CAD Professional Mics E100S Supercardioid Large Diaphragm Condenser Microphone Review

Average Reviews:

(More customer reviews)I have a modest home studio, and my recordings have received kind comments from listeners and fellow engineers alike. Though I am on a budget like almost everyone else, I take my equipment seriously, and believe that one is better off saving for what will deliver widely-recognized quality, rather than trying to economize by buying the minimum you need to get a recording done. When you buy too cheap, you often end up spending 3x what you would have spent (for the good stuff) in money lost through trade-ups--because you just can't get happy.
My personal philosophy out of the way, I have respectable gear that can help me tell the difference between a decent mic and a wannabe.
I tested the e100s through a Metric HALO ULN-2 extended, Logic Pro-9, ADAM A-7 Monitors, and various reference quality headphones, including the AKG K-701 and Ultrasone PRO 750s.
I used the mic by itself, X/Y with a Peluso CEMC-6 SMC, and in an M/S configuration with a RODE K-2 Tube mic. I recorded both vocals and acoustic guitar (this last being my personal favorite for showing up crappy wannabe equipment. Transients, fundamentals, and harmonics from a quality guitar are a great test for mics, pre-amps and monitors, and I have two guitars I tried: a Martin D-35, and a Larrivée LV-05e).
The e100s didn't disappoint. It delivered nicely textured, transparent sound, and as a bonus (especially for those of us who want to make clean, quiet, acoustic recordings), it wasuncannily, blissfully, quiet. I mean quiet. Did I say quiet?
My ULN-2 has something like a 125dB S/N Ratio, and this mic made it worth the investment. Holy-moly. I've used Neumann, RODE, Peluso, MXL, etc., etc... this mike is the quietest of them all...even quieter than the TLM-103.
Great sound. Dead quiet. Buy it.

Click Here to see more reviews about: CAD Professional Mics E100S Supercardioid Large Diaphragm Condenser Microphone

Engineered and built in the USA, the new E100S large diaphragm supercardioid condenser has the lowest noise floor in its class (3.7 dBA) and the smooth vintage tone and robust low end CAD is known for. The bootstrapped, full differential Quadra-FET front end delivers high sensitivity and low distortion, plus CAD's proprietary circuitry ensures the highest performance. The nickel plated 1" capsule delivers accurate phasing on instruments, and a full rich vocal tone, accentuated by the extended low frequency response. Features include an 80Hz hi-pass filter and a 10dB pad. From vocals to percussion, acoustic instruments and everything in between, the CAD Equitek E100S will prove to be one of the most versatile tools in your microphone locker, in the studio or on stage. Vintage woodgrain cherry case and stealth shock mount included. 48V phantom power is required. ApplicationsStudio Vocals Choir Acoustic Instrument Guitar Cabinets Bass Cabinets Strings Piano Cymbals/OverheadsSpecificationsOperating Principle: Condenser Polar Pattern: Supercardioid Frequency Response:

Get 25% OFF

Click here for more information about CAD Professional Mics E100S Supercardioid Large Diaphragm Condenser Microphone

Read More...

Galaxy Audio PA6S 170W Personal PA System/Monitor Review

Average Reviews:

(More customer reviews)As a singing drummer, I absolutely LOVE this monitor!
You have personal volume control, plus a 3-way EQ, and since you can run two channels into it, you can blend the house monitor mix in with your own mic feed (via a microphone "thru" patch) to get the exact blend of the two that you desire.
After using this Galaxy PA6S at a recent gig, I will never go back to floor monitors again!
Galaxy Audio PA6S 170W Personal PA System/Monitor

Click Here to see more reviews about: Galaxy Audio PA6S 170W Personal PA System/Monitor

Pioneers of the small PA/personal monitor category when they introduced the HOT SPOT 30 years ago, Galaxy Audio has redesigned their innovative Galaxy Audio PA6S from the ground up while keeping the basics. The outer shell on this version of the PA6S PA system & vocal monitor has kept the distinctive shape of the original Hot Spot, but with a new, 21st century look. The cabinet now uses two specially designed speaker components—the 155-watt NEOLITE 6.5" woofer and Galaxy Audio's highly efficient 1.5" 60-watt tweeter.The Galaxy Audio PA6S PA system / monitor takes full advantage of recent improvements in speaker and amplifier technology, making it the lightest, most powerful, and best-sounding compact PA system Galaxy Audio has ever offered. Features such as the XLR pass-through on each channel allow independent control of mics without affecting the signal sent to the house PA system. The Galaxy Audio speaker's -20dB Pad switch on each XLR input ensures that even the hottest signals will be accepted without overdriving the inputs. An additional 1/8" Line input on Channel 2 will accept stereo or mono signals from sources such as tape or digital medial players as well as line-level instruments.The two-way PA speaker system gives the PA6S a much wider frequency response than earlier models. This means that full-range music, such as keyboards or backing tracks, will come through with solid bass and crisp highs. This enhanced frequency response makes the Galaxy Audio PA6S a great stand-alone PA system for small club gigs as well as lectures and A/V presentations. Plus a simple adjustment of the 3-band EQ can alter the response for singers who love the time-honored accentuated midrange of the classic Hot Spot vocal monitor. The Galaxy Audio PA6S gives you the best of both worlds.Amplifier/PreampThe Galaxy Audio PA6S has a built-in 170-watt amplifier designed to handle the most demanding audio situations. This high-tech Class D amplifier produces plenty of power to co

Get 28% OFF

Click here for more information about Galaxy Audio PA6S 170W Personal PA System/Monitor

Read More...

