Showing posts with label speakers. Show all posts
Showing posts with label speakers. Show all posts

7/08/2012

Bose T1 ToneMatch Audio Engine Review

Bose T1 ToneMatch Audio Engine
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Make no mistake, this is a state of the art mixer which outputs amazing sound. However, after owning and using this for 10 months as a professional musician, it froze in a blank-blue-screen, and stayed that way. The screen and dials were lit up as if the unit was working, but it was frozen and the screen was totally blank. No amount of 're-booting' helped. I was at a gig at the time, and it was a very bad situation. (understatement) Bose, to their credit, is replacing it with a new one, but I don't think I will trust it to be my sole mixer anymore. Shame.

Click Here to see more reviews about: Bose T1 ToneMatch Audio Engine

The Bose ToneMatch audio engine is designed to enrich the sound of musicians using any L1 system. Its powerful features and tone-shaping tools quickly bring you closer to the true sound of your voice and instruments. This versatile audio engine helps you sound your best in live performances. It expands the input capacity of your L1 system and gives you instant access to a host of proprietary EQ presets, standard effects and processors.The ToneMatch audio engine puts Bose's largest library of customized presets at your command. These presets instantly adjust your system to match the intended natural sound of popular instruments and microphones. So you reproduce factory-specified tonal balance—precisely and at the touch of a button.Different presets can be independently assigned to the engine's four channels. For example, select Audix OM5 mic presets for channels 1 and 2, Taylor guitar for channel 3 and Lakland bass for channel 4—all at the same time. Bose engineers continually work with manufacturers to expand the ToneMatch preset library. Updates are available to you free, with easy downloading via the engine's USB port.Intelligent equalization: zEQ Fine tune your sound with greater accuracy. Bose intelligent zEQ redefines low, mid and high ranges for each ToneMatch™ preset. When you need to cut or boost specific frequency ranges for different instruments and mics, zEQ gives you the power.Suite of effects and dynamics processing Globally assign one of five different reverbs to each mic/line channel. You can also choose from 3 delay types, ten additional effects, and seven dynamics processors—and assign them independently to each channel.Custom scenes Store your customized settings for specific gigs with the "scenes" feature. The T1's engine comes with five predefined Bose scenes and ten you can define. Fast, one-touch scene recall helps you make quick work of repeat setups.Easy connections Simply link the engine to an L1 Model II system via t

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6/29/2012

M-Audio Solaris Multipattern Condenser Microphone Review

M-Audio Solaris Multipattern Condenser Microphone
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Happy with product, only took about a week. It actually came with a shock mount which that wasn't list to come with it. Thanks

Click Here to see more reviews about: M-Audio Solaris Multipattern Condenser Microphone

The Solaris is a large-capsule condenser microphone that sounds as good as it looks. Beneath the stylish exterior lies the best-sounding solid-state electronics available at any price. Vintage design principles merge with incredibly tight manufacturing standards to yield no more than +/-1dB of deviation across the entire 20Hz-20kHz frequency range. The industry-thinnest evaporated gold diaphragm also delivers incredible sensitivity. Multi-pattern architecture provides flexibility that makes it ideal for just about any miking situation--included capturing vocals, guitar, piano, drums and live events. It's like having three mics in one.

