Showing posts with label synthesizer. Show all posts
Showing posts with label synthesizer. Show all posts

7/09/2012

Korg R3 37-key Synthesizer and Vocoder Keyboard Review

Korg R3 37-key Synthesizer and Vocoder Keyboard
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This is a professional keyboard, so if you want some great sounds at an affordable price, this could be perfect for you.
Very transportable; incredible sounds; knobs that allow for adjusting sounds; multi-effects processor; vocoder.
I could go on and on. This keyboard comes in very handy, and I've used it for rock, contemporary, R&B, worship, etc.
You'll be impressed by the sound of this keyboard. It's small, but packs a huge punch.

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The R3 is a full-fledged synthesizer that provides an easy and affordable way to enjoy sophisticated synthesis and advanced sound creation. In a compact and light-weight body, it packs 37 full-size, velocity sensing keys, along with two-timbre/eight-voice performance power. The sound generator section uses the same acclaimed MMT (Multiple Modeling Technology) used by the KORG RADIAS, delivering thick, gutsy, and crisp analog sounds. With quality that will satisfy both professionals and beginners, the R3 is a great choice for adding synth sounds on stage or in music production.

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6/29/2012

Yamaha MO6 61 Key Music Production Synthesizer Review

Yamaha MO6 61 Key Music Production Synthesizer
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This is an amazing keyboard. Excellent sound, absolutely awesome for live playing...and if you are into techno/trance/house...there isn't any other keyboard which can compete. Build quality? Excellent...Made in Japan.
The competing keyboard for this model is Korg M50-61. Although it is lighter, the M06 far exceeds in quality and real-time playing. Overall, the perfect keyboard for techno/trance/house production for real pros.

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Yamaha, the world's largest musical instrument manufacturer and the leader in synthesizer technology, proudly introduces the MO Music Production Synthesizer. Targeted to semi-professional musicians and home/project studio owners as well as songwriters and performers, the MO provides a full set of authentic sounds and comprehensive music-making features including an emphasis on contemporary styles and voices. Highly portable and compact, the MO also serves as an ideal keyboard for live performance situations. The MO contains many advanced music production tools. These include a built-in Song sequencer, and a useful Pattern mode that allows you to build complex rhythmic/chordal patterns by using preset Phrases - or Phrases of your own creation. Moreover, the powerful Arpeggio feature gives you over 1700 sequenced phrases that you can trigger at the touch of a key.Drawing on the technology and sounds of the professional level MOTIF ES, the new MO features an expanded sound set, with an exceptionally large internal wave memory capacity. The keyboard has a full complement of realistic instrument Voices (total 512) and Drum Kits (64), and includes many modern and vintage synthesizer sounds, making it well-equipped for current dance, club and techno music styles. For sound shaping and signal processing, the MO features sharp, responsive filters (with real-time knob control from the panel) and an extensive set of high-quality effects.The MO also seamlessly integrates into computer music systems, with special remote control functions that let you operate your favorite sequencer software from the instrument itself. In addition, the MO is the latest instrument in the Yamaha line to feature compatibility with the convenient Studio Connections system. Studio Connections lets you make and save MO settings to a song within your DAW application (such as Steinberg's Cubase), and use the Total Recall features to instantly restore those settings when you reopen the song.

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5/23/2012

Moog Music MF101 Moogerfooger Low Pass Envelope Filter Pedal Review

Moog Music MF101 Moogerfooger Low Pass Envelope Filter Pedal
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Wow, someone actually wrote as a review "My husband uses this in his band a lot...don't know anything about it...", now I have seen it all. Why would any body think that an endorsement like that could possibly be helpful in any way? Oh great, well if it's good enough for your husband then I'll take TWO!! Holy smokes, what else do you see him using that I might want? Thanks for nothing, luckily anyone else who is looking at this will surely know what this is and it goes without saying it's value and quintessentially uniquely classic moog filter sound. Thanks for nothing though, Little Lost Long Island Girl.

