Showing posts with label computer recording. Show all posts
Showing posts with label computer recording. Show all posts

7/07/2012

Lexicon IONIX U42S 4-Input USB 2.0 Desktop Recording Studio Review

Lexicon IONIX U42S 4-Input USB 2.0 Desktop Recording Studio
Average Reviews:

(More customer reviews)
This device is solidly built, compact, and has great styling. Oh, and fantastic audio.
September 20, 2009 update: Better hope you don't have to deal with Lexicon's tech support. It is absolutely the worst ever anywhere. If you read through the comments to this review, another customer had extreme difficulties finding 64bit drivers. They weren't on the shipping CD, unlike my CD which did have the drivers. It took him weeks before anyone would respond to him. Ultimately, he bought another brand. The new 64 drivers were released a few weeks ago. I tried to install them on my computer and came up with total zero - the device no longer worked since the driver install failed. I emailed tech support, 2 weeks later I got a did you disable your virus software? Then I responded immediately, they are fools, of course that wasn't the problem. Then a week later I got another email that said and engineer identified the error code I sent (in the original email, but repeated for effect a second time)as the USB connection not working properly, and was the blue USB light on. Oh and by the way, please send them the information from the System Device control panel for the type of computer I have. I finally discovered that there was a problem with Windows 64 bit installers after Vista's SP2 update that makes it not work very well sometimes. I did this registration thing with a file. Reverted my computer to the old driver and then the software actually installed correctly - and I'm back in business. Sadly, absolutey no help from Lexicon.
If it were possible to change the star rating, or split the rating - Device / Hardware 5 stars; software not so great 3 stars; tech support for a Professional Product - absolute -100000000 stars totally blows chunks worse than most software companies I've dealt with.
Back to the Original Review:
Some physical description, this is a 4 input mixing, analog to digital, sound console. It uses USB-2 to connect to a computer, however a computer is not a necessity to use this as a mixer. The software included Cubase LE4, Pantheon II Reverb plug in, and Toontrack EZDrummer Lite (along with the required drivers and owner's manuals).
The inputs - 4 rear XLR / 1/4" combo plugs (allows either type of plug in); Midi IN; SPDIF - Coaxial - IN. There are two Instrument 1/4" jacks on the right hand side of the console.
The outputs - 2 1/4" headphone jacks on the left side. Two line level 1/4" jack audio outputs, Midi Out, and SPDIF - Coaxial -Out; and USB out.
There are also two buttons on the back for +48V phantom power.
The controls on the front, 2 headphone controls, the 4 input controls (inputs 1 and 2 can be made stereo pairs; as can 3 and 4). A large output level control. And a control to blend the amount of raw direct input sound, versus the amount of post processed sound.
Each volume control has a set of LED's above them to adjust levels.
The mass of this controller is just perfect, it weighs enough so that the thing will not slide around while plugging and unplugging inputs. The style is a bit like Harmon Kardon - black over silver. The control knobs just scream high quality. The whole thing is powered by a well designed A/C adapter with cords on both ends.
Computer installation. Plug the USB connector in. Insert the included software disc, select install drivers, and find out that only the 32 bit drivers are included. So it's off the Lexicon website to get the 64 bit drivers, my system is 64 bit Vista. After a ton of windows and separate installs, a reboot was necessary and all was happy with the connection.
Then came the pain and suffering:
Cubase was a major pain in the rear end to install. There must be 50 steps to finally get this program validated, registered, and authorized. It's frankly critical to open the installation instructions and follow them to the letter. Nothing but nothing is simple about this install, and it's just to complex to repeat here.
Once up and running - wow this thing is a total joy to use. I'm very new to recording (this is my first recording console). We plugged in an electric acoustic Laguna guitar, followed the instructions for getting started with Cubase, adjusted the volume on the console (the LED's on teh console helped get the levels right), hit record in Cubase; and voila a really great clear recording saved as a WAV file. Couldn't have been easier and higher quality.
The bit of surprise was playback. No matter what I tried, I could not get my Logitech Z-10 speakers to output a recorded track directly from Cubase. This is all probably by design, and it's just my inexperience. I had to use the left hand headphone jack to listen to the sound. This also worked as a monitor when we hooked up an electric guitar. The output quality on those headphone outputs was incredible. The only way I could playback the recorded track, once you press stop at the end of recording, the WAV file is written to the hard drive. That wave file can then be simply played through windows media player or any other player like a standard WAV file.
We did a few recordings and then burned the WAV files to CD. Played on a very nice stereo system, the clarity was absolutely amazing. Bass was solid, the highs were crystal clear. I loved those first recordings.
I've paired this with a Shure SM58 microphone for voice recording.
It feels like I have purchased a really fine solid piece of audio hardware. The sound recorded so far is nothing short of remarkable. For a pure beginner, I was able to get this set up and working surprisingly quickly and do a very decent recording. The Cubase learning curve is going to be huge, I can see that. But simple first out of the box, what a great experience.

