Showing posts with label cheap. Show all posts
Showing posts with label cheap. Show all posts

4/12/2012

Behringer BXL1800 180-Watt 2-Channel Bass Workstation Review

Behringer  BXL1800 180-Watt 2-Channel Bass Workstation
Average Reviews:

(More customer reviews)
This is the second BXL1800 I have owned. The first one was perfect. It's small enough to practice with and has balanced XLR out for playing live. Like I said, the first one was perfect. Unfortunately, I sold the first one and ordered another one. The new one was great for a few weeks, then it started sounding distorted, even at very low volume. No amount of adjusting or EQing could fix it, so I decided it must be a bad speaker and ordered a replacement. Upon removing the original speaker, I noticed that it has a 4 Ohm speaker (very odd for a single speaker setup), and that the speaker is only rated for 120 Watts! Why would they put a speaker into a cabinet that cannot handle the amount of power that the amp is supplying?
All I can say is be careful with Behringer. They are low cost, but apparently not always good quality.

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180-Watt 2-Channel Bass Workstation with Original BUGERA 12" Speaker, FBQ Spectrum Analyzer, Compressor and Ultrabass Processor

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3/07/2012

Behringer BX1800 180-Watt Bass Workstation Review

Behringer BX1800 180-Watt Bass Workstation
Average Reviews:

(More customer reviews)
hi, i am wilson from medellin, Colombia, i bought this amp. and find him a manufacturing defect, this product no technical support in my country, but thanks for shipping and delivery, everything just in time.

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180-Watt Bass Workstation with Original BUGERA Speaker and VTC-Technology

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2/23/2012

Fender Rumble 150 Bass Amplifier Review

Fender Rumble 150 Bass Amplifier
Average Reviews:

(More customer reviews)
My daughter was playing electric guitar for some time and now she decided to play bass. Because the regular amp can't hanlde bass guitar well, we did what I think the best way to choose an amp - went to a store and just started trying out different amps they had there.
We started with Rumble 75 and it was ok, but not that great. Than we went through some other amps until we tried that one. Apparently, this one is quite special. It has a combination of a huge 15" speaker, a dedicated horn for the highs and a large cabinet. Apparently, in the bass world, the size really matters. The Rumble 350 can go much louder, but no other amp (well, in similar price range) could deliver the sounds of the 150.
And one more thing. You may think "I don't need that much power cause I have a small place, so let's get something smaller". That logic may work for regular guitar amp, but for the bass you just can't get right sound off the smaller box. So you may never crank up volume to pump out all 150 watts, but you'll still be better off with a bigger amp, it's not about the volume, it just sounds better.
Bottom line is this amp really stands out for the price and fundamentaly it has some better components so you should take a look at this one.

Click Here to see more reviews about: Fender Rumble 150 Bass Amplifier

Brace yourself-the Rumble 150 lets you rule stage and studio alike with unrivaled impunity. That's because it pumps 150 watts through a 15" Fender Special Design Speaker and a piezo horn, and you can blend adjusted-to-taste overdrive with pure, clean bass tone for first-rate Fender bass sound. Other useful-in-real-life features include a horn on/off switch, XLR output, four-band active EQ with 'punch" and 'scoop" presets, spring-loaded side handles and removable casters, all in a ported, rugged and easily portable enclosure. Superb Fender bass tone and performance at an unbeatable value.

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9/06/2011

Epiphone Thunderbird PRO-V Electric Bass Guitar, Trans Black Review

Epiphone Thunderbird PRO-V Electric Bass Guitar, Trans Black
Average Reviews:

(More customer reviews)
Got my bass back from Gibson Epiphone service dept. on the Low B issue And WOW!! This Bass is the best Very crisp Highs & Lows with a driving punch! all 5 cylinders working fantastic!! GO BUY THIS BASS NOW!! YOU WILL NOT REGRET IT!! My hats off to The Staff at Gibson Epiphone They Really do Care about this Bass!! & Heres there letter to prove it!
Previous Topic · Next Topic
Epi1 #1 Posted : Monday, August 17, 2009 11:42:19 PM Quote