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This is the classic Moog filter that changed the sound of electronic music. Reach out and sweep the filter with the CUTOFF knob. Or use the ENVELOPE section to do it automatically. Or plug in one or more expression pedals or control voltages to do it. Or do all three. This is the best-sounding, most playable filter you can have! A 110V power supply is included. What is a Lowpass Filter? A lowpass filter removes high frequencies from a tone. It makes the tone sound more mellow or muted. The lower the cutoff, the more muted the tone sounds. Imagine a window shade. As it is pulled down, it cuts out the higher light, then the light from the middle of the window, then finally all the light. A lowpass filter does the same sort of thing to the sound spectrum. The moogerfooger filter is a direct descendant of the original Moog modular synthesizers. It contains two complete modular functions: a voltage-controlled lowpass filter and an envelope follower. The envelope follower tracks the loudness contour (envelope) of a sound, and produces a voltage that follows the dynamics of your playing. Every time you play a note, the envelope voltage goes up and then down. The harder you play, the higher the envelope voltage goes. The envelope follower opens and closes the lowpass filter. Think of the envelope voltage as an invisible hand that turns the CUTOFF knob up and down every time you play a note. Since the envelope follows the dynamics of your instrument's signal, you actually play the filter as you play your instrument. The moogerfooger filter is also a resonant filter. As you turn up the resonance, the overtones near the cutoff frequency are boosted. Resonance gives the moogerfooger filter the same classic Moog filter sound as the Minimoog and Moog modular synthesizers. The moogerfooger filter's control parameters are signal mix, cutoff frequency, resonance amount, and envelope amount. All of the Lowpas

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5/06/2012

Korg microKorg XL Analog Modeling Synthesizer with Vocoder (black) Review

Korg microKorg XL Analog Modeling Synthesizer with Vocoder (black)
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The MicroKorg XL is really a MicroKorg in name only. Whereas the original MicroKorg shared a synth engine with the MS-2000, this one uses the engine found in the R3 and Radius. This is not necessarily a bad thing as those are fine sounding synths, but you'd be better of with a synth like the R3 (which is about $100 more). Although the MicroKorg XL has a cool, faux-vintage look, the construction of the board is pretty shoddy and I doubt it would be good for carting away to gigs or traveling with. It's made from rather cheap, weak feeling plastic unlike the far sturdier R3 or original MicroKorg. Also, while the sound editing is arguably better than the oddball matrix on the original MicroKorg, it pales when compared to the easy editing on a R3. Basically, this is not a bad board soundwise, but you'd be better off saving $100 with an original MicroKorg or putting in an extra $100 for an R3. The MicroKorg XL is not a happy medium, and makes compromises that do not benefit the synth user.

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Joining the ranks of the top-selling originals microKORG and R3, the 37-note velocity-sensitive Korg microKorg XL Analog Modeling Synthesizer with Vocoder offers Korg's legendary analog modeling, along with an ergonomic interface, in a lightweight and portable keyboard. The microKorg XL employs full eight-voice multi modeling technology, a 16-band vocoder, on-the-fly parameter editing and USB MIDI connectivity, all packaged with the great-feeling Natural Touch keyboard action.The MMT (Multi Modeling Technology) sound engine is descended from the RADIAS/R3 synthesizers, while the dual effects processors come down from the famous KAOSS line. The black key/white key proportions have been adjusted for easier chording; the key response has been improved for rapid-fire soloing. Together with a sound-bending vocoder and six-pattern arpeggiation, microKORG XL packs a powerful sonic punch.The eight-voice MMT synth engine offers traditional analog waveforms plus a total of seven algorithms, including formant waveforms, noise, and PCM/DWGS waves for those vintage keyboards and strings. Cross-modulation, unison stacking, and VPM (Variable Phase Modulation) let you create sounds that would be impossible for a conventional PCM synthesizer. Sync and ring modulation make it easy to create complex and powerful sounds. Two multi-mode filters, a drive/waveshaping circuit for distinctively distorted sounds, and EG and LFO for creating time-varying tonal change, provide plenty of parameters for serious synthesis. Virtual Patching brings it all together.