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6/13/2012

Bose L1 Compact Portable Line Array System Review

Bose L1 Compact Portable Line Array System
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I am a professional mobile DJ in the Pittsburgh area, and I rely primarily on the Bose® L1 Model II sound system (with two B1® bass units) for my performances. When I need extra boost, I expand my sound by adding a Bose® L1 Classic sound system (the original L1 system) and two more B1® bass units to my Model II system.
However, there are times when I don't need the "muscle" of the full system, such as small venues for birthday parties, outdoor wedding ceremonies, etc. For that, the Bose® L1 Compact sound system is perfect! It will provide excellent sound for 100-150 people. It is an amazingly fast setup and tear-down, and it is light enough to be truly portable. Completely set up, it weighs just 29.2 pounds, so it is great for those tough small venues that have limited space, limited access, stairs, etc.
The sub-bass sound is built into the bottom unit, and there are 1/4" jack inputs for your sound source. The unit is designed to work with the T1 ToneMatch® sound engine (mixer with many presets that can contour the sound nicely). If you are using the ToneMatch, however, be advised that you will have to purchase a power adapter for the ToneMatch. (The ToneMatch is powered from the pedestal base amplifier of the Model II®, but the L1 Compact® will not power the ToneMatch.)
The midrange sound comes from a small, narrow enclosure containing six small speakers/drivers placed at precise angles to deliver sound at a 178-degree "throw" left and right. The sound WILL cover a large area evenly, which is great for those times when the sound has to be softer (dinner music, pre-ceremony music for weddings, etc.). Everyone in the coverage area hears the music at the same volume, which avoids the problem of traditional speaker systems (really loud near the speakers but diminishing volume as you get further away). I was very skeptical of this feature when I first heard about the even sound coverage, but a year and a half of using the Bose® L1 systems has made me a believer. It's sweet!
Another nice feature is that there is a 1/8" stereo input jack for iPods (also works well when sending sound directly from your headphone output of a laptop). This lends a great deal of versatility to the system.
Example 1: I did a wedding reception recently where the father of the bride had a DVD he wanted played after dinner and projected onto a large screen. The location of the LCD projector was quite a distance from my main table, and the hall had not provided for the sound of the DVD show. I brought in the Bose® L1 Compact system and set it up next to the projection table, connecting the sound directly from the laptop that was running the DVD to the Compact system using a 1/8" to 1/8" stereo jack from the laptop to the iPod input on the Compact. The sound was perfect! Far better than any portable speaker system I have heard in the past from photographers/videographers who bring portable sound with them for their PowerPoint shows. It was a simple one-cable connection without anything else.
Example 2: I did wedding ceremonies both outside and inside for crowds of about 150 people or so using the Compact system. I ran all the music from my MacBook Pro through the ToneMatch®. I also connected two Shure wireless mics through the ToneMatch as well (one on the officiant, and one on the groom, which picked up the bride as well.) Additionally, I connected my Sennheiser wireless handheld (for any "emergency" announcements that might have been necessary) through the ToneMatch. This was a more complex setup that involved power for three microphones, one laptop, and the Compact System®.
For both applications, the Compact® delivered great sound and covered the area perfectly. I could not have asked for better sound.
There are two "sides" for input. One side is for line inputs (from mixer, musical instrument, iPod, laptop, ToneMatch®, etc.), and the other side is for a microphone input. Each side has its own volume control, which is crucial if you're a single performer. You can set your voice and instrument levels perfectly. As a DJ, though, I do not use the microphone side, so I cannot comment on how well the two sides work for single performers.
There are two official setups for the L1 Compact®. One setup is to leave the speaker in the base unit (the way it arrives). You would have to put this on a table for good sound coverage. If you used it from floor level, the sound would be muddy. This setup would be perfect if you are supplying the sound system for a keynote speaker at a conference, as an example. The unit could sit on the table next to the podium where the speaker is standing, and the sound the audience would hear would be fabulous--VERY crisp and clean.
The second official setup is to use the two extender sticks to elevate the speaker unit about six feet off the ground, which is the way you would want to set up the unit for full-room coverage for music, especially if there will be dancers!
I saw the unit being used with only one of the extender sticks, which put the speaker unit at "head level" for a seated audience. I don't know why you would use that setup, but it works fine that way (the extender sticks are identical, so there doesn't seem to be any reason you CAN'T use this setup.) Be advised, though, that Bose® does not recommend this setup.
So let's get to the bottom line:
PROs: Compact, portable, sleek. Easy setup with a tiny footprint. Great sound for what it is, delivering full bass, midrange, and highs for up to 150 people. Excellent choice for small venues, whether you are a DJ or a single performer. Great system for speakers at business meetings, conferences, church groups, etc. The sound is crisp, clean, and clear. The bass is far better than anything of comparable size, and the quality of the unit is excellent. This system is what I use for my backup system (to the L1 Model II®). It doesn't take up much space in the car, and if something WERE to happen to my L1 Model II® system during a performance, then I have a better backup system than 99% of the DJs out there.
CONs: While the bass response is very good for the size of the system, it cannot really compare to using two Bose® B1 units with a Model II system. THAT system can provide a chest-thumping bass resonance, but this system would be hard-pressed to do that. Don't get me wrong here: the bass response is very good, but it isn't what you would want for a larger venue where the bass has to carry out all over the area. And, as one should know right up front, it is NOT a unit for larger venues. It is fine for small areas, but if you have a louder, noisier, larger area, the Compact system would not be up for the task.
BOTTOM LINE: If you want terrific sound from a light, portable unit for a small venue, this system can't be beat! If you want a high quality backup system for your main sound system, it would be tough to get a better system with a better sound. If you play larger venues with noisy crowds or if you need a driving bass sound to resonate throughout the venue, then consider another alternative. (And remember, if you use a ToneMatch® sound engine with this, you have to buy the power adapter.)
RATING: Four stars because of its intrinsic limitations. It cannot be a system for a larger venue for 150-200 or more people, but it can be your answer for smaller venues and smaller crowds.
For what it is, though, it is Super!
NOTES:
* Response to reviews: Another reviewer here has stated that there are plug-ins for only voice and guitar, but that is inaccurate (see above for input variety). And as for effects such as reverb, delay, and other effects, those can be created nicely with the Bose® T1 ToneMatch audio engine, as stated above.
* The bass response difference I mentioned above between the Model II and the Compact units is approximately one half octave at the low end, according to Bose. Many people cannot hear the difference, but trained ears can. The limited power and bass response are the reasons I could not give five stars. Still, all in all, a great product!