NADY 401X-QUAD-LT/E4/F 4-CHANNEL Professional Vhf Wireless Hand-held Microphone System Review

Average Reviews:

(More customer reviews)This is a decent low budget option, but the sound quality is lacking and we have had some problems with interference. If quality sound and no issues is what you're looking for, you may want to keep looking. On the plus side, it was great having multiple mics once we got around the interference issues.

Click Here to see more reviews about: NADY 401X-QUAD-LT/E4/F 4-CHANNEL Professional Vhf Wireless Hand-held Microphone System

NADY 401X-QUAD-LT/E4/F 4-CHANNEL Professional Vhf Wireless Hand-held Microphone System

Get 28% OFF

Click here for more information about NADY 401X-QUAD-LT/E4/F 4-CHANNEL Professional Vhf Wireless Hand-held Microphone System

Read More...

Neumann TLM-103 Microphone Review

Average Reviews:

(More customer reviews)If your looking for a pristine mic and require vocals that are clear and transparent, then this mic is worthy of your consideration. This mic has a wonderful clear and warm quality which can help make recording vocals a pleasure and can really help you shine.

Click Here to see more reviews about: Neumann TLM-103 Microphone

Ideal for all professional and semi-professional applications requiring high sound quality on a limited budget. The TLM-103 uses the transformerless circuitry found in numerous Neumann mics and a capsule derived from that used in the U87. Cardioid pattern, acoustically well-balanced, and provides extraordinary attenuation of signals from the rear. Frequency range: 20Hz-20kHz. Impedance: 50 ohms.ApplicationsDue to the universal cardioid pattern, straightforward handling, extremely low self-noise level, and finally, the price, the TLM 103 is predestined for all demanding applications from home recording to professional broadcasting and commercial recording studios.Acoustic featuresThe TLM 103 is addressed from the front, marked with the red Neumann logo on the microphone body. The K 103 large diaphragm capsule is based on the K 87, well known from the U 67/U 87 microphones. The capsule has a flat frequency response up to about 5 kHz, and above that, a wide flat 4 dB presence boost. The large wire mesh headgrille protects the capsule from explosive sounds and effectively prevents pop noises. These characteristics are achieved without resorting to corrective resonance effects. Therefore, the microphone maintains an excellent impulse response and reproduces the finest details of music and speech without coloration.Electrical featuresWith just 7 dB-A / 17.5 dB CCIR the self-noise level of the TLM 103 is so reduced that even the smallest signals are reproduced basically noise-free. As it is capable of handling sound pressure levels up to 138 dB without distortion, the TLM 103 provides a dynamic range of 131 dB, according to DIN/IEC 651. The letters TLM stand for "transformerless microphone." With TLM technology the usual output transformer is replaced by an electronic circuit. As with traditional transformers, it ensures good common mode rejection, and prevents RF interference that may influence the balanced audio signal.Operational safetyThe entire internal construction i

Get 31% OFF

Click here for more information about Neumann TLM-103 Microphone

Read More...

Creative Professional E-MU 0404 USB 2.0 - Sound card - 24-bit - 192 kHz - 117 dB SNR - stereo - Hi-Speed USB Review

Average Reviews:

(More customer reviews)I need to point out that this is an *audio* interface first and foremost. Some of the other reviews only mention its MIDI capabilities. It is *also* a MIDI interface, but the primary purpose of this box is to facilitate the recording of audio. It has some great AD/DA converters to that end, along with the capabilities for very high sampling rates (unlike USB1 interfaces).
Another review also talked about using it as an external sound card. You certainly can do that, but it's a waste of money - other products exist that do the same thing better for cheaper, and without as much bulk or an external AC brick to deal with. No, if you're going to buy this box, buy it to record audio and/or MIDI.
If you're still confused as to why this thing exists, the bottom line is if you need it, you know it. This is a category of device designed for "advanced amateur" home recordists and musicians, who want to record their instruments and make their own demo tapes and need top quality and certain features that don't come stock in a standard PC sound card.
Now, as for this product vs. others in its category - I've only had it for a day, but so far, it does what it's supposed to. What you're really paying for are the DACs and the software, both of which are extremely important to home recording. The hardware other than the DACs is kind of cheap and flimsy, but it works. It's not going to stand up to abuse, though - it's all plastic, with gritty-feeling knobs and buttons and a thin plastic casing. One nice thing is having level displays on the box itself, which is something that some budget interfaces lack. Everything does work like it should.
A big question in audio interfaces is the actual interface itself between the box/card and your computer, which affects latency. I wanted something that I could use with any computer that I use, be it my laptop, my desktop, or a computer at my office. That ruled out PCI, which offers the best latency (but requires a breakout box if you want things like hardware level monitors), and it ruled out firewire too, because my laptop doesn't have the ports. I felt USB 2.0 was a decent compromise; it's not quite as good as firewire and definitely not as good as PCI, but it's a lot better than USB 1.1. If you can use PCI, though, Emu also offers a PCI version of this interface - just be aware that you'll be giving up a few features, plus the obvious portability. If you want USB 2.0 for the same reasons I did, this is honestly one of the few audio interfaces out there that can use it. (Most manufacturers assume you're either a pro, in which case you want firewire, or you're a total budget amateur, in which case you want USB 1.1.) There is definitely some latency when monitoring your recordings through the PC, but on the plus side the box does offer zero-latency hardware monitoring directly through the box.
The software bundle is pretty amazing for the price, and it's another big reason why I bought this model. It actually ships with at least three (by my count) full-fledged recording apps: CuBase LE, Ableton Live and Cakewalk LE. Don't let the "LE" designations scare you - they're totally feature-packed apps, just with fewer tracks and VST instruments than the full versions. Do you really need 96 recording tracks for a home recording? 24 should be enough. But the nice thing is these apps also give you an upgrade path to the full versions if you so desire, so you end up saving money vs. buying the full app by itself. This unit also comes with Amplitube LE, which is a plugin for Cubase that models a variety of guitar amps so you can really get that perfect sound that you're looking for - I've been having a ton of fun with this.
I give it four out of five stars only because of its questionable durability. This is not the interface you want if you plan to carry it around in a gig bag all over the place. Also, it does have an external power brick (a small one) - though that's what enables the phantom power for the mic inputs, so it's a good tradeoff. Still, if you want something really portable, look elsewhere (though you'll probably have to give up phantom power). But if you want a good all-around interface for not a lot of money, with a great software package and pro-level audio quality, and you plan to keep it on a desk most of the time, this unit is definitely worth a look.