Click Here to see more reviews about: Lexicon IONIX U42S 4-Input USB 2.0 Desktop Recording Studio

The I'ONIX U42S USB 2.0 Desktop Recording Studio offers the highest quality hardware and software to provide the user with exceptional recordings. All the necessary tools are provided to transform your PC or Mac into a professional 24-bit/96kHz digital recording studio including the U42S recording interface, Steinberg Cubase LE4 recording software, Toontrack EZdrummer Lite, and the new Lexicon Pantheon II VST/AU reverb plug-in.Brilliantly designed, the Lexicon I'ONIX U42S sits where it makes the most sense, between your keyboard and monitor. Now all the level meters and gain controls are at your fingertips when using your DAW. Everything from the metal chassis to the electronics inside is meticulously crafted to ensure superior recordings that live up to Lexicon's standards of performance.Featuring newly designed dbx 60V high-voltage, ultra-low noise mic preamps on all 4 channels, the I'ONIX U42S is more than equipped to provide professional recordings that keep your music sounding its best. The preamps run on a high-voltage supply to guarantee stability and provide you with a superior recording across a wide dynamic range. Performance driven A/D – D/A converters ensure pristine 24-bit/96kHz audio to capture every subtle detail of your performance.The I'ONIX U42S can record four tracks at once and includes 4 combi-jack mic/line inputs with +48V phantom power, 2 TRS balanced line outputs, 2 hi-Z instrument inputs, 2 high power ¼" headphone outputs, S/PDIF and MIDI I/O. Dedicated knobs and meters offer easy access to input and output levels and locking combi-jacks make sure that a connection is not lost in the middle of a performance.The Lexicon name is synonymous with the world's best reverb. The Pantheon II VST/AU reverb plug-in offers 6 reverb types with 35 factory presets, which range from Vocal to Live Sound and Special Effects. Lexicon's exquisitely rich, full reverbs make it easy to complete your mix by adding depth and dimension to any track.

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6/25/2012

Tascam US-1800 USB2.0 Audio/Midi Interface Review

Tascam US-1800 USB2.0 Audio/Midi Interface
Average Reviews:

(More customer reviews)
I bought this unit partly because it came with a nice audio recording program called cubase. I like the interface but trying to register and run the free software has proven to be impossable. Great interface but don't buy it hoping to be able to use the software the company behind the Software has made it impossable to use their product (Steinberg). Interface is really usefull and easy to use. 8 xlr, six 1/4" plus midi and spdif(digital) inputs to connect to your computer with a single usb cord. Four assignable outputs. Phantom power to boot on the xlr ins. Very clean sound and I haven't add any problems with latense. Used it to record my band live, no problems running all 14 analog inputs and spdif at once for 15 tracks.

Click Here to see more reviews about: Tascam US-1800 USB2.0 Audio/Midi Interface

The US-1800 audio interface from TASCAM offers more inputs than any interface in its class. Up to 16 inputs and 4 outputs are transmitted to Mac or Windows over high-speed USB 2.0 connection. The US-1800 features eight XLR microphone inputs with phantom power and 60dB of clean gain. Six balanced line inputs are also provided, as well as stereo S/PDIF digital and MIDI in and out.Included with the US-1800 is Cubase LE5, the latest workstation software from Steinberg. This 48-track audio workstation includes must-have features like automation, plug-ins, mixing, editing and MIDI tracks. Cubase LE5 uses standard VST plug-ins for adding virtual instruments and effects.If you want the most inputs into your computer for the minimum amount of cash, TASCAM's US-1800 is the only choice!

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5/26/2012

Pro Tools Mbox Mini (3rd gen) Review

Pro Tools Mbox  Mini (3rd gen)
Average Reviews:

(More customer reviews)
First let me say, I have no idea what the other guy is talking about. I just got my Mbox Mini the other day and had zero issues installing the program.
As for using the Pro Tools, it can do everything and sets the standard. I wish it came with more plug-ins, but those that are included cover all aspects of sound production. I was surprised to see a trimmed-down Guitar Rig 4 plug-in included.
While the learning curve for Pro Tools is steep, once you get the hang of it, there isn't anything it - and you, can't do!