Click Here to see more reviews about: Bose L1 Compact Portable Line Array System

Introducing the L1 Compact portable line array system. Carry it in one trip. Set it up in one minute. Fill the room with Bose sound.The L1 Compact system combines conventional PA and monitors into one sleek unit. Positioned behind or to the side of a performer, DJ or presenter, it delivers wide, even sound coverage throughout the stage area and audience-even off to the extreme sides. It's our smallest, lightest, easiest-to-set-up L1 system, weighing just 29 pounds.Big sound. Small package.Now you can have quality Bose sound for almost any gig, event or occasion. The L1 Compact system is small enough to fit in your trunk or back seat, and its innovative modular design makes setup easy and fast. You can arrange it in either a collapsed configuration for smaller spaces or a taller, extended configuration for larger ones. No extra gear to haul. No heavy speakers to hoist onto stands. No speaker cables.A different loudspeakerThe L1 Compact system's slim loudspeaker distributes sound clearly and evenly throughout the room, thanks to Bose Spatial Dispersion technology. The speaker's unusual vertical shape makes it distinctly different from conventional PA speakers_and has a very positive effect on sound coverage. Even audience and band members off to the extreme sides hear the same clear, tonally balanced sound as those in front.The L1 Compact loudspeaker array is smaller than those in L1 Model I and II systems, but it produces comparable horizontal sound coverage. L1 Model I and Model II loudspeakers project sound further with less dropoff of volume than the L1 Compact array.Integrated systemWith the L1 Compact system, you don't have to carry a separate amplifier, mixer or bass cabinet: They're already built in. The system's power stand includes an integrated bass speaker and amplifier, plus a built-in mixer providing a total of four inputs and two outputs.

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6/11/2012

JBL JRX112M 12-Inch Classic Two Way Portable Loudspeaker in a Black Carpet Covered Cabinet Review

JBL  JRX112M 12-Inch Classic Two Way Portable Loudspeaker in a Black Carpet Covered Cabinet
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This is a great stage monitor. It has decent output and really makes the vocals crystal clear. No more fighting to be heard over the guitars.
The shipping from this company was fantastic. I think I received the package within 5 days of ordering it. It was inside a large box, secured with plastic rip tags and bundled up inside plastic protective wraps inside the box. It's heavy. Be aware.
The only issue I have with this stage monitor is it needs to be hooked up with a wire. I wish it was wireless so that I wouldn't have to worry about overloading our circuits.
It does not come with a cover.
Overall, great buy. If I wanted a wireless, I should have done more extensive research on the product. It's my fault, so I can't really complain too much.

Click Here to see more reviews about: JBL JRX112M 12-Inch Classic Two Way Portable Loudspeaker in a Black Carpet Covered Cabinet

JBLJRX112M 12 Inch Classic Two Way Portable Loudspeaker in a Black Carpet Covered Cabinetfor Pole Mount, DJ, FOH and Floor Monitor Applications.

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6/10/2012

Yamaha HW10W 10" Powered Studio Monitor Review

Yamaha HW10W 10 Powered Studio Monitor
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speaker did a great job until today where it seems to be blown. is there any type on manuf. warranty on this?

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The HS10W powered subwoofer complements the HS speakers and easily handles today's bass-enhanced music or the most dramatic surround effects. The HS10W woofer uses a bass reflex design cabinet that maintains high efficiency and low distortion. The HS Series has been designed to provide exceptional clarity and flat response, so if your mix sounds good here, it will sound good everywhere in 2:1 (Stereo) or 5:1. The HS10W powered subwoofer contains a long-stroke, 8-in. 120-watt woofer and bass reflex design cabinet that maintains high efficiency and low distortion. Connections include dual XLR and 1/4-in. inputs, and three balanced XLR outputs (Mix, L&R). Controls include master level, phase and low/high cutoff frequency. The HS10W complements the HS speakers, and easily handles today's bass-enhanced music or the most dramatic surround effects.

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6/09/2012

Electro-Voice EVID 4.2 Surface Mount Passive PA Cabinet (Pair) Review

Electro-Voice EVID 4.2 Surface Mount Passive PA Cabinet (Pair)
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We used these speakers for our surround sound and they are great! Easy to mount and connect, swivel nicely to point wherever you want them to go.

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Perfect for a variety of environments where full-range audio is needed but space is limited: restaurants, bars, bistros, department stores, and outdoor venues. Offering the bass response of a much larger speaker, dual 4-inch woofers make the 4.2 a phenomenal performer. The 1-inch waveguide coupled titanium tweeter delivers controlled clean mids and highs. Combine it with the optional 12.1 Subwoofer for an amazing listening experience. Full system protection and EV?s unique Strong-Arm-Mount ? (SAM ? ) make the EVID 4.2 a solid choice in any environment.Specs: Frequency Response: 65 Hz - 20 kHz. Power Handling: 150 watts. Sensitivity: 90 dB. Impedance: 8 ohms. Max SPL: 111 dB. LF Transducer: 2 x 4". HF Transducer: 1". Terminals: Spring. Dimensions: 12.2"x6.9"x8.5". Weight: 8.5 lbs. (each).