Click Here to see more reviews about: Creative Professional E-MU 0404 USB 2.0 - Sound card - 24-bit - 192 kHz - 117 dB SNR - stereo - Hi-Speed USB

Emu 0404 USB 2.0 Audio/MIDI Interface delivers an unparalleled level of audio performance to your PC with premium 24-bit/192kHz A/D and D/A converters, pristine XTCTM mic/line/hi-Z preamps, ultra-low jitter clock and rock-solid stability. From its plug-and-play functionality and hands-on ergonomic design to professional features and signal-to-noise specs that are simply unmatched by any other USB interface on the market, the 0404 USB will forever change your expectations of USB audio. The 0404 USB also ships with the E-MU Production Tools Software Bundle that includes E-MU's Proteus VX, as well as software by Cakewalk, Steinberg, Ableton, IK Multimedia, and many more - everything you need to create, record, edit and master your music. Package Contents E-MU 0404 USB 2.0 AudioPod USB cable Universal power adaptor Quick Start installation guide E-MU Software/Manual CD-ROM Windows XP and x64 Drivers Owner's Manual and Tutorials E-MU Production Tools Software Bundle CD-ROM Cakewalk SONAR LE Steinberg Cubase LE Ableton Live Lite 4 for E-MU Steinberg Wavelab Lite IK Multimedia AmpliTube LE SFX Machine LT Minnetonka diskWelder BRONZE (trial) E-MU Proteus® VX (over 1000 sounds included) The Emu 0404 USB 2.0 Audio/MIDI Interface features Premium 24-bit/192kHz A/D and D/A converters (A/D: 113dB SNR, D/A: 117dB SNR) deliver unmatched USB audio fidelity E-MU XTC Class-A ultra-low noise Mic/Line/Hi-Z preamplifiers (-127dB EIN) with 48V phantom power and ground lift switches enable you to plug microphones, keyboards and guitars straight into your computer with professional results, while the built-in analog soft limiting circuit lets you record a hotter signal without fear of clipping Comprehensive digital I/O with optical and coaxial S/PDIF (switchable to AES/EBU) and MIDI In/Out to easily c

Click here for more information about Creative Professional E-MU 0404 USB 2.0 - Sound card - 24-bit - 192 kHz - 117 dB SNR - stereo - Hi-Speed USB

Read More...

Blue Microphones Blueberry Cardioid Condenser Microphone Review

Average Reviews:

(More customer reviews)You will not see a lot of advertising for the Latvian geniuses behind this wonderful little gem of a microphone, but one listen will convince you that you have discovered a pot of gold. It is at least as good as Neumann products costing half again the price: smooth, accurate, and from a company that is a delight to deal with. Try this blueberry. It sounds delicious.

Click Here to see more reviews about: Blue Microphones Blueberry Cardioid Condenser Microphone

The Blue Microphones Blueberry consists of a Class A discrete microphone amplifier perfectly matched to BLUE's single pattern, cardioid, hand built large diaphragm capsule. First and foremost, the Blueberry has been designed to provide the commanding, intimate presence associated with the world's best (and most expensive) vintage vocal microphones. With its shimmering, detailed highs, smooth midrange, and minimized proximity effect (a bass boost inherent in all unidirectional mics), the Blueberry excels at delivering a vocal right to the front of the mix where it belongs. When processed with limiting and/or compression, as is standard practice for most pop vocals, tracks recorded with the Blueberry will be free of pumping, low frequency thumps. Acoustic guitar, hand percussion, drums, and other critical high end sources also shine in front of the Blueberry, gaining an extra measure of presence that enables the most delicate sounds to cut through a mix, even at very low levels. Designed to fill the needs of the home musician and the professional alike, the Blueberry includes the Series Two Shockmount and comes handsomely packaged in its own cherrywood box. Whatever your music, add a Blueberry to the mix and let your ears feast on the sound. Review Guitar World (September 2003)Shocking Blues: Blue Microphones Dragonfly, Blueberry and Baby Bottle Capture the Heart of What's in Your Head With BLUE Microphones BLUE microphones are more than just a recording tool, they are an investment in value, quality, and expression. You will display them for their artistic beauty, covet and protect them for their investment value, and treasure them for conveying the heart and soul of any musical recording. BLUE stands for Baltic Latvian Univ

Click here for more information about Blue Microphones Blueberry Cardioid Condenser Microphone

Read More...

Shure SM27-LC Cardioid Side-Address Condenser Microphone, includes Zipper Pouch and Stand Adapter Review

Average Reviews:

(More customer reviews)I bought this mic to record/amp my sax and other wood winds when I am on stage and in the studio. I liked this mic because it is built tougher than others which were meant for only studio work. I like a mic that can come with me on stage and still give me great sound. This mic has excellent noise rejection and allows me to move around as I play and still get good coverage. As a horn player it is hard get positioned around a mic this one lets you just stand naturally and it will pick you up. It is not super sensitive so when I recorded my flute, it sounds good, but it is pretty quite. Probably not great for a vocal condenser, but makes a great amp or instrument mic.

Click Here to see more reviews about: Shure SM27-LC Cardioid Side-Address Condenser Microphone, includes Zipper Pouch and Stand Adapter

Cardioid Side-Address Condenser Microphone, includes zipper pouch and stand adapter. The SM27 is a rugged and versatile large-diaphragm, side-address cardioid microphone, with low self-noise and extended frequency response that picks up vocal and instrument nuances with clarity. Durable Shure construction features three separate mesh layers that reduce wind and breath noise. Equally comfortable on stage or in the studio.
Uniform cardioid pattern for superior off axis rejection
Superior transient response from a low-mass large Mylar® diaphragm
Flat, neutral frequency response for natural reproduction on stage or in the studio
3-position switchable low-frequency filter helps reduce unwanted background noise or counteract proximity effect for consistent, extended low-end
Durable metal construction.
Three separate mesh layers reduces wind and breath noise.
15dB pad for performance consistency across a wider range of high SPL sources

Cartridge TypeExternally Biased Condenser

Frequency Response20 to 20,000 Hz



Directional Polar PatternCardioid

Output ImpedanceEIA Rated at 150 ohms (140 ohms actual)

Attenuation Switch0 or 15 dB attenuation

Low Frequency response switchFlat-6 db/octave below 115 Hz-18 dB/octave below 80 Hz

Phantom Power48 Vdc +/- 4 Vdc (IEC­268­15/DIN 45 596), positive pins 2 and 3

Current Drain5.4 mA typical at 48 Vdc

Common Mode Rejection>50 dB, 20 Hz to 20 kHz

PolarityPositive pressure on diaphragm produces positive voltage on output pin 2 relative to pin 3

Dimensions and Weight53.0 mm (2.08 in.) maximum body diameter156.2 mm (6.15 in.) long;642 grams (22.6 oz.)

Sensitivity (typical, at 1000 Hz; 1Pa = 94 dB SPL)-37 dBV/Pa

Self­noise (typical, equivalent SPL; A­weighted, IEC 651)9.5 dB

Maximum SPL (1000 Hz at 1% THD)2500 ohm load (Attenuator on): 138 (153) dB1000 ohm load (Attenuator off): 133 (148) dB

Output Clipping Level*2500 ohm load: 7 dBV1000 ohm load: 1 dBV

Dynamic Range2500 ohm load: 128 dB1000 ohm load: 123 dB

Signal to Noise ratio**84.5 dB

*20 Hz to 20 kHz; THD < 1%. THD of the microphone preamplifier when applied input signal is equivalent to the cartridge output at specified SPL.**S/N ratio is difference between 94 dB SPL and equivalent SPL of self-noise A-weighted.

Get 35% OFF

Click here for more information about Shure SM27-LC Cardioid Side-Address Condenser Microphone, includes Zipper Pouch and Stand Adapter

Read More...

RODE NT1A Cardioid Condenser Microphone Review

Average Reviews:

(More customer reviews)If you are in to producing/engineering and want a super mean condensor mic without spending alot of cash, this is one to get; very cheap with an extremely expensive sound. It does not have any polar switches or any built in eq's, but most all DAW's do have eq's and phase reverse abilities. Plus, its better to cut freq's that are there, then to try and boost freq's that aren't there; the latter is impossible actually. I'm telling you, don't let the price tag throw you off; this baby makes everything sound good. I've used it on vocals, acoustic guitars, drums as an overhead/ride mic as well as a room mic for ambience. I also have a matched pair of NT 5's that are also absolutely amazing. Rode is a great Australian company that makes amazing mics with a 10 year warranty; yep...10 years. Get one, you won't be dissapointed. Remember though, bad acoustics = bad recording sound.

Click Here to see more reviews about: RODE NT1A Cardioid Condenser Microphone

The original NT1 was voted "Best Microphone at Any Price" by the editors of Electronic Musician magazine. The NT1A delivers performance usually associated with higher priced microphones. Features: large capsule (1") with gold-plated membrane; cardioid polar pattern; ultra low noise, transformerless circuitry; state of the art surface mount electronics; heavy-duty satin-nickel finish; internal shock mounting system; gold plated output connectors; true condenser (externally biased); full frequency response. The NT1A will blow you away! Ultra low-noise, transformerless circuitry.Cardioid polar pattern.Large capsule (1") with gold-plated membrane.Surface mount electronics.Heavy-duty satin-nickel finish.Internal shock mounting system.Gold plated output connectors.True condenser design (externally biased). WARRANTYAll RODE products are warrantied for 1 year from the date of purchase. Your purchase may be registered ?on-line? or by mailing the warranty card. The RODE Warranty covers parts and labour that may be required to repair the microphone during the warranty period.The Warranty excludes defects caused by normal wear, modification, shipping damage or failure to use the microphone as per RODE's Instruction Guide.

Get 43% OFF

Click here for more information about RODE NT1A Cardioid Condenser Microphone

Read More...

Shure Beta 98H/C Clip-On Cardioid Instrument Microphone Review

Average Reviews:

(More customer reviews)I've been using this microphone for a number of professional performances over the last seven or eight years. The Shure Beta has one of the best quality sounds and pick up of any microphone I've ever used. Clamping it to the bell of my saxophone allows movement without being tied to stationary microphone stand. The only issue has been the thin cable that connects it from the clip to the XLR connector. It doesn't take much to damage it (this is the second one I own) and over the years, it obviously wears faster than an ordinary microphone/cable. The result is that the longer you own it, the more careful you have to be or else you'll have a crackle and pop everytime you move the wrong way. It's a shame they can't improve on the design of the otherwise amazing microphone. I've tried to compensate by leaving the cable wrapped in the reel (taped up) with only enough length required to get the clip from my waist to the bell of the saxophone which has helped extend the life this long. I'm getting ready to replace it again and I'm thinking about shifting to a wireless.

