

Yamaha MG166CX 16 Input 6 Bus Rack Mountable Mixer with Digital Effects Review

Yamaha MG166CX 16 Input 6 Bus Rack Mountable Mixer with Digital Effects
Average Reviews:

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I bought this mixer to be used at small clubs and venues when I don't want to carry loads of stuff and for me it is perfect. The preamps, one knob compressors and effects sound really good, the sweepable mids on the EQ's are nice and the board has a very solid feel to it, for the price of this board you get alot of features.

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The MG166CX is a compact mixer with 16 input channels, ten mono and four stereo line inputs, Mono inputs have switchable 80Hz high pass filters, switchable 48V phantom power andcan accept either ¼" or XLR connections, while stereo inputs can accommodate either RCA or ¼" connectors. All inputs have three band EQ, with a sweepable midrange band on mono channels, as well as 3 aux sends, one switchable pre/post. Six channels offer Yamaha's exclusive single-knob compression. Lighted channel on/off and phantom power switches are easily seen. Built in high quality digital effects have 16 different reverb and delay presets. Dual 12 segment LED meters allow visual monitoring of the main stereo outputs.

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4/06/2012

Mackie Onyx 820i FireWire Recording Mixer Review

Mackie Onyx 820i FireWire Recording Mixer
Average Reviews:

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After an existing audio interface went bad, I ordered the Mackie Onyx 820i as a replacement (not from Amazon), setting out to love the thing. I did at first, but after noticing some limitations, I am exchanging it for a different setup. My biggest gripe is the low output to the DAW. At detent, the highest level captured in a waveform was -22dB. At full gain (firewire send is pre-fader, so gain is only option for adjusting level unless you route everything - and I do mean everything - through a preamp) I was capturing -16dB, regardless of instrument (this introduced a lot of noise when recording guitar). A follow up call to the vendor from which I purchased it revealed that other customers had noted the same characteristic. Some would argue that this is just fine when recording in 24-bit, but I'd prefer to make that adjustment on my own rather than having hardware make the decision for me. Gripe #2 - no control panel. The only setting you can adjust outside of the DAW software is buffer size.
Maybe this thing needs someone smarter than me at the wheel, but all the same, I'm going with a different interface.

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The feature-packed and performance-optimizing Onyx 820i is the most compact and desk-friendly version of the Onyx-i Series. With eight channels, three Onyx mic preamps, two aux sends, talkback, flexible control room routing and a variety of Perkins EQ configurations, there is plenty of analog goodness to go around. Plus, FireWire I/O lets you route all channels, auxes and the master L/R to nearly any DAW for recording and return a stereo signal to the control room or into a channel for mix integration. The 820i packs a big punch in a very small package.

DAW-Friendly Doesn't Even Begin to Cover It Mackie-designed gear is more often than not the result of customer interaction and suggestion. After all, we are making gear for you. For years, our customers have been asking for the freedom to work with any DAW they choose. So when we designed the Onyx-i series, we took this suggestion to heart. We are very proud that Onyx-i mixers are more DAW-friendly than any other interface ever. Onyx-i mixers are qualified by Mackie for use with all major DAWs, including Pro Tools M-Powered 8* Logic, SONAR, Cubase, and more. Now, dedicated Mackie customers can enjoy using their Mackie mixer with the world's most popular DAW. And Pro Tools M-Powered 8 users now have a variety of new--and different--tools to use with their favorite DAW. It's a win-win situation.

*Pro Tools M-Powered 8 users will need to purchase the Mackie Universal driver upgrade available at Mackie.com.

Deep FireWire Integration The Onyx-i Series features deeper FireWire integration than any other mixer out there and offers immensely powerful routing capabilities:

Wet or Dry?--Every channel on the mixer can be routed pre or post EQ to the computer, allowing you to choose whether to implement "EQ to tape" or not.
Studio Quality Effects--All aux sends are routable to the computer, allowing you to utilize your computer as a powerful FX engine by implementing your favorite plug-ins in a live scenario.
Preserve Your Mix--Master L/R is routable to the computer for recording your analog mix. Burn and sell CDs of the mix at the end of the gig!
Mix Integration--Stereo return from the computer can be routed to either the control room for instant monitoring or to a stereo channel for mix integration.
Latency-Free Overdubs--Having a "real" mixer has its benefits. Latency-free overdubs are simple since you are using an analog mixer. No more wasted time dealing with the complicated "DSP" mixers commonly used on standalone interfaces.

The flexibility offered by the 820i allows you to work faster and more intuitively than ever before. Imagine a world where your recording sessions run smoothly, every single time. Dream of a live sound mix that is both archived for history and simultaneously recorded multi-track for later mixing. No need to dream, the 820i is here.

Premium Analog Mixer When it comes to the high pressure environment of a recording session or live performance, you simply cannot beat the stability and reliability of an analog mixer. With features honed over 20 years of design by some of the legends in the industry, the Onyx-i Series mixers are simply the best sounding full-featured analog mixing boards available to the modern sound engineer.

The 820i has a plethora of analog features that are sure to please. First off, there are three Onyx mic preamps which have been proven as some of the best boutique quality preamps available today. That is, without having to re-mortgage your house in order to pay for all the inputs you need. Then there's the Perkins EQ, which offers highly musical Q filter without sacrificing the precise control that Mackie EQs are known for. Two mono mic/line channels feature 3-band Perkins EQ with a sweepable mid, the stereo line channels have 3-band EQ and (talk about flexibility) a unique hybrid channel features 4-band Perkins EQ. So, regardless of the type of signal you need to input, there is sure to be a channel with the right EQ for the application. Other analog tools include two aux sends with pre/post fader assignment, allowing for monitor mixes, effects loops or additional headphone mixes. There are built-in DIs on the first two channels for direct connection of guitars or bass and a dedicated talkback section with a built-in mic that lets you easily communicate with band members while on stage or recording. With all these proven, great-sounding analog features, it is easier than ever to create a memorable mix.

Smacks of Quality The Onyx 820i offers a tremendous collection of professional analog features and extremely deep DAW integration, but it is so much more than that. The sleek, modern design might even tempt you build a museum quality display for your engineer friends to admire. Plus, since it's a Mackie, you can be sure that it is "built like a tank" and will survive years of abuse.

Any audio company can cram a bunch of inferior components into a chassis and, believe us, a lot of them do. This is never the case with a Mackie mixer. Everything about the Onyx-i Series smacks of quality, because only the most quality, high-end components are used throughout the entire signal path. At the front end, you have the pristine signal boost offered by the Onyx mic preamps, which will likely get routed through the legendary Perkins EQ. The signal then passes through a series of sealed rotary knobs, which keep dust and grime out of the potentiometer. Then your mix hits the summing bus, which has been custom-designed to offer the highest possible headroom while preserving the sonic quality offered by the aforementioned components. Maybe you assigned the signal to stream across the FireWire outputs. If so, they had the pleasure of passing through the high-quality Cirrus analog-to-digital converter on their way to your computer. Or maybe you were overdubbing and streamed your backing tracks from your DAW and integrated them into the mix. In that case, you can thank the ridiculously high-end AKM digital-to-analog converter for the immaculate quality of the playback. These converters are extremely high-quality and easily rival the most esoteric (and expensive) interfaces out there today. From start to finish, no matter how you use it, the 820i offers the quality demanded by industry professionals.

Software Requirements:For PC
Microsoft Windows 7 32 / 64, Vista 32 / 64 RTM, or XP SP 2
Pentium 4, Celeron or Athlon XP processor
512 MB RAM
For Mac
Mac OS X 10.4.11 – 10.6.2
G4 processor
512 MB RAM



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