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6/04/2012

Behringer B2030A Active 2-Way Reference Studio Monitor Review

Behringer  B2030A Active 2-Way Reference Studio Monitor
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I purchased these with the assumption that I was not going to get the quality sound I wanted as opposed to KRK monitors (WAAAY overpriced) for my small studio. Boy was I wrong! The sound quality is better than expected to say the least. They're HEAVY, thus you won't be too worried about knocking them over (like the smaller KRK's or M-Audio Studiophiles I've seen). Took these over to a friends house for mixdown of video's he's been working on, and adjusted the settings for his video editing hardware and room dynamics. He then changed his mind after about some 5 hours of video editing. Not the best, but I'll be putting my money into what I can use rather than a name (KRK, JBL, Tannoy, Genlec are just TOO much. . .even for just one monitor). And it'se never about what you got, it's what you do with it.
There are going to be reviews bashing them, but when I have audio engineers telling me "good choice, cuz the KRK's are sometimes WAAY too bassy", I feel I've done my job and research into finding what I can afford.
Just a quick note. . .do give these "burn in" time. meaning give them some time to run before going all out on those mixes. Similar to tube preamps for guitar heads/cabs. . .burn em in slowly so you can get the full effect later. I haven't had these long enough, but I can say they are the best part of my studio.

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The TRUTH B2030A has all of the great features of an active TRUTH monitor packed in a compact cabinet.It's a high-resolution, active 2-way reference studio monitor that is perfect for nearfield monitoring applications: from small mixing environments to multi-channel surround setups.

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5/24/2012

Yamaha S115V Carpeted 15-inch 2 Way Loudspeaker System Review

Yamaha S115V Carpeted 15-inch 2 Way Loudspeaker System
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I was contemplating getting a set of either Peavy PV 215, JBL JRX115, or Yamaha S115V speakers. After reading many reveiws, both good and bad on all three speakers, and after testing each out at the local Guitar Center, I decided on the S115Vs. I will sum up my review by listing pro's and con's of each and why the Yamahas won my money.
PV 215
Pros: Cheap considering you get two 15's.
Cons: Cheaper construction (they only use 1/2" MDF), highs were virtually non-existant, power handling wasn't that great, and there were no speakon connectors.
JRX115
Pros: Nice lows, reasonably priced for JBL, 3/4" MDF, dual speakon and 1/4" jacks (for daisy chaining, and great power handling (at least what it's rated for that is).
Cons: Highs were a little too, well, HIGH! The highs almost had a twang to them no matter what adjustments were made. There was no defined mid range.
S115V
Pros: Like the JRX115, had nice lows, reasonably priced, 3/4" MDF, dual speakon and 1/4" jacks, and really good power handling. The overall range of sound was amazing compared to the other two speakers. The Yamahas also had the largest tweeter as well.
Cons: A little on the heavy side, but not too bad.
Although the Yamahas were the most expensive of the three, they are well worth the money. Yamaha does have a BR line if you are looking for a cheaper speaker. Personally, I would not sacrifice price for quality; and for what these speakers are going for, you can have GREAT quality at a reasonably good price. I use these for DJing and all my customers love the sound produced. I recommend anyone considering these to try them out first at a local music store. For me, they were EXACTLY what I was looking for in a speaker.

Click Here to see more reviews about: Yamaha S115V Carpeted 15-inch 2 Way Loudspeaker System

The S115V is a trapezoid design cabinet, with oversize steel handles, steel corner protectors, a steel jackplate with both dual Speakonâ and high current, heavy duty Switchcraft 1/4" input jacks, and a built-in socket for pole mounting. Its covering is tough black carpet, with a heavy gauge perforated steel grille for driver protection. The woofer, or low frequency driver is a high power design using cast aluminum frame, with a cooling port in the pole piece for extended high power handling. The high frequency driver is a custom, 2" diaphragm (1" exit) design with an exclusive phase plug that reduces harmonic distortion inside the driver itself. This driver is mated to a 90 x 40 constant directivity design to give smooth, even coverage over the pattern of the horn. Both of these drivers are custom made for us by Eminence. The internal passive crossover has protection circuitry to help guard against damage that may occur from over powering the S115V. This loudspeaker is manufactured in the USA. It is covered by a 3-year warranty.