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4/12/2012

Korg Kaossilator Pro Tabletop Synthesizer Review

Korg Kaossilator Pro Tabletop Synthesizer
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Like another reviewer here at Amazon, I also got the original kaossilator a couple of years ago and started to spend a lot of time with it. I was reading an article named "Make Music Now" on a magazine related to electronic and computer music when I first learned about the kaossilator. I'm not a musician and, for many reasons, I never allowed myself to learn music. I always had a passion for music, specially with lots of synths like Tangerine Dream, Mike Oldfield, Airsculpture, RedShift, FSOL, Vangelis, Synergy, Passport, Jean-Luc Ponty, etc, etc. I have always been a passive listener, until now.When the new kaossilator pro came out I went right away to the youtube website to watch all those people showing their experiences and amazing creativity about this new musical instrument from Korg. Few months later I got my kaossilator pro.Both devices (Kaossilator and Kaossilator Pro) definitely are not toys. They are a very powerful, dynamic and portable musical instruments. As with every musical instrument they have their pros and cons. If you really want to learn more about these two devices go to the net and watch others about what they are doing with them (for all kinds of music). Those people have been like teachers to me.Making my own music is my new hobby. I have been doing this for a couple of years and my family, relatives, and friends have been pushing me to "release" an album. I have had released only one single with the main purpose to understand the whole production process. It is a very simple and very very inexpensive process to release digital music. I did a promise to myself about learning a little bit of formal music before releasing a complete album.Please do a search for "echoes from kiwi" here at amazon.com. That music was done using an iphone, the original kaossilaor, and the kaossilator pro. Again, the main purpose of "echoes from kiwi" is to demonstrate how easy is to create music using a very small and relatively inexpensive musical instruments and a computer.If you, like me, want to start creating your own music and have lots of fun, the kaossilator pro can be your first musical instrument. I bet you will master it in no time.Thank you for reading my review.
Eduardo Nava.

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The korg kaossilator pro dynamic phrase synthesizer is the supercharged version of the palm-sized kaossilator. the kaossilator pro was reborn as a powerful track-making tool and loaded with live performance power. it creates spontaneous changes that were difficult to produce in the past. not any longer with the korg kaossilator pro dynamic phrase synthesizer.as a trailblazer among the "instrumental gadgets" that allowed anyone to easily create melodies and phrases, the kaossilator gained a strong and dedicated user base, even among those without any performing experience. today, the kaossilator continues to be enormously popular. retaining these revolutionary features – while adding a wide variety of new ones as well – is the kaossilator pro. with 200 sound programs, a new electribe-inspired gate arpeggiator, and four loop recording banks that can even record external audio sources, the kaossilator pro is packed with features that make it ideal for both live performance and premium productions. in addition, usb connectivity with your computer and sd card memory storage allow the kaossilator pro to be used not just for improvised performances, but also as a superbly intuitive, track-making music production tool.using touchpad is highly intuitive – simply rub, stroke, or tap it to instantly create complex phrases with a single finger. responding instantly to these gestures, the kaossilator pro creates spontaneous changes that were difficult to produce on synthesizers of the past. horizontal motions control the pitch, while the vertical axis can control tone parameters such as cutoff, feedback, or modulation depth. this makes it easy for anyone to create entirely original sounds and musical phrases.

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4/09/2012

TC-Helicon VoiceTone Synth Vocal Effects Processors Review

TC-Helicon VoiceTone Synth Vocal Effects Processors
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Great effects and easy to use. Plugging in my Microkorg and double vocoding my voice is a blast and sounds awesome. The VoiceTone Synth is deceptively deep as well. With far more profiles of sounds than you would first expect by the layout of the buttons. Highly recommend!

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VoiceTone Synth brings together a collection of exotic and current sonic mayhem including jagged HardTune effects, a MassiveBand Vocoder with voice-controlled synth and vocal distortion and megaphone effects. Now vocalists and anyone looking to add a modern edge to their live performances and studio productions can dial-in these effects instantly with the press of a footswitch.