Click Here to see more reviews about: Shure Beta 98H/C Clip-On Cardioid Instrument Microphone

The Beta 98H/C premium cardioid condenser instrument microphone that clamps onto the bell of wind instruments or onto the rim of percussion instruments, and its transformerless preamplifier circuitry improves linearity across the full frequency range. The pickup pattern of the BETA 98H/C provides high gain-before-feedback and excellent rejection of unwanted noise. Its high maximum sound pressure level (SPL) enables it to handle the extreme demands of brass, woodwind and percussion instruments.
The integrated gooseneck and ratcheting swivel joint allows the mic to be easily positioned and secured, and an isolation shock-mount reduces the transmission of instrument "key noise" and other mechanical noise. A gooseneck angle brace is included to provide better retention of the microphone placement during more active performances.

Key Features
Transformerless preamplifier circuitry that improves linearity across the full frequency range.
Pickup pattern provides high gain-before-feedback and excellent rejection of unwanted noise.
High maximum sound pressure level (SPL) enables it to handle the extreme demands of brass, woodwind and percussion instruments.
10-foot high-flex cable with attached preamplifier (XLR connection)
Tailored frequency response for open, natural sound reproduction
Compact, lightweight construction provides a low degree of visibility
Gooseneck, ratcheting swivel joint and gooseneck angle brace allow for optimum placement and fixed positioning

Applications and Placement The most common BETA 98H/C applications and placement techniques are described below. Keep in mind that microphone technique is largely a matter of personal taste; there is no one "correct" microphone position.
Saxophone Placement: Clamp the microphone onto the bell of the saxophone, so the microphone is a few inches from and facing into the bell. This will produce a bright tonal balance while minimizing feedback and leakage.
Soprano Saxophone Placement: Clamp the microphone onto the bell of the saxophone and adjust the gooseneck so the microphone is facing the keys of the instrument, a few inches from the lower keys. This will produce a warm and full tonal balance. For a brighter tone, adjust the gooseneck so the microphone is facing into the bell, a few inches away.
Trombone Placement: Clamp the microphone onto the bell of the trombone and adjust the gooseneck so the microphone is facing directly into the bell, a few inches away. This will produce a bright tonal balance while providing maximum isolation.
Trumpet Placement: Clamp the microphone onto the bell of the trumpet and adjust the gooseneck so the microphone is facing directly into the bell, a few inches away. This will produce a bright tonal balance while providing maximum isolation.
Drum Placement: Clamp the microphone onto the drum rim and adjust the gooseneck so the microphone is aiming a few inches above the drum head and an inch from the rim. This provides a full tonal balance.

Specifications
Type: Condenser (electret bias)
Polar Pattern: Unidirectional (cardioid)
Frequency Response: 20 to 20,000 Hz
Output Impedance: 1200 ohms
Output Level (0 dB = 1 volt per Pascal): Open Circuit Voltage: -56.5 dB (1.5 mV)
Output Clipping Level (at 1kHz, THD < 1%): -9 dBV (0.35 V)
Maximum SPL: 143.5 dB
Dynamic Range: 112.5 dB
Signal-to-noise Ratio: 63 dB at 94 dB SPL (IEC 651)
Polarity: Positive pressure on microphone diaphragm produces positive voltage on pins 3 and 4 with respect to pin 1 (ground).
Weight: 2.3 ounces

Get 47% OFF

Click here for more information about Shure Beta 98H/C Clip-On Cardioid Instrument Microphone

Read More...

Avalon VT737SP Class A Tube Channel Strip Review

Average Reviews:

(More customer reviews)I use this channel strip during nearly every recording session I run. The sound is amazing for vocals (in combination with a good mic), producing a warm and yet extremely clean sound.
I have used the unit on acoustic guitar, kick drum, electric guitar and even bass. I was able to get stunning sound from all sources, with a little tweaking of the settings and mic placement.
This unit is capable of immaculate results. Well worth the money.

Click Here to see more reviews about: Avalon VT737SP Class A Tube Channel Strip

The Avalon VT737SP features a combination of TUBE preamplifiers, opto-compressor, sweep EQ, output level and VU metering. VT737SP's preamp provides a 48V phantom powered input, an Instrument DI and a balanced line input. The Opto-compressor features twin Class A tube triodes for gain matching. Full dynamic control from soft compression to hard-knee limiting can be achieved with threshold, ratio-compression, attack and release controls plus gain reduction selection on the large VU meter. Special spectral control including de-ess is available with the dual sweep mid EQ to side-chain switch. The EQ section can be flipped pre or post-compressor. The high and low EQ bands provide the smooth characteristics of an all passive design, while the dual mid bands include variable frequency and switched Q-width selection. Whether you're recording a solo vocalist or an acoustic instrument, mastering, or recording symphonies, let Avalon take you to the leading edge in analog and experience sonic reality like never before! Avalon VT737SP Features Vacuum tube triode signal path Soft-start tube life extender Stereo link for compressors Sealed silver relays for signal routing Transformer balanced microphone input High-voltage circuits for max headroom and low noise Discrete Class A equalizer with musical passive filter Internal discrete power supply with toroidal transformer Large control knobs with professional conductive plastic potentiometers VU meter for output level monitoring and compressor gain reduction Great Unit. Allows the user to slam into the red! The Avalon VT737SP is a great unit. It has so many strengths that basically you could say that as a MIC Pre/Channel Strip goes, thi

Get 10% OFF

Click here for more information about Avalon VT737SP Class A Tube Channel Strip

Read More...

Blue Microphones Bluebird Cardioid Condenser Mic Review

Average Reviews:

(More customer reviews)This microphone sounds very good on everything I've tried it on. Running the mic through a DBX 376 mic pre, I was able to get some great vocals. Though to get a good amount of clarity on the consonants I did have to ask the singer to back up about six inches from the mic. Being close in, the mic just didn't pick up the T and S sounds. With that adjustment, the mic did a good job on vocals ending up with takes the singer and I were both happy with. It didn't blow me away, but it sounded good. I've used it on a combo amp with good results as well as acoustic guitar and mandolin with better results. Not blown away, but overall happy with the way it sounds being a two to three hundred dollar mic.
What I really don't like about this mic is how the look of the design and aesthetics of the mic are clearly more important to blue than the functionality. Getting this thing in and out of the shock mount is a bit of a pain as it threads into it. I just know I'm going to mis-thread the thing once and have to spend another 80 bucks to get a replacement. Also, every time you adjust the angle of the shock mount you really have to crank the small thumb screw to get it to stay into place. I find the thing very difficult to lock into place all for the sake of looking attractive. I find nothing less attractive than poor functionality. Which brings me to the pop screen. I've read plenty of reviews claiming the pop screen was useless. I wouldn't know because the screen that came with my mic doesn't fit the mic. I sent an email off to Blue and didn't hear anything for two weeks, in the mean time Amazon shipped a free replacement, but it had the exact same issue. Blue responded to a second email and they said the last batch of screens was bad. Blue is supposed to be shipping me a pop screen "when they become available", so I hope I'll be getting one.
All in all, it's a good sounding mic for the money. I find it to be on par with my ADK A51. It's not the "crown jewel" of my modest mic collection but a different flavor to use. But I find the functionality of the accessories to be cumbersome at best, and unusable at worst.

Click Here to see more reviews about: Blue Microphones Bluebird Cardioid Condenser Mic


Designed to offer superb sound and maximum versatility, Blue Microphones' Bluebird is a large-diaphragm cardioid condenser that can handle everything--including vocals, electric and acoustic guitars, drums, strings, and woodwinds. It utilizes Blue's renowned microphone technology and a Class-A discrete circuit to achieve superior detail and clarity, while its unique, retro appearance is sure to be a hit in the studio. The complete Bluebird package includes a shockmount, pop filter, cable, and wooden case.
All-Purpose Design Gives You Professional Quality
The Bluebird is Blue Microphones' response to popular opinion--most people ask for a mic with a warm tone and silky smooth highs, and the Bluebird delivers. Engineered to be as versatile as possible, the Bluebird maintains the high-quality, no-compromise audio that you expect from Blue Microphones. This makes it ideal for male and female vocals, electric and acoustic guitars, close-miking of drums, drum overheads, percussion, piano, horns, and strings--in short, whatever you need it for most.
Proprietary Capsule and Discrete Electronic Components
Each professional-grade Blue Microphone utilizes a unique, proprietary capsule design to capture a specific sonic signature, and the Bluebird is no exception. As a large-diaphragm condenser with a cardioid polar pattern, the Bluebird is built to capture rich, full-bodied sound from sources that are directly in front of the mic.

The capsule and cardioid pattern combine with high-quality electronic components, including a Class-A discrete amplifier circuit, to ensure that each Bluebird mic offers consistent, reliable performance with extended top- and bottom-end sound detail. The electronic components in all of Blue's microphones have been carefully selected, based on 20 years of engineering and experimentation, in order to increase microphone speed, decrease distortion, reduce product variance, and ensure long-term dependability.
Unique Vintage Look and Complete Setup
Satin nickel plating and a baby-blue grip give the Bluebird Mic an original look that matches its well-rounded audio performance. A specially designed shockmount and metal mesh pop filter for laying down clean vocals are included with the mic. It also comes with a wooden storage case that matches the mics retro good looks.

The Bluebird is backed by a three-year limited warranty.
What's in the Box
Bluebird cardioid condenser microphone, shockmount, pop filter, cable, and wooden case.

Click here for more information about Blue Microphones Bluebird Cardioid Condenser Mic

Read More...

RODE NT1000 Vocal Condenser Microphone Review

Average Reviews:

(More customer reviews)I went shopping for a Rode NT1. Rode mics use superb capsules mounted in machined housings you could drive a truck over, and the NT1 is a great mic for male vocals. The guy at the store suggested the NT1000. I recorded myself on both, and there wasn't much difference, but the 1000 just sounded a little smoother. But, the NT1 had a painted finish (may have changed since), made out of aluminum. When you screw the mount on it feels rough, like screwing in a light bulb with an aluminum base. The NT1000, though, feels rich and expensive, a nickel-steel finish (I guess) more like the expensive Neumanns. And when you screw the parts together they feel precise and elegant. It was a hundred bucks more than the NT1, but with the slightly nicer sound, and the much nicer look and handling feel, it seemed worth it.
The only problem I've had with it is weight. It's fairly heavy, and can't be extended very far on my boom stand without falling over.
Great dynamic range, low noise, very detailed.

Click Here to see more reviews about: RODE NT1000 Vocal Condenser Microphone

The Rode NT1000 brings new standards to the recording industry. When today's musicians and recording engineers demand clarity and dynamic range, they demand large capsule performance. The Rode NT1000 is superior in both vocal and instrumental performances. Voiced for application versatility , the NT1000 has been hailed by many as the ultimate drum over-head and grand piano mic selection. The NT1000 is also equally at home as a first call vocal mic. With its Australian made 1 inch HF-2 capsule incorporating internal shock mounting, the NT1000 boasts a 134 dB dynamic range, and 140 dBA SPL capabilities and a 20 Hz - 20 kHz frequency response. Includes mic stand mount, and zippered pouch. Rode NT1000 Features HF2 1 inch capsule with gold-plated diaphragm Ultra low-noise transformerless circuitry Cardioid polar pattern Heavy-duty cast metal satin nickel body High-strength welded and heat-treated mesh head Internal capsule shock-mounting True externally biased condenser Full frequency response AmericanMusical.com is an authorized dealer of Rode products.

Get 45% OFF

Click here for more information about RODE NT1000 Vocal Condenser Microphone

Read More...

JBL JRX112M 12-Inch Classic Two Way Portable Loudspeaker in a Black Carpet Covered Cabinet Review

Average Reviews:

(More customer reviews)This is a great stage monitor. It has decent output and really makes the vocals crystal clear. No more fighting to be heard over the guitars.
The shipping from this company was fantastic. I think I received the package within 5 days of ordering it. It was inside a large box, secured with plastic rip tags and bundled up inside plastic protective wraps inside the box. It's heavy. Be aware.
The only issue I have with this stage monitor is it needs to be hooked up with a wire. I wish it was wireless so that I wouldn't have to worry about overloading our circuits.
It does not come with a cover.
Overall, great buy. If I wanted a wireless, I should have done more extensive research on the product. It's my fault, so I can't really complain too much.

Click Here to see more reviews about: JBL JRX112M 12-Inch Classic Two Way Portable Loudspeaker in a Black Carpet Covered Cabinet

JBLJRX112M 12 Inch Classic Two Way Portable Loudspeaker in a Black Carpet Covered Cabinetfor Pole Mount, DJ, FOH and Floor Monitor Applications.

Get 18% OFF

Click here for more information about JBL JRX112M 12-Inch Classic Two Way Portable Loudspeaker in a Black Carpet Covered Cabinet

Read More...

Studio Projects C1 Large Diaphragm Condenser Microphone Review

Average Reviews:

(More customer reviews)This microphone is terrific. I'm a classically trained vocalist, and I recently recorded an entire demo album using the C1 (with the Edirol UA-5 as a preamp). The microphone captured a warm, true, and vibrant sound right out of the box, and its dynamic response was excellent. In fact, I was so pleased with the raw sound that I left it entirely untouched in the mixing process. While this unit's price is extremely reasonable, this is not a great microphone "for the price"; it's simply a great microphone that happens to be priced affordably.

Click Here to see more reviews about: Studio Projects C1 Large Diaphragm Condenser Microphone

The Studio Projects C1 Large Diaphragm Condenser Microphone is a versatile, well-proven and award winning tool, designed to deliver the finest quality vocal and instrumental recordings. It will enhance any professional or project studio at an unbelievably low price. This large diaphragm, fixed-cardioid condenser microphone employs a 1.06 inch (27mm) capsule, high quality, low noise amplifier and balanced, transformerless output circuitry. The C1 also features a pad that is switchable at -10dB and -20dB as well as a 6dB high pass filter adjustable at 75Hz and 150Hz for added control in various recording applications and a clear, full response expected from a large capsule microphone design. As a result of uncompromising dedication and advanced production capabilities, Studio Projects will continue to broaden the range of quality pro audio microphones & electronics for today's recording environment. Studio Projects C1 Features Pressure-Gradient Transducer: 1.06 inch (27mm) 6um mylar diaphragm High Pass Filter (75Hz and 150Hz) Pad (-10dB and -20dB) Applications Designed for the professional and home project studio A do-all, general purpose recording Mic Great for close miking amplifiers with high sound pressure levels Production, broadcast, and voice-over work A quality vocal mic suitable for most vocal styles Included Accessories Shockmount Foam wind screen Case AmericanMusical.com is an authorized dealer of Studio Projects products.

Get 34% OFF

Click here for more information about Studio Projects C1 Large Diaphragm Condenser Microphone

Read More...

Rode NTK Tube Condenser Microphone Review

Average Reviews:

(More customer reviews)Great mic - excellent sound. I have been a pro voiceover artist for over 30 years and have dealt with a variety of studio mics. In building my own studio I really wanted a front end that had a clear and smooth full-range sound. The R0de NTK was recommended to me by another "big voice" artist, and completely lives up to the recommendation. Everyone I have talked to says it's about the best value out there. If you have cash to blow, you can get a "noyyyyyymannnnn" (raise eyebrows here), or you can enjoy the sound of this mic and take the extra $3200 and spend it on more gear. The hard plastic padded case for the mic and power supply are a nice touch. Don't forget to buy a shock mount for it!
Enjoy -

Click Here to see more reviews about: Rode NTK Tube Condenser Microphone

The RODE NTK sets the standard for value in professional microphones. This is a tube mic designed exclusively for recording professionals who want what only the best can offer. The heart of the NTK is the Australian designed and manufactured HF-2 capsule. The electronic circuitry complementing this very sensitive transducer includes a hand-selected twin-triode 6922 valve and audiophile grade components and lay-out. The result is an ultra-wide dynamic range, very low noise, and stunning tube warmth. The NTK's rich valve sound is ideal for vocals, acoustic instruments, drum overheads, guitar amps and pianos. It includes a power supply, 30 foot cable, stand adapter and case. RODE NTK Features Large 1 inch capsule with gold plated diaphragm Class A valve circuitry Ultra low noise Wide dynamic range Hand-selected and graded 6922 twin-triode valve Dedicated Power Supply High strength heat-treated steel mesh head Durable satin nickel finish Internal capsule shock mounting High level of RF rejection When professional performance counts use only a Rode NTK tube microphone. AmericanMusical.com is an authorized dealer of Rode products.