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5/22/2012

Behringer PMP2000 800-Watt 10-Channel Powered Review

Behringer PMP2000 800-Watt 10-Channel Powered
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hmmm... first you will get more than you will pay for this product imagine the clarity sound of a desent studio sound systems, that is what you will hear on the speaker output... well i connected it with my yamaha pa speaker that is programed to 250watts rms to 500watts peak, and im really amazed and pleased to the sound output on it, althogh i dont think it can really push it to 350 watts at the max. and theres a wattage settings that you can read or see on the manual about 4ohms 8ohms to 16ohm thats why it really cant do the 350watts per channel... i just know by hearing it cause i recognized sounds and loud sound ...i also have a LIVE power mixer for my karaoke system that has 225watts per channel and that, i will say its louder but also every amp has its ups and downs and for the behringer pmp2000 this power mixer is better, imagine the clarity of a bose "acoustimas serries"... imagine that, that is what you can hear on a PA speaker... that is how good the sound that this power amp produced... about the down side its not that loud that i expect from a 350watts amp and the low's are not that deep or excelent, but thats maybe the speaker that i am using but still it has a good base but not to compare to a good powered subwoffer or car subwoffers... i will say its just right... but on my own satisfaction i wanted a better bass effect so i think im adding another sub speaker or just mix it with a powered subwoffer...
about the channels i have only tried 3 inputs like the guitar, mic, and cd or dvd sound out. and also media player like zune and cellphone that has a preamp or headphones out...and that it will really hugs your sound loving fellings...
about the mixing like i said on those three , there is no problem at all it dont distort the sound while you were playing it at the same time... what a very nice power mixer because on what it can do i would say you can pay 500 dollars and you will still win on that product of behringer, not to talk about the 99 different echos effects , flanger,chorus, and a lot more but they sounds close... once you tried the first effect or effect 1 and at your 25-30th effect you'll be lost and wont be remembering the difference the sound effect that you used earlier... anyway if you want a close look of what im taking about... check out my video on youtube about pmp2000. WARNING im not a very good camera man but i think ive shown what everybodies want's to hear and see's about this product... just type okeylang47 on the search tab and search for behringer pmp2000 den click... thank you for reading this review to the end ... happy shopping...

Click Here to see more reviews about: Behringer PMP2000 800-Watt 10-Channel Powered

If you need superior stereo sound for small club gigs, churches or speeches, but have to keep the outboard gear to a minimum, the 10-channel PMP2000 can really deliver. This 800-Watt mixer has built-in mic preamps and an FX processor, as well as enough power to drive both mains and monitors, thanks to dual 350-Watt onboard power amps.


Massive Mono or Stunning Stereo The PMP2000 gives you the choice of 2 x 350-Watt stereo, 2 x 350-Watt dual mono or 800-Watt bridged mono output. Whether the center of attention happens to be a folk trio, a speech, or a synth-rock band with mind-boggling stereo patches, the PMP2000 can accommodate. This sonic versatility also makes it an excellent choice for churches, where vocals and stereo recordings often share face time.
Classic Control, State-of-the-Art Sound Leave the mic preamps at home, because the quality of sound that was once only available in the studio is ready to go wherever you do. Nine built-in, boutique-caliber mic preamps with switchable +48 V phantom power make it possible to use either dynamic or condenser mics with the PMP2000.
Built-in Digital Effects Processor It's also equipped with a 24-bit FX processor, giving you 100 mind-blowing digital effect presets such as delay, chorus and reverb. Apply them to any channel, as well as to the monitors and main output. In case you're pulling double duty as sound engineer and performer, the FX processor has a footswitch jack for remote on/off.
Changing the Channels The PMP2000 gives you loads of flexibility in accommodating whatever the center of attention happens to be. Channels 1-6 are for mics, bass guitars or other mono instruments. Stereo channels 7-12 are ideal for keyboards. Use the 2TR IN RCA inputs to feed in external stereo signals from CD players or tape decks.
The Ins and Outs REC OUT RCA outputs send line-level signals from the mixer to a recording device, so you can finally get to work on that triple-live album you've always dreamed of. The left and right Output 1/4-inch connectors are there just in case you need to connect more amps. Connect your monitor power amps or active monitor speakers to the MONITOR output.
What's in the Box Behringer PMP2000, Power Cable, User's Manual

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5/18/2012

KRK K10S Powered Subwoofer - 10 Inch, 225 Watts Review

KRK K10S Powered Subwoofer - 10 Inch, 225 Watts
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I purchased this subwoofer as part of a 'system' (which includes 2 KRK RP8 speakers) for my Korg M3 Keyboard Workstation. I was using my old computer speakers until I got this setup. This subwoofer is impressive, however, I must say my days of having 'golden ears' is long gone. Too many years of exposure to loud sounds (concerts, guitars, motorcycles) and age (51) means I don't have the kind of ears that are particularly discriminating. However, the new keyboard needed a sound system that covered lots of frequencies, the bottom end in particular. I looked into a lot of 'studio monitor' systems, and decided that KRK offered the best options in terms of price/performance. I also must admit that I didn't audition any speakers by listening. It was purely a documentation type review. That said, I'm thrilled with what I've got. The subwoofer has a volume control (which needs to be barely cracked off zero to create a balanced sound with the RP8s), and a variable crossover frequency, to allow a good mix with the other monitors (again, this is something someone with good hearing could take advantage of, which I don't; I left the crossover at 130Hz, the top end). KRK offers a tool which is said to create optimized settings for any room, but I didn't see a need for that. You WILL need cables, though, 4 total, two from the mixer/keyboard, and two more from the subwoofer to the other monitors. The nice thing about KRK is that they provide a number of different options for those connections, at least the input to the subwoofer (only XLR or RCA on the output side of the subwoofer). The input to the subwoofer can be XLR, 1/4" (like a regular guitar/amp cord) or even standard RCA (stereo type) cables, those these latter are unbalanced (which essentially means that a long run may end up being noisy, since there is no shielding in this kind of cable). I used old guitar cables at first, while I waited for my the XLR cables which I ordered from Amazon to get here. I'd be lying if I told you that I could tell any difference between the types of cables, sonically. They are equally secure in terms of solidity of connection. Still, if you want the best possible performance, get XLRs.
I'm very happy with this unit. I've read that it puts out 150 watts, and other places say 225, and I'm too lazy to look up the details in the product documentation. Suffice to say, the power is ridiculous, and would, I believe, easily fill a small concert venue. In my office, a 10'x12' room with cathedral ceiling and hard floor, it's way overkill. In fact, with the 8" drivers of the main monitors (the RP8s), I may have been able to get away without the subwoofer. However, because of the synthesizer portion of the keyboard, I definitely wanted to take advantage of the low end it can produce. The K10S definitely fills that part of the sonic spectrum for me. KRK used to make a 12" subwoofer, with even more wattage, which is what I wanted originally, but the K10S is more than I need as it is,
You have the option to remove the grill, to expose the really cool yellow rimmed speaker cone, but probably not a good idea; the grill provides protection (but the RP8 monitors come without grills; they are an extra cost option). One other thing, if, like me, you like to keep things 'clean', the subwoofer doens not come with a cover. I had one made, to keep the dust off.
Overall, highly recommended.