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3/29/2012

Korg microKorg Analog Modeling Synthesizer with Vocoder Review

Korg microKorg Analog Modeling Synthesizer with Vocoder
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The MicroKorg is probably the finest synth you'll ever get at that price. It's very small (same size as many of those toy keyboards you grew up as a kid, but this is no toy), and has 37 keys, although the big criticisms here is Korg opted for toy keyboard-sized keys, rather than full-sized keys (the similar sized and similarly priced Alesis Micron, also 37 keys, used full-sized keys). It's a four note polyphonic virtual analog synth capable of fantastic analog sounds, with all the great sounds of the '70s, '80s, and '90s! It's essentially a Korg MS-2000 in a small package, but with an 8-band vocoder (instead of 16-band), and a superior arpeggiator, great for all you electronica and techno buffs out there, or those who want to create Tangerine Dream-like rhythms without the bulky gear that group had to use back in the glory days of the mid '70s. I've been aware of vocoders for ages, and of course, was a huge trademark in Kraftwerk's sound (they started using vocoders starting with 1973's Ralf & Florian, which is one album prior to their famous breakthrough, Autobahn), I am so happy to now personally own a vocoder, that is, one included in a synth. It has a condensor microphone for use of a vocoder, although you can hook up any standard microphone too. Like most any synth made in the last 20-25 years, it's MIDI, so you can have it interact with other MIDI synths, drum machines, your computer, or any other MIDI device.
Although it comes with an AC adapter for home and studio use, you'll be happy that you can use 6 AA batteries, so you can bring it with you on your next camping adventure (plus it has a headphone jack too, since hooking it up to speakers might be a bit difficult in the Great Outdoors).
It's also fully programmable, you can alter the sounds already included, or you can erase one of the settings and start from scratch. I really love the features you can do here. You can have it polyphonic, or monophonic for use of soloing, or retro-'70s analog sounds. It has two oscillators, you have many different choices of waveforms. You can edit the arpeggiator so you can get it to do different rhythms (it can do up to a sequence of 8 notes). I also really like the delay feature, to get that echo sound when you release the note, it really gives it a fuller sound. You can get it to pan for that wonderful stereo effect, or select a phasor. You can even program it to have the pitch wheel and modulation wheel do things, such as altering pitch, the resonance, vibrato, etc. There'e two edit knobs, and five more knobs to help you with the programming. But I very much suggest you read the instruction manual, or you might have a hard time programming it. But once you get a hang of it, you'll have a ton of fun programming your own sounds and see what you can do. Despite the keys itself, it's actually a fully professional synthesizer.
The MicroKorg might be geared for the younger audience, thanks to its low price and many of the techno sounds it can do, but Jean Michel Jarre uses one and he's hardly young. Not to mention you can make it do a lot of non-techno sounds too, like classic '70s analog sounds, or '80s polyphonic synth sounds (like what you hear on Van Halen's "Jump") so it doesn't just appeal to the young segment.
It's great see many professional musicians using it from Jean Michel Jarre right down to Nick Rhodes of Duran Duran. I even saw a documentary directed by Hans Fjellestad called Moog, which was about Robert Moog and of Moog synthesizers, and they showed several techno/electronic groups where the main emphasis was on their Moog gear (naturally), but one group was clearly shown with a MicroKorg.
This is no 88 key workstation, that's for sure. In some cases that's a good thing, especially if you like in a small apartment and you're concerned about space, but for such a small synth, I am completely blown away at what this can do. You really need to try and buy this synth, you won't be disappointed!

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The microKORG boasts the same dual-oscillator DSP synthesis engine found in Korg's critically acclaimed MS2000 and offers a wider selection of waveforms than any other modeled synth. Oscillator 1 features a total of 71 waveforms. These include traditional analog waves like saw, pulse, sine and noise, plus more unique choices like Vox wave and cross wave. Together they provide a cool selection that can be modulated to produce an extensive range of timbres. In addition, 64 exclusive DWGS waveforms from Korg's classic DW-8000 enable the microKORG to reproduce a broad collection of imitative sounds. Sounds like bells, electric pianos, guitars, basses and more that would be difficult reproduce on an analog synthesizer. You can also apply Ring and Sync modulation from Oscillator 2 to create the kind of complex timbres that are the true sign of an advanced synthesizer.Four filter modes are available, offering -12 dB (2-pole) low pass, high pass and band pass configurations plus an extra steep -24 dB (4-pole) low pass setting. All include resonance. Two classic ADSR envelope generators and two MIDI-syncable LFOs provide the power to shape your sounds. Add a Virtual Patch matrix that lets you create advanced modulation settings – routing the Mod Wheel to control filter cutoff or pulse width, using an LFO to control panning or amp level, etc. – and you have performance that is unheard of from a synthesizer in this price range!

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3/12/2012

Moog Music MF103 Moogerfooger Twelve Stage Phaser Pedal Review

Moog Music MF103 Moogerfooger Twelve Stage Phaser Pedal
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I just bought this pedal and I must say, I will never again buy any other chorus/flange/phase shifter pedal again! I have a Boss BF-3 stereo flange and an Electro-Harmonix small cone full-chorus unit and neither of them even come close to the prestige of the Moog stage phaser. The tones and sounds that this pedal produces are like none that I have ever heard before. This pedal comes fully load with an extremely diverse collection of sounds that opens your ears to a whole new world of noises! An excellent choice.