Get 47% OFF

Click here for more information about Rode NTK Tube Condenser Microphone

Read More...

Audio Technica AE5400 Handheld Condenser Microphone Review

Average Reviews:

(More customer reviews)I purchased this microphone as a gift to a very talented Vocalist. I looked at many brands and models. After giving this microphone, I received several demo tapes on which it was used. Amazing! What a difference over the 58 wired and wireless he was using. One big attraction is the ability to use the microphone in either flat or low roll off modes. This extends the utility dramatically. I'm glad I went this way.

Click Here to see more reviews about: Audio Technica AE5400 Handheld Condenser Microphone

The Audio Technica AE5400 Handheld Condenser Microphone delivers pristine sound quality demanded by the most discriminating microphone user. With its superb sonic design, this true condenser features superior anti-shock engineering for low handling noise and quiet performance. Featuring the same element as the classic AT4050 studio mic, its large-diaphragm capsule assures an accurate, natural response. It handles high SPL's and offers protection against plosives/sibilance without compromising high-frequency performance and clarity. Audio Technica AE5400 Features The ultimate vocal performance instrument Pristine sound quality demanded by the most discriminating microphone user Same large-diaphragm element as the renowned AT4050 studio microphone; true condenser design Superior anti-shock engineering ensures low handling noise and quiet performance High-quality double-sided PCB uses surface-mount components. Extensive grounding plane and attention to best-practice grounding methods minimize electrical noise Multi-stage grille design offers excellent protection against plosives and sibilance without compromising high-frequency clarity Cardioid polar pattern reduces pickup of sounds from the sides and rear, improving isolation of desired sound source Custom transformer improves performance specifications by isolating against noise and RF interference, and providing excellent saturation characteristics that contribute to smooth linear sound quality Robust design for enduring dependability on the road Quiet-Flex stand clamp provides silent, flexible microphone positioning Integral 80 Hz HPF switch and 10 dB pad AmericanMusical.com is an authorized dealer of Audio-Technica products.

Get 34% OFF

Click here for more information about Audio Technica AE5400 Handheld Condenser Microphone

Read More...

Rode NTG2 Condenser Shotgun Microphone Review

Average Reviews:

(More customer reviews)I purchased the NTG-2 as a voiceover mic to use for audiobook production and VO recording. I'm running the mic through the preamps on an M-Audio ProjectMix I/O and into Pro-Tools M-Powered 8. I run the incoming signal through the Waves SSL Channel plugin for some light compression, and that's it. I rarely need to EQ.
The resulting tone is clean and clear without being too intimate. If I get too close, it tends to get a little boomy and the low-mid ranges are a touch muddy. However, if I position the mic about 12-18 inches from the mouth of the VO artist, and slightly above the axis of the mouth, the sound quality is stellar. On male voices, in particular, the mic lends a depth and warmth that is often desirable for certain types of voice work. As would be expected with a mic of this type, the proximity effect is fairly pronounced.
Being a shotgun mic, it does an excellent job filtering out much of the background noise if your space is not sound-proof. (For instance, I'm using a small booth in which one wall is an exterior wall with very little sound insulation. Even when cars and trucks drive by, the mic won't register the sound.) It's an excellent choice for small project studios in homes. The mic does a good job of not catching every single saliva slurp or tongue noise while keeping the voice sounding natural.
The included wind screen is a little on the wimpy side, and it's unfortunate that the mic doesn't come with a shock mount...but that's not uncommon for mics in this price range. Likewise, I wish the mic had come with a decent hard case rather than the pleather zippered pouch that comes with, but again, that's not uncommon in this price range.
I've used four very different mics for VO work: a Studio Projects C100 Large Diaphragm Condenser, an AKG C1000 small diphragm condenser, a Heil PR40 Large Diaphragm Dynamic, and the Rode NTG-2. I was using the Heil almost exclusively until I got the NTG-2. Now this is my first-call mic for 80% of my VO sessions. For the price, it really can't be beat for high-quality spoken word recording.
Pros:
* Great Mic for the Price
* Narrow Pickup Pattern to reduce noise
* Clean and clear tone
* Natural sound
Cons:
* Can get a little boomy in low-mid ranges if speaker is too close
* Pronounced proximity effect
* No shock mount/case included


Click Here to see more reviews about: Rode NTG2 Condenser Shotgun Microphone

The RODE NTG2 is a new, lightweight condenser shotgun microphone, designed for professional applications within the film, video, television and production industries. The NTG2 provides a balanced low impedance output stage and operates either from an internal 1.5 V battery (AA) or 48 V phantom power. A wide bandwidth and controlled polar response coupled with low noise SMT electronics, makes the NTG2 the perfect choice for film, video engineering and voice-over work. The NTG2 is extremely lightweight making it ideal for mounting directly to video cameras or on boom poles. AC_FL_RunContent( 'codebase','http://download.macromedia.com/pub/shockwave/cabs/flash/swflash.cab#version=9,0,28,0','width','330','height','220','title','Rode NTG2 Condenser Shotgun Microphone','src','http://www.americanmusical.com/ItemFiles/Flash/RodeNTG2','quality','high','pluginspage','http://www.adobe.com/shockwave/download/download.cgi?P1_Prod_Version=ShockwaveFlash','movie','http://www.americanmusical.com/ItemFiles/Flash/RodeNTG2' ); //end AC code The NTG2 comes complete with zip pouch, sta

Get 27% OFF

Click here for more information about Rode NTG2 Condenser Shotgun Microphone

Read More...