Click Here to see more reviews about: KRK K10S Powered Subwoofer - 10 Inch, 225 Watts

The KRK K10S powered subwoofer is designed to extend the low frequency portion so your mix can be properly engineered. The K10S cabinet has radically curved surfaces for a great look and amazing performance. The front-firing bass port and KRK's trademark yellow glass-aramid composite woofer ensure accurate and powerful low-end punch. A sturdy grill which is removable protects the woofer and adds to the sleek appearance of the unit. A high power amplifier and active crossovers provide smooth and accurate reproduction. To accommodate any studio environment, the K10s has RCA, 1/4 inch (balanced/unbalanced) or XLR inputs for all your input options.
KRK K10S Powered Subwoofer Features:
225 Watt (peak) powered subwoofer for studio use
SPL rating of 110db music and 113db peak
Frequency response of 34 Hz- 50Hz to 130Hz variable
10 inch high excursion glass aramid composite woofer
Variable and sweepable low pass filter
80Hz high pass filter
Radically curved front baffle design for amazing performance
Front firing port provides low frequency extension without boundary coupling
Bypass control using standard footswitch
A New Standard in Low Frequency Monitoring For years, KRK subwoofers have been the choice for accurate low frequency monitoring in studios large and small. Now, the K10s provides a new standard for even better performance and accuracy, raising the bar once again. Whether you are mixing in a 2.1 or 5.1 surround environment or just looking to upgrade the low-frequency extension of your existing monitors, the K10s will provide the low frequency detail and accuracy that will help you to create a better mix. Let's Be Up Front Take a look at competitive subwoofer monitors and you'll find ports on the back of the cabinet. These rear-firing ports tend to create bass coupling with walls and corners over-amplifying low frequency information which in turn colors your mix. The superior design of the KRK10s includes front-firing ports which are just the right shape to reduce port turbulence. You'll appreciate the clean and accurate bass performance this approach delivers, even at high SPLs. Feel the Bass You need to feel the bass and our proprietary signature yellow woofer delivers tight, clear low end response. Our engineers and listening panel took the K10s speaker voicing to even more accurate levels. Featuring a sweepable 50 Hz – 130 Hz low pass filter, your K10s provides flexible control for any monitoring system. What you hear is what you are intended to hear, coloration is not part of the spec. This performance is brought to you by drivers that are custom-designed by our world-class studio monitor engineering team, for a clear, low-distortion performance. Take Control Professional engineers like the ability to hear how the sub is affecting the mix. Your KRK subwoofer is equipped with a bypass feature which allows you to defeat the sub and provide full range audio to your recording monitors. To use the bypass function, you will need to use a standard latching 1/4 mono footswitch.

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5/11/2012

Behringer B2030P Ultra-Linear Reference Studio Monitor Pair Review

Behringer B2030P Ultra-Linear Reference Studio Monitor Pair
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These are really great value speakers.From talking with an expert (i.e. a person at hydrogenaudio forums) i have learned that these are speakers with very great response for bass as well as high frequencies from the tweeter. They work very well with my amplifier and are just phenomenal being that they perform as if they were about $350 or $450 dollars. Only warning is to not drive bass too hard, unless you have a subwoofer.

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When it comes to your recordings, you want honesty. In fact, considering how important your music is, you should demand it! That's why Behringer designed the B2030P Reference Monitors to speak nothing but the TRUTH. They sound great hooked up to your stereo or your video surround system, and are critical tools for any recording studio--where every note you play or sing is under the microscope.

Built on a Legacy The TRUTH B2030P passive monitor has all the great features of the TRUTH B2030A active monitor with one exception; you provide the amplification. Due to their high-resolution performance, B2030P 2-way reference studio monitors are perfect for nearfield monitoring applications: from small mixing environments to multi-channel surround setups.
Don't Let the Size Fool You Despite its small size, the TRUTH B2030P provides ultra-linear frequency response from 75 Hz to 21 kHz. The internal crossover point is fixed at 2.3 kHz for optimal performance of the two-way system. And the B2030P can handle input levels up to 100 watts.
Rock-Solid Bass Bookshelf-style home stereo speakers can really fool you when it comes to bass output, mainly because they are not designed for critical listening applications. That's why audio/video engineers and producers listen to projects through studio reference monitors or studio-grade headphones. The B2030P's long-throw 6.75" polypropylene-diaphragm woofer delivers smooth, deep bass all the way down to 75 Hz.
Why the Polypropylene Woofer? We're glad you asked. Polypropylene is light and strong, enabling the speaker cone to respond very quickly to fast transient peaks. This low-mass cone material is also much stiffer than paper, important for not only maintaining bass content integrity, but critical for midrange accuracy and definition. The deformation-resistant aluminum die-cast chassis maintains suspension integrity and provides highly efficient voice-coil cooling, even under extreme operating conditions.
Non-Fatiguing, Wide "Sweet Spot" B2030P's HF (High Frequency) content comes courtesy of an ultra high-resolution 0.75" ferrofluid-cooled tweeter mounted on our proprietary wave-guide. While some of our competitor's studio monitors have a highly focused "sweet spot" (the optimal listening position for a pair of loudspeakers), our wave-guide is designed to create a much more generous, broader listening zone. That means you won't wear a hole in the carpet in that one spot where everything sounds great. You are free to move around inside the stereo image to find the ideal spot in the mix for subtle instrument or effects placement opportunities.
You also won't suffer the ravages of "monitor fatigue-syndrome," an ailment that comes from listening to harsh high-mids and treble content for hours on end, even during those all-night mix-down sessions that can really test your nerves.
What's in the Box Pair of Behringer B2030P Monitors, User's Manual

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5/03/2012

VocoPro PV-802 (PAIR) Professional Stereo 400W Powered Vocal Speakers Review

VocoPro  PV-802 (PAIR) Professional Stereo 400W Powered Vocal Speakers
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I bought these speakers for home indoor/outdoor party use, like listening to music and karaoke. The sound quality of it is what you'll expect from an 8" woofer, if you want a fuller sound, buy a powered subwoofer and you will have a good portable PA system. This pair of speaker has a lot of power and I am happy with my purchase.

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Powered Vocal Speakers

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5/02/2012

Yamaha P3500S Dual Channel Amplifier, 550 Watt x 2 at 4 Ohms Review

Yamaha P3500S Dual Channel Amplifier, 550 Watt x 2 at 4 Ohms
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I have been using this in a home application with a hard to drive pair of vandersteens and find that this amp does a fine job. Not as detailed in the treble region as some higher end amps, but very dynamic. Stays cool even when driven hard. It seems very well built and I have had no issues. Many adjustments and compatible with many types of connectors.

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The P3500S is a 2-space, rack mountable power amplifier that produces 350 watts per channel from 20Hz to 20kHz. (390W @ 1 kHz) into an 8-ohm load. It will provide 450 watts per channel from 20Hz to 20kHz. (590W @ 1 kHz) into a 4-ohm load. These ratings are 'both channels driven". It is extremely clean with a total harmonic distortion and noise rating of ≤0.1%. A unique YSProcessing circuit provides optimum performance when used with the Yamaha Club series loudspeakers. The P3500S also uses Yamaha's patented EEEngine circuitry to reduce power consumption and heat. Input connectors are both XLR and ¼" balanced. There are switchable high or low pass filters for both input channels, with continuously variable from 25Hz-150Hz. Outputs are Speakonâ, high current ¼" or 5-way binding posts. The P3500S weighs 32 lbs. Covered by a 3-year warranty; the P3500S is underwriters laboratory (UL) listed.

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4/18/2012

JBL MRX525 15-Inch Premium 350-Watt Two-Way Portable Loudspeaker Review

JBL  MRX525 15-Inch Premium 350-Watt Two-Way Portable Loudspeaker
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I have a live sound company. I have a small trailer and no employees. I cater to the local scene and have even worked shows with international touring bands. I need to have lightweight yet good sounding speakers. NO, these are not as nice as the JBL SRX series or some of the other pro cabinets BUT...Everybody loves how they sound. I have four of these cabs and mate them to EAW LA400 subs. Yes-I know people say you don't need a sub with these but yes, you do. I run a lot of metal and hardcore shows and subs are essential. Maybe for acoustic shows you can get away without subs..but I always have them.
I run my system in stereo and power these cabs with a Crown XTi 4000 amp. Each set gets an XTi amp. These speakers really like to be turned up. For a smaller room with less screaming metal needs you may want to go with the smaller MRX cabs. I also have a set of those.
Most reviews tell how great the speaker sounds, the highs, the tasty lows. Honestly, so much depends on the room and the way the PA is tuned. Great equipment sounds bad when set up improperly. My board is one of the following: Allen & Heath GL2400, Presonus Live,or a small Mackie. I also use a DriveRack for processing. With proper set-up these speakers will cut through the stage sound and push the vocals through the metal mayhem. I have also used them at acoustic shows and yes they do sound sweet. I could spend more money on SRX cabs and someday I might. But right now these cabs work great because they are not power-hungry and don't need monster 20-amp amplifiers or a three-way system. They are very light and easy to carry. Lastly, they sound great and people constantly compliment me on the sound. If you want to move up from more generic cabs..you won't be disappointed. DJ, metal, acoustic, trance, worship..I have done it all!

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JBLMRX525 15 Inch Premium 350W Two Way Portable Loudspeaker in a Black Duraflex Finish for Pole Mount,FOH, DJ and all PA Applications.

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3/29/2012

Yamaha HS80M Studio Reference Monitor Review

Yamaha HS80M Studio Reference Monitor
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The HS80M monitor gives you built in power, room adjustment gain controls and good sound. While monitors are probably the most subjective thing you buy for your home or project studio. You usually don't have the option of actually bringing home 2 or 3 pairs of monitors and picking the one that performs best in your space so reputation plays a large role in the decision. These are excellent entry level monitors that will not disappoint you if you really understand what monitors are supposed to do.
I have mine mounted on a set of Auralex MoPad absorbers on top of 36" monitor stands and the absorbers make a big difference. Remember that the room you are listening in plays as big, if not bigger role in what you hear than the monitors you are using. Look into getting some basic acoustic treatments to tame the pumped up bass and harsh treble reflections you can get in most house sized rooms. Put yourself in an equilateral triangle with your head at one apex and the speakers at the other two, with tweeters at ear level facing in at you for the proper stereo image. When you get it right the sound seems to hang in midair about 4-5 feet in front of you and you can't seem to hear anything coming from either speaker unless the music is panned hard left or right.
These monitors have MORE than enough power to set your ears ringing if your not careful so don't treat them like your computer's multimedia speakers and dial up the volume. Start low and remember 83db is the "standard" intensity for monitoring.
So if your in the market for excellent quality, entry level monitors then these would be a fine choice. Also look in into KRK Rockits, Wharfedale Diamond 8.2 and Adam A5 monitors for others of quality you may like.

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If Your Mixes Sound Good on These, They Sound Good on Anything. The new HS Series powered monitors were designed to be true studio reference monitors in the tradition of the famous NS10Ms. When choosing your next pair of near field reference monitors, remember it's not just important that they sound good; they have to be an honest reference for your mix. The new HS Series of reference monitors were designed to give you exceptionally flat response so you can really trust what you hear. That means that mixes that sound good on Yamaha HS speakers will sound good on anything. In fact, that's the ultimate test of a reference monitor. Even better than that, HS series speakers not only sound good, they look great, too.The HS Series is a two-way, internally powered speaker system designed to provide affordable, high quality reference monitoring for all types of recording and multimedia applications – home studios, computer-based music production, gaming systems, keyboards rigs and personal computer systems. All products are sold and packaged individually, making it easy to build flexible monitor setups and 5.1 systems.HS Series cabinets look as great as they sound. Enclosures are constructed of high-quality MDF material and a multiple layer finish that minimizes resonance. Design elements include a black finish and lighted Yamaha tuning fork logo. White polypropylene woofer cones recall the look of the classic Yamaha NS10M, and include low-damping rubber surrounds and full magnetic shielding.

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3/06/2012

Jet City Amplification JCA48S 4x12-inch Guitar Speaker Cabinet Review

Jet City Amplification JCA48S 4x12-inch Guitar Speaker Cabinet
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I've only had the cab for a few weeks but for the price, it's the best I could find. It has a lot of low end, crisp highs, and great breakup. I play rock, metal, blues, stuff that switches from clean to distorted a lot, and this cab is perfect.

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4 x 12-inch Extension Cabinet w/Eminence Speaker. This is the same design as Soldano's signature 4×12, and we've loaded it with Jet City Custom Eminence Drivers and added switchable mono / stereo operation. JCA20H sounds big and mean when it moves a lot of air through this cabinet, but pair it with JCA100H and really experience what a high-gain half stack can do.

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1/16/2012

Bugera 412H-BK Classic 4 X 12, 200-Watt Half-Stack Guitar Cabinet with Original Bugera Speakers Review

Bugera 412H-BK Classic 4 X 12, 200-Watt Half-Stack Guitar Cabinet with Original Bugera Speakers
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This cab is a great value, but the speakers are very thin sounding, tinny. It is loaded with 4ohm speakers. Not wanting to have to rewire the entire cab, I finally found some Celestion 4ohm 100w replacements. The website I found them on indicated they were bassy, just the right fix for a thin sounding cabinet. Now with the Celestions, this thing just sings! I was going to go through all the guitar pedals in order to achieve my tone, but now that is not needed!
This cab is rockin', with just one upgrade. I wouldn't hesitate to recommend it with that upgrade.

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Classic 4 x 12", 200-Watt Half-Stack Guitar Cabinet with Original BUGERA Speakers

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