Rank: AdministrationJoined: 1/30/2008
Posts: 15
Location: Nashville, TN
Dear Epiphone Customer,
We regret to inform you that we have discovered that a SMALL percentage of defective T-PRO(tm) pickups were installed in some of our Epiphone Thunderbird PRO-V basses (5-string ONLY). These pickups were incorrectly made and therefore, cause the low-B string (or 5th string) to have a very low output level (ie: low volume) relative to the other 4 strings. While all PRO-V basses are NOT affected, the extent of the problem dictates that we notify you of this potential defect and take immediate action to correct it.
* If you purchased an Epiphone Thunderbird PRO-V (5-string) bass and the output level of the low-B string is LOW (ie: much quieter than the other 4 strings) please contact our Customer Service department either by email or by phone as follows. Remember - please check your bass first. Not all PRO-V's are affected. PRO-IV's (4-strings) do not have this problem.
In the U.S.A
1-800-4GIBSON (1-800-444-2766)
[...]
In Europe
00+8004GIBSON1 (00+800-444-2766-1)
[...]
In Japan
[...]
In China
800-820-8841
[...]
If determined to be defective, we will arrange to have your bass picked up and returned to Epiphone to have new pickup(s) installed, thoroughly tested and then returned to you promptly. When you contact Customer Service, please make sure you have your serial number available.
* Additionally, we are in the process of testing all Thunderbird PRO-V basses at our authorized Epiphone retailers worldwide to determine if they need pickup replacements. If they do, we will be either repairing them on-site or re-calling them. As a result, future purchasers of Thunderbird PRO-V basses will not experience this problem.
In closing, we sincerely apologize for this problem and the inconvenience. At Epiphone, we pride ourselves on our passionate attention to quality and our historically low return rate of less than 0.5%. In this case however, we failed to meet our own standards not to mention yours. Rest assured that we have taken aggressive and appropriate action to ensure that this will not occur in the future.
Thank you for your understanding and we hope that you will continue to have faith in us. We have stood behind our instruments for over 135 years and we will continue to stand behind our products with an unwavering commitment to quality and customer satisfaction backed by our Epiphone Limited Lifetime Warranty and our world-famous Gibson 24/7/365 Customer Service. If you ever have a question or a concern, we're here for you.
Sincerely,
Epiphone
645 Massman Dr.
Nashville, TN 37210

Click Here to see more reviews about: Epiphone Thunderbird PRO-V Electric Bass Guitar, Trans Black

Building upon the long-term success of the Thunderbird bass, Epiphone introduces the NEW professional series Thunderbird PRO V.THE original 'rock and roll" bass with the distinctive shape combines traditional design elements with new technology – all for a price that the working bassist can afford. The Thunderbird PRO's feature a rock-solid, 7-piece (Walnut/Maple/Walnut/Maple/Walnut/Maple/Walnut) neck with through-body construction for amazing sustain and tone.Add to that, Epiphone's new T-Pro' bass humbucking pickups with custom active electronics and EQ and suddenly, the Thunderbird transforms into a very versatile bass capable of a wide variety of tonal options. Other features include premium die-cast 14:1 bass machine heads, a 'bad ass" fully-adjustable bridge and SlimTaper' neck profile with Epi-designed straight-string pull headstock.Add to that black hardware and black pickguard with silver Thunderbird logo and you've got the NEW Epiphone Thunderbird PRO's.Available in 3 striking colors – Vintage Sunburst, Translucent Black and Natural Oil.

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8/14/2011

Recording King Century Jubilee Series Acoustic Dreadnaught Guitar (Spruce/Mahogany) Review

Recording King Century Jubilee Series Acoustic Dreadnaught Guitar (Spruce/Mahogany)
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(More customer reviews)
I love this guitar, its my first actaully one i really bought, someone gave me a small tiny student guitar and this one is so sweet compared to it. I have friends that tell me about how great this guitar sounds compared to the other "high class" stuff. Its making me want to play everyday.

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Every last detail has been considered in developing the Recording King Century Jubilee Series. From the attention to the neck profile to the hand-fitted dovetail neck joint to the peghead angles, these guitars represent the most careful and exquisite crafting techniques of the Recording King workshop.Each nitrocellulose finish guitar is hand-rubbed for smoothness and consistency, insuring an even, dynamic tone with unparalleled clarity and resonance.

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7/16/2011

Gibson J-45 Custom Acoustic-Electric Guitar, Vintage Sunburst Review

Gibson J-45 Custom Acoustic-Electric Guitar, Vintage Sunburst
Average Reviews:

(More customer reviews)
This is quite simply THE sound for an acoustic guitar. It is an instrument with no challengers. I can not ever imagine playing something else as my main guitar after using this for a couple of days. For one thing, it is the loudest acoustic guitar I've ever played and has incredible projection without losing anything in clear pristine tone. To me, it is the ultimate singer / songwriter guitar.

Click Here to see more reviews about: Gibson J-45 Custom Acoustic-Electric Guitar, Vintage Sunburst

The legendary J-45 clearly defines the storied legacy of Gibson acoustics. Without question, the J-45 is one of the most beloved and played acoustic guitars in the history of modern music, and the icon of Gibson's round-shoulder dreadnought acoustic line ever since its introduction in 1942. Today, it stands proudly as Gibson's number one-selling acoustic, and in recognition of this distinguished rank Gibson Acoustic presents the J-45 Custom--one of the most elegant and best-sounding versions of this classic model ever produced by Gibson Acoustic's master craftsmen in Bozeman, Mont. Combining vintage appointments with several modern features, the J-45 Custom delivers the model's renowned tone while adding a new, refined appearance that complements its fundamental design, including a brand new floral and vine abalone pearl headstock inlay designed by Gibson master luthier Ren Ferguson. The J-45 Custom is available in the model's original Vintage Sunburst finish and Antique Natural.

J-45 Custom.
Traditional Gibson Logo and New Headstock Inlay Design The Gibson name has graced the most innovative and revolutionary acoustic guitars of our time, including the J-45 Custom. There is no mistaking the classic block logo, inlaid in beautiful mother of pearl, representing more than a century of originality and excellence. There is simply no equal. The headstock also features a new flower and vine abalone pearl inlay designed by Gibson Acoustic's longtime master luthier, Ren Ferguson. The elegance and stunning detail of this new hand-engraved figured design gives the J-45 Custom a distinct identity, ensuring its rightful place among the finest Gibson designs of the past.
Gold Grover Rotomatic Tuners Grover's original Rotomatic tuners are an engineering marvel, with style and performance exactly suited for the J-45 Custom. With a gear ratio of 14:1, the Rotomatics deliver precision tuning in a durable housing that provides maximum protection for the gear and string post. All moving parts are cut for exact meshing, eliminating the possibility of slippage. A countersunk tension screw lets players regulate the tuning tension to any degree. A special lubricant inside the gear box provides smooth and accurate tuning stability.
Pickguard The pickguard for theJ-45 Custom is Gibson's standard fire stripe tortoise tear drop shape, exactly as it appeared on the very first J-45 in 1942. As with all of Gibson's pickguards, the coloring, inlay, and binding are all done by hand.
L.R. Baggs Element Active Acoustic Pickup System The J-45 Custom comes equipped with the popular Element Active Acoustic Pickup System from L.R. Baggs, which features a low-profile undersaddle element--or transducer--that's proven more stable and durable than many standard ribbon-type pickups. Combined with an onboard preamp with an unobtrusive and removable volume control mounted just inside the soundhole, the Element delivers performance not previously attainable from an undersaddle pickup. Its sleek and effective design removes unnecessary internal components to enhance the coupling between the pickup and the guitar and improve the sensitivity of the transducer for a robust, lively and natural acoustic sound with excellent dynamics and delicate high end. The Element works with a standard 9V battery, which is housed inside the guitar in L.R. Bagg's new "Battery Bagg."
Tapered Dovetail Neck Joint The dovetail neck joint is one of the oldest--and best--ways of securely joining the neck to the body of a guitar. It is also a complex and expensive neck joint to build, but the result is a tight, locking connection that supports the neck at the proper neck-pitch angle, allowing the body and neck to become one solid piece of resonating wood, with no metal to impede vibration. This process is done entirely by hand, requiring patience and skill.
Body Tonewoods The top of the J-45 Custom is made from AA-grade Sitka spruce, while the back and sides are constructed from pattern-grade Indian rosewood, giving the model the same full, balanced expression, warm bass, and excellent projection that earned the original J-45 its much-heralded reputation. Selecting the right wood, and the formula to dry it out, are two of the most central procedures to Gibson's guitar-building process. Beginning with its first catalog in 1903, Gibson has assured its customers that every guitar would be built using woