Showing posts with label condenser. Show all posts
Showing posts with label condenser. Show all posts

6/30/2012

RODE NT1A Cardioid Condenser Microphone Review

RODE NT1A Cardioid Condenser Microphone
Average Reviews:

(More customer reviews)
If you are in to producing/engineering and want a super mean condensor mic without spending alot of cash, this is one to get; very cheap with an extremely expensive sound. It does not have any polar switches or any built in eq's, but most all DAW's do have eq's and phase reverse abilities. Plus, its better to cut freq's that are there, then to try and boost freq's that aren't there; the latter is impossible actually. I'm telling you, don't let the price tag throw you off; this baby makes everything sound good. I've used it on vocals, acoustic guitars, drums as an overhead/ride mic as well as a room mic for ambience. I also have a matched pair of NT 5's that are also absolutely amazing. Rode is a great Australian company that makes amazing mics with a 10 year warranty; yep...10 years. Get one, you won't be dissapointed. Remember though, bad acoustics = bad recording sound.

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The original NT1 was voted "Best Microphone at Any Price" by the editors of Electronic Musician magazine. The NT1A delivers performance usually associated with higher priced microphones. Features: large capsule (1") with gold-plated membrane; cardioid polar pattern; ultra low noise, transformerless circuitry; state of the art surface mount electronics; heavy-duty satin-nickel finish; internal shock mounting system; gold plated output connectors; true condenser (externally biased); full frequency response. The NT1A will blow you away! Ultra low-noise, transformerless circuitry.Cardioid polar pattern.Large capsule (1") with gold-plated membrane.Surface mount electronics.Heavy-duty satin-nickel finish.Internal shock mounting system.Gold plated output connectors.True condenser design (externally biased). WARRANTYAll RODE products are warrantied for 1 year from the date of purchase. Your purchase may be registered ?on-line? or by mailing the warranty card. The RODE Warranty covers parts and labour that may be required to repair the microphone during the warranty period.The Warranty excludes defects caused by normal wear, modification, shipping damage or failure to use the microphone as per RODE's Instruction Guide.

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6/23/2012

Blue Microphones Bluebird Cardioid Condenser Mic Review

Blue Microphones Bluebird Cardioid Condenser Mic
Average Reviews:

(More customer reviews)
This microphone sounds very good on everything I've tried it on. Running the mic through a DBX 376 mic pre, I was able to get some great vocals. Though to get a good amount of clarity on the consonants I did have to ask the singer to back up about six inches from the mic. Being close in, the mic just didn't pick up the T and S sounds. With that adjustment, the mic did a good job on vocals ending up with takes the singer and I were both happy with. It didn't blow me away, but it sounded good. I've used it on a combo amp with good results as well as acoustic guitar and mandolin with better results. Not blown away, but overall happy with the way it sounds being a two to three hundred dollar mic.
What I really don't like about this mic is how the look of the design and aesthetics of the mic are clearly more important to blue than the functionality. Getting this thing in and out of the shock mount is a bit of a pain as it threads into it. I just know I'm going to mis-thread the thing once and have to spend another 80 bucks to get a replacement. Also, every time you adjust the angle of the shock mount you really have to crank the small thumb screw to get it to stay into place. I find the thing very difficult to lock into place all for the sake of looking attractive. I find nothing less attractive than poor functionality. Which brings me to the pop screen. I've read plenty of reviews claiming the pop screen was useless. I wouldn't know because the screen that came with my mic doesn't fit the mic. I sent an email off to Blue and didn't hear anything for two weeks, in the mean time Amazon shipped a free replacement, but it had the exact same issue. Blue responded to a second email and they said the last batch of screens was bad. Blue is supposed to be shipping me a pop screen "when they become available", so I hope I'll be getting one.
All in all, it's a good sounding mic for the money. I find it to be on par with my ADK A51. It's not the "crown jewel" of my modest mic collection but a different flavor to use. But I find the functionality of the accessories to be cumbersome at best, and unusable at worst.

Click Here to see more reviews about: Blue Microphones Bluebird Cardioid Condenser Mic


Designed to offer superb sound and maximum versatility, Blue Microphones' Bluebird is a large-diaphragm cardioid condenser that can handle everything--including vocals, electric and acoustic guitars, drums, strings, and woodwinds. It utilizes Blue's renowned microphone technology and a Class-A discrete circuit to achieve superior detail and clarity, while its unique, retro appearance is sure to be a hit in the studio. The complete Bluebird package includes a shockmount, pop filter, cable, and wooden case.
All-Purpose Design Gives You Professional Quality
The Bluebird is Blue Microphones' response to popular opinion--most people ask for a mic with a warm tone and silky smooth highs, and the Bluebird delivers. Engineered to be as versatile as possible, the Bluebird maintains the high-quality, no-compromise audio that you expect from Blue Microphones. This makes it ideal for male and female vocals, electric and acoustic guitars, close-miking of drums, drum overheads, percussion, piano, horns, and strings--in short, whatever you need it for most.
Proprietary Capsule and Discrete Electronic Components
Each professional-grade Blue Microphone utilizes a unique, proprietary capsule design to capture a specific sonic signature, and the Bluebird is no exception. As a large-diaphragm condenser with a cardioid polar pattern, the Bluebird is built to capture rich, full-bodied sound from sources that are directly in front of the mic.

The capsule and cardioid pattern combine with high-quality electronic components, including a Class-A discrete amplifier circuit, to ensure that each Bluebird mic offers consistent, reliable performance with extended top- and bottom-end sound detail. The electronic components in all of Blue's microphones have been carefully selected, based on 20 years of engineering and experimentation, in order to increase microphone speed, decrease distortion, reduce product variance, and ensure long-term dependability.
Unique Vintage Look and Complete Setup
Satin nickel plating and a baby-blue grip give the Bluebird Mic an original look that matches its well-rounded audio performance. A specially designed shockmount and metal mesh pop filter for laying down clean vocals are included with the mic. It also comes with a wooden storage case that matches the mics retro good looks.

The Bluebird is backed by a three-year limited warranty.
What's in the Box
Bluebird cardioid condenser microphone, shockmount, pop filter, cable, and wooden case.


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6/19/2012

RODE NT1000 Vocal Condenser Microphone Review

RODE NT1000 Vocal Condenser Microphone
Average Reviews:

(More customer reviews)
I went shopping for a Rode NT1. Rode mics use superb capsules mounted in machined housings you could drive a truck over, and the NT1 is a great mic for male vocals. The guy at the store suggested the NT1000. I recorded myself on both, and there wasn't much difference, but the 1000 just sounded a little smoother. But, the NT1 had a painted finish (may have changed since), made out of aluminum. When you screw the mount on it feels rough, like screwing in a light bulb with an aluminum base. The NT1000, though, feels rich and expensive, a nickel-steel finish (I guess) more like the expensive Neumanns. And when you screw the parts together they feel precise and elegant. It was a hundred bucks more than the NT1, but with the slightly nicer sound, and the much nicer look and handling feel, it seemed worth it.
The only problem I've had with it is weight. It's fairly heavy, and can't be extended very far on my boom stand without falling over.
Great dynamic range, low noise, very detailed.

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The Rode NT1000 brings new standards to the recording industry. When today's musicians and recording engineers demand clarity and dynamic range, they demand large capsule performance. The Rode NT1000 is superior in both vocal and instrumental performances. Voiced for application versatility , the NT1000 has been hailed by many as the ultimate drum over-head and grand piano mic selection. The NT1000 is also equally at home as a first call vocal mic. With its Australian made 1 inch HF-2 capsule incorporating internal shock mounting, the NT1000 boasts a 134 dB dynamic range, and 140 dBA SPL capabilities and a 20 Hz - 20 kHz frequency response. Includes mic stand mount, and zippered pouch. Rode NT1000 Features HF2 1 inch capsule with gold-plated diaphragm Ultra low-noise transformerless circuitry Cardioid polar pattern Heavy-duty cast metal satin nickel body High-strength welded and heat-treated mesh head Internal capsule shock-mounting True externally biased condenser Full frequency response AmericanMusical.com is an authorized dealer of Rode products.

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6/01/2012

Rode NTG2 Condenser Shotgun Microphone Review

Rode NTG2 Condenser Shotgun Microphone
Average Reviews:

(More customer reviews)
I purchased the NTG-2 as a voiceover mic to use for audiobook production and VO recording. I'm running the mic through the preamps on an M-Audio ProjectMix I/O and into Pro-Tools M-Powered 8. I run the incoming signal through the Waves SSL Channel plugin for some light compression, and that's it. I rarely need to EQ.
The resulting tone is clean and clear without being too intimate. If I get too close, it tends to get a little boomy and the low-mid ranges are a touch muddy. However, if I position the mic about 12-18 inches from the mouth of the VO artist, and slightly above the axis of the mouth, the sound quality is stellar. On male voices, in particular, the mic lends a depth and warmth that is often desirable for certain types of voice work. As would be expected with a mic of this type, the proximity effect is fairly pronounced.
Being a shotgun mic, it does an excellent job filtering out much of the background noise if your space is not sound-proof. (For instance, I'm using a small booth in which one wall is an exterior wall with very little sound insulation. Even when cars and trucks drive by, the mic won't register the sound.) It's an excellent choice for small project studios in homes. The mic does a good job of not catching every single saliva slurp or tongue noise while keeping the voice sounding natural.
The included wind screen is a little on the wimpy side, and it's unfortunate that the mic doesn't come with a shock mount...but that's not uncommon for mics in this price range. Likewise, I wish the mic had come with a decent hard case rather than the pleather zippered pouch that comes with, but again, that's not uncommon in this price range.
I've used four very different mics for VO work: a Studio Projects C100 Large Diaphragm Condenser, an AKG C1000 small diphragm condenser, a Heil PR40 Large Diaphragm Dynamic, and the Rode NTG-2. I was using the Heil almost exclusively until I got the NTG-2. Now this is my first-call mic for 80% of my VO sessions. For the price, it really can't be beat for high-quality spoken word recording.
Pros:
* Great Mic for the Price
* Narrow Pickup Pattern to reduce noise
* Clean and clear tone
* Natural sound
Cons:
* Can get a little boomy in low-mid ranges if speaker is too close
* Pronounced proximity effect
* No shock mount/case included


Click Here to see more reviews about: Rode NTG2 Condenser Shotgun Microphone

The RODE NTG2 is a new, lightweight condenser shotgun microphone, designed for professional applications within the film, video, television and production industries. The NTG2 provides a balanced low impedance output stage and operates either from an internal 1.5 V battery (AA) or 48 V phantom power. A wide bandwidth and controlled polar response coupled with low noise SMT electronics, makes the NTG2 the perfect choice for film, video engineering and voice-over work. The NTG2 is extremely lightweight making it ideal for mounting directly to video cameras or on boom poles. AC_FL_RunContent( 'codebase','http://download.macromedia.com/pub/shockwave/cabs/flash/swflash.cab#version=9,0,28,0','width','330','height','220','title','Rode NTG2 Condenser Shotgun Microphone','src','http://www.americanmusical.com/ItemFiles/Flash/RodeNTG2','quality','high','pluginspage','http://www.adobe.com/shockwave/download/download.cgi?P1_Prod_Version=ShockwaveFlash','movie','http://www.americanmusical.com/ItemFiles/Flash/RodeNTG2' ); //end AC code The NTG2 comes complete with zip pouch, sta

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3/31/2012

M-Audio Pulsar II Matched Pair Small-Diaphragm Studio Condenser Microphones Review

M-Audio Pulsar II Matched Pair Small-Diaphragm Studio Condenser Microphones
Average Reviews:

(More customer reviews)
Wasted my money on this one. Bought it in usa, came back to my country just to find out that there is this huge wind-like noise coming out of both mics. Returning them would be the same as buying another set, due to high shipping costs. These mics were probably exposed to moisture, or worse. I dont know exactly who to blame for that, I just regret deeply buying this product.

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The M Audio Pulsar II small-diaphragm cardioid condenser microphone takes M-Audio's pencil condenser technology to an even higher level. Designed in the U.S.A. by veteran engineers and hand-assembled to exacting standards, this precision microphone exhibits quality comparable to that of vintage classics. New features like -10dB pad and 80Hz high-pass filter switches, higher SPL than the original and a redesigned solid-brass backplate deliver smooth, accurate sound in the studio and on stage. The Pulsar II has many applications, including drum overheads, acoustic guitar, piano, close-miking strings and woodwinds, room miking and more. Flexible New Features The Pulsar II can adapt to many recording and live situations. The 12dB/octave high-pass filter reduces low-frequency rumble and the potential for overloading mic preamps with low-frequency signals. The Pulsar II also handles higher SPLs - an overall 2dB boost thanks to a new thermal diaphragm treatment, plus a new 10dB switchable attenuation pad. M Audio Pulsar II Features Professional small-capsule condenser microphone 3/4 inch, 6-micron Mylar evaporated gold diaphragm Solid brass backplate Solid brass body Class-A FET electronics Switchable 10dB pad and 80Hz high-pass filter Wooden storage box houses microphone, windscreen and clip Available as a Matched Pair This Pulsar IIpair is a matched set with only ±1dB tolerance from the excellent published frequency response curves - which extend from 20Hz to 20kHz. This makes the Pulsar II mics ideal for stereo rroom miking, stereo overheads and similar applications where balance

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