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The MF-103 produces two comb-filter responses. They are called 6-Stage and 12-Stage, because of the number of phase-shifting circuits that are used internally. The 6-Stage mode has three dips in its frequency response, while the 12-Stage mode has six dips. These two modes have distinctly different sound qualities. In addition, the MF-103 features a variable feedback circuit which increases the resonance, or 'depth' of the phaser sound. Features RATE rotary control, which varies LFO's frequency over a 250:1 range. AMOUNT rotary control, which adjusts the amount by which the LFO output varies the phaser sweep. SWEEP rotary control, which moves the phaser frequency response over a six-octave range. RESONANCE rotary control, which adjusts the height and sharpness of the peaks of the phaser frequency response. DRIVE rotary control, which adjusts the gain of the audio input to the phaser. OUTPUT LEVEL rotary control, which balances the phaser signals with the bypassed signal. LO-HI rocker switch, which chooses between the low LFO range (0.01 Hz to 2.5 Hz) and the high LFO range (1.0 Hz to 250 Hz). LEVEL, a three-color LED that is used to set the DRIVE control. LFO, a LED that indicates the LFO rate. whether the phaser is active or bypassed. ON/BYPASS, a rugged, smooth-acting 'stomp switch'. Phasing is one of the best ways to impart motion to a track and to make sounds come alive. With the MF-103 Phaser you can get swirling, shimmering, vibrating effects; fill up a whole stage from one sound source; even create brand new sonic textures. A phaser is a type of comb filter, so called because its frequency response has several dips and peaks, like the teeth of a comb. As the phaser response sweeps back and forth across the frequency spectrum, the harmonics of the audio input signal are alternately increased and decreased. This produces the classic phaser 'whooshing' sound.

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2/19/2012

Electro-Harmonix HOG Synthesizer Review

Electro-Harmonix HOG Synthesizer
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I just got my HOG today, and although I cant give a thorough review of the product I will give you mi first impressions.
I cant give a thorough review mainly because this is an instrument in itself and will require months of use to master it... perhaps years! I own a Micro Synth and it is far less complicated and it took me a whole year to really get comfortable with it, and I'm still learning new sounds and new techniques each time I use it.
Unlike the Micro Synth this is polyphonic and tracks full chords. However I've found that it tracks 3 strings better, sometimes 6 string chords fart out a little.
Picking chords quickly can also produces some unwanted motor-boating. But with the right setting and the right technique it sounds pretty awesome, and they arent hard to do. I'm not that great of a guitar player and I found it right off.
The expression pedal makes it the most fun of all. Freeze + Gliss being the most notable.
Now I can do away with my crappy Jim Dunlop volume pedal and I dont have to get the EHX Freeze (since this has both functions).
Over all its pretty easy to use and very noob friendly.


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Indulge your senses! The HOG (Harmonic Octave Generator) is a totally polyphonic guitar synthesizer, offering complete control of up to 10 interval pitches. NO glitches and NO special pickup needed. Garner new tone potential from extreme sub bass to powerful multi-octave chords, including fifth and third intervals. Convert guitar into a Hammond B3 organ. Dedicated Filtering and Envelope Control, with numerous setup options, make the HOG a must-have performance instrument. Includes external expression pedal. Control the following harmonic intervals: down 2 octaves; down 1 octave; original note; up a 5th; up 1 octave; up 1 octave plus a 5th; up 2 octaves;up 2 octaves plus a 3rd; up 3 octaves; up 4 octaves.

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6/07/2011

Electro-Harmonix Micro Synthesizer XO Analog Guitar Microsynth Review

Electro-Harmonix Micro Synthesizer XO Analog Guitar Microsynth
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The Electro Harmonix MicroSynth is truly amazing! There are no words to describe how versatile and unique the effect pedal can be. I highly advise checking out the EHX website to watch/listen to the demos available. The only complaint I have is that there is no way to store presets.

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From the classic vintage sounds of the great early Moog synthesizerto custom creations, the Microsynth creates fat analog synth soundsheard on classic recordings by some of the finest musicians in theworld. Compact ten-slider layout lets the sonically adventurous guitaristdial in a virtually limitless array of analog synthesizer sounds:from percussive stabs to backwards-sounding bowed effects.

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