Click Here to see more reviews about: Pro Tools Mbox  Mini (3rd gen)

Professional around the world have long been using Pro Tools recording systems to create award-winning music and sound for film and TV.Now you can get the same professional results in your personal studio with Pro Tools Mbox Mini - a complete, integratd, computer-based music creation and production system.The ultra-portable Pro Tools Mbox Mini features everything you need to easily compose, record, edit, and mix music-including studio-standard Pro Tools LE software.You get over 70 stunning effects and virtual instrutments, plus other tools and features to help you create music quickly and easily.Mbox Mini also delivers premium sound quality, plus rock-solid compatibility with nearly every popular audio recording application.

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4/25/2012

Lehle 3 at 1 Stereo Instrument Switcher Review

Lehle 3 at 1 Stereo Instrument Switcher
Average Reviews:

(More customer reviews)
Great switcher, does exactly what I need it to do(and that's a lot). I'm forming a Yes Tribute Band and I never thought I would find one pedal that would allow me to plug my guitar, steel, and stand mounted sitar in at one time; much less be able to switch any of them between two amp rigs. I am thrilled. It's extremely well built and the Lehle Company stands behind it's products. Fast responce to an email and the owner was going to mail a spare power plug for free. I found the right sized plug locally, but still you can't beat that kind of service.

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The 3 at 1 permits stereo switching of up to three different instruments to a single output.The 3 at 1 can be controlled and synchronized with other Lehle pedals via Midi.

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11/02/2011

Line 6 POD HD 500 Review

Line 6 POD HD 500
Average Reviews:

(More customer reviews)
Before we get started, I am more "pro" than amateur. I work at a church as a pastor of Worship Arts and use this in my work. But I hesitate to say I'm only "pro", because "amateur" means you do something purely for the love of it... and I feel that way about music... So...
First... the models I've tested are far and away more realistic to my ears than other modelers I've used, which includes Logic Studio's amps (these sound almost as good btw), POD X3Live and XTPro (the HD models are noticeably better... and the fizz is GONE GONE GONE), the original POD and 2.0 (which sounded the same to me and made me happy at the time), and the ToneLab SE (which I missed for a while, but not anymore).
I made a few patches for one of my guitars based on having a Bassman 4x10 alongside the Dr. Z, and it is the coolest sound I've ever made with this guitar... easily. Better sounding, to my ears, than the real amps I've been using (maybe because I put them off stage and don't run them very loud). I ADORE the sound of this unit.
Oh, and as always... forget about all the pre-sets. They're probably all as useless as you imagine they might be.
Now the bad news. And it's significant... for some...
First off, editing is clunky like it was on the XT and X3Live. Just forget about trying to use the display. Connect to a computer... Seriously. When you start from an init patch, you only get lucky, it seems, to manage to coax it into "two amp" config...
Next, The functionality of this unit is exaggerated by it's specs. You will almost certainly NOT be able to do 8 FX at once the way you're thinking. Why? Let's say you use an XT or a X3. think about what you're used to.
You start with 8 FX
Subtract effect banks for...
1. volume pedal (you need to use an effect bank). You might be able to use an analog pedal, but I like my volume after my compressor... so I have to do it in the loop I guess...
2. FX loop (only works with an effect bank... Line6, is there any way you can make this always active in a firmware upgrade? Seems like you could.)
3. Noise Gate (used to be always available... don't worry if you mix this with the M13 as I plan to do, though, as the M13 has a great gate). I mostly use clean or just barely broken-up amps, so I might be able to skip this.
4. Wah (this is always available and active in the X3 and below).
5. Post-EQ. The X3Live had a final EQ before final output that I liked a lot. in addition to all the other FX, too. You need to dedicate an FX bank now.
SO... you might only have 3FX left. For me, put in a clean boost and tube drive (which I think sound better in this box than they did in the M13. Probably because they're "digitally part of the signal" is all I can think) and a verb for the amp. No slots left. What if you need delay and modulation? EEK! I have to re-think the way I use FX in this box. Still evaluating how that will work for me.
What if you're a guy like me who was using the X3Live (occasionally) as a one-box solution for a dual-voice guitar. (All my guitars have piezo bridges.) No dice.
I will have to use an acoustic preamp. No matter. I have one. I will probably dedicate a "null" amp to bring this signal into the unit and mix it.
In addition, there aren't as many computer-recording routing options as the X3Live, and the SUPER-sweet ability to switch between two FX chains in one patch (instead of switching programs) is gone. As far back as my old Vox ToneLab SE, I could literally switch channels from one amp/cab to another in the same FX chain. You could do something similar on the X3Live. Not here. Also... Line 6, why on earth can't you make the Midi in and out work as a USB Midi interface with this unit? How complicated can that really be?
In short... the X3Live has significantly... SIGNIFICANTLY more flexibility imho than this unit, for many of us at least, and ought not to have been discontinued imho. For some of you, it's still a viable option.
You also still might need your other FX!
I thought it might be possible that this unit, even if I needed to use my AG Stomp for my acoustic side again (which I'm happy to do) would bump my M13 off the stage. Maybe not. At least not all the time. That said, I think from what I'm hearing that some of the FX (especially the dirt pedals) work FAR better inside this box than they do in the M13 when you connect it to a POD or amp.
My favorite patches so far that I've made (which use the Bassman model and the UNBELIEVABLE Dr. Z model... far and AWAY my favorite amp model EVAH!) don't leave any room for modulation or other special FX. (I'm not a "switch whole patches on the fly" guy. I turn FX off and on.) So I need my M13 after all. And the way I use my M13, having four FX processors with 3 FX available at any time is something I don't think I can live without anyway...
My rig is not getting any simpler, though... and that is a minor disappointment. The X3Live was a one-box solution for the two-voice guitar I do... Am I complaining? No. Because the sound of this unit is so extraordinary. I'd take off a full star for this shortcoming, but the fact is the unit sounds good enough that I can't do it.
There will, at some point, I hope, be a next-generation of this technology which will possibly address some of the usability shortcomings, but I have to say, for this price, I am totally satisfied with the sound, and have the other gear to add to it to make it totally work for me... BIG TIME!
In the meantime, am I willing to trade the flexibility of my former rig for the sound of this one? Heck yes, it sounds that good. I even love the models of amps I know I'll never use for the first time ever....
So... I will likely have a rig consisting of the HD500, and sometimes an M13 (I'm SERIOUSLY thinking of down-sizing that to an M9, but probably won't bother), and an acoustic preamp (currently a Yamaha AG-Stomp) mixed in with the HD signal through the mp3 input or using ONE of the FX to route it through the aux input.
Am I disappointed? Not really. I'm only nit-picking so that you will know all the trade-offs. For what I have been fantasizing about, basically an M13 in form and function with a handful of amp models shoved in the box, this is as close as we're probably going to come. And, did I mention... the SOUND! It's seriously great!
UPDATE! I have learned that I will indeed have no problem replacing my M13 as well, and am selling it in the next day or so (already have offers). It's a great unit, but I simply will not need it anymore with this thing around.

Click Here to see more reviews about: Line 6 POD HD 500

New HD amp modeling: sound and feel like never beforeHD amp models defy the accepted standard. They feel, behave, and interact with previously unachievable realism.Creating these new HD amp models was no small feat. We mixed 15 years of amp modeling experience with 3 years of new research and development to build an entirely new amp modeling technology from the ground up.During that time, we hunted down 16 incredible amplifiers andwith the help of LAs top tube amp expertsrestored each one back to peak condition. The new modeling technology uses 10-times more amplifier information than before, including single-ended class A tube stages, class AB push/pull interactions, power supply behavior, and more. The result is unprecedented, warmth, feel, sustain, and articulation for you to fall in love with.Tube amp fanatics have long enthused that their favorite stacks and combos arent merely amps, but instruments themselves, with playability equal to that of the guitar plugged into them. New HD modeling takes the POD HD experience to that same exalted level, capturing the genuine playability that great guitarists demand. Your amp collectionnow in HD!On the menu is a collection of freshly modeled amps, many of which are brand-new to POD, and all of which are essential for performing guitarists who require a wide variety of tones in one streamlined, multi-FX-sized package. POD HD500 includes 16 HD amp models based on* Fender Twin ReverbHiwatt Custom 100 (DR103)Supro S6616Gibson EH-185Fender BassmanFender Blackface Deluxe ReverbDivided by 13 JRT 9/15Dr. Z Route 66Vox AC-15Vox AC-30 (Top Boost)Marshall JTM-45 MkIIPark 75Marshall JCM-800 (2204)Bogner UberschallMesa/Boogie Dual RectifierENGL Fireball 100*All product names are trademarks of their respective owners, which are in no way associated or affiliated with Line 6. These trademarks of other manufacturers are used solely to identify the products of those manufacturers whose tones and sounds were studied during Line ...

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9/06/2011

Line 6 DT50 2x12 25/50W Guitar Amplifier Review

Line 6 DT50 2x12 25/50W Guitar Amplifier
Average Reviews:

(More customer reviews)
I have owned this amp for aprox 3 months now. It is a great sounding 2 channel amp. It is not your typical L6 amp and does not have a multitude of effects or any dialed in settings. It does have some wizardry in it basically like having 4 preamps, giving you allot of tone options without even hooking up a processor. This is the best sounding amp I have ever owned, which includes amps from fender to carvin, tube and solid state. If you want a downside to this amp its that it is incredibly loud, you could gig a medium sized gig off this without mic'n, and its only rated 50watts. If you pair this with the new hd processors you basically change 4 preamps to 16 (of course you can use full models as well) and up to 100 effects. If you have the cash to try it out and the need for the volume, you got a winner. Check out the youtube andertons music review it is better then the L6 one for tone review IMO.
In conclusion I sold 3 of my amps after getting this one, so that should tell you something.

Click Here to see more reviews about: Line 6 DT50 2x12 25/50W Guitar Amplifier

The Line 6 DT50 212 Guitar Combo Amp is medium sized with an amplification system that is able to configure and adapt its analog components and digital modeling in real time. This means that when you select a model, the DT50 Amp instantly reconfigures the tube power section to provide the optimal tone. The digital section monitors the tube power section and can adjust the DSP in real-time. At high volumes, the tubes provide more distortion. At low volumes, the modeling delivers more of the coloration. The digital section now "talks" to the analog section, and vice versa.Matched with 2 Celestion speakers, the DT50 212 gives you great tone and authentic feel at all volumes all the time.

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8/17/2011

Line 6 POD HD 400 Review

Line 6 POD HD 400
Average Reviews:

(More customer reviews)
I just got this pedaleboard to replace my POD xt live. The packaging was good and got it the next day with amazon prime
So far I tried the factory presets and made a few of my own.
First of all, HD modeling is a great upgrade from previous pods, it does sound diferent, I'm not and audio tech or anything like that, it really feels very close the real thing.
With this one you get fewer amp modeling, but they are 16 greatly modeled amps, and you can tweak every aspect of it to make it sound how you want.
I like the fact that now with line 6 edit you can tweak the signal, you can use pre or post effect and the GUI from the new version is really intuitive.
The advantage of the 400 is that you have the bank selector and is to my opinion less confusing than the 500.
This is really an improvement I really like the new tone, the distrotion for metal are great, and lots of weird sound effects if you're more into experimental stuff
The only thing I would complain about is: 1. You have to download the manual from the line 6 page
2. It doesn't have an off switch (that's not a bad thing its just I don't like to be pluging every time I want to use it)
Is this better than the 300?? no, Tone is the same, just a few more effects, but I like to have the bank selector separate front the other switches.
Is this worth it or should I get the 500? A friend has the 500 and I got really confused making the tones, with so much stuff you can do, you have to be really patient and organized in order to get the tone you want, with 400 is just tweaking a few of the knobs and that's it ready to rock. If you just want play music with good tone and no spend time tweaking stuff the 400 is for you and you save yourself some money.
Ask me for a video review and I will gladly post it =)


Click Here to see more reviews about: Line 6 POD HD 400

HD amp modeling: sound and feel like never beforeHD amp models defy the accepted standard. They feel, behave, and interact with previously unachievable realism.Creating these new HD amp models was no small feat. Line 6 mixed 15 years of amp modeling experience with 3 years of new research and development to build an entirely new amp modeling technology from the ground up.During that time, they hunted down 16 incredible amplifiers andwith the help of LAs top tube amp expertsrestored each one back to peak condition. The new modeling technology uses 10-times more amplifier information than before, including single-ended class A tube stages, class AB push/pull interactions, power supply behavior, and more. The result is unprecedented, warmth, feel, sustain, and articulation for you to fall in love with.Tube amp fanatics have long enthused that their favorite stacks and combos arent merely amps, but instruments themselves, with playability equal to that of the guitar plugged into them. New HD modeling takes the POD HD experience to that same exalted level, capturing the genuine playability that great guitarists demand. Your amp collectionnow in HD!On the menu is a collection of freshly modeled amps, many of which are brand-new to POD, and all of which are essential for performing guitarists who require a wide variety of tones in one streamlined, multi-FX-sized package. POD HD400 includes 16 HD amp models based on* Fender Twin ReverbHiwatt Custom 100 (DR103) Supro S6616Gibson EH-185Fender BassmanFender Blackface Deluxe ReverbDivided by 13 JRT 9/15Dr. Z Route 66Vox AC-15Vox AC-30 (Top Boost)Marshall JTM-45 MkIIPark 75Marshall JCM-800 (2204)Bogner UberschallMesa/Boogie Dual RectifierENGL Fireball 100*All product names are trademarks of their respective owners, which are in no way associated or affiliated with Line 6. These trademarks of other manufacturers are used solely to identify the products of those manufacturers whose tones and sounds were studied during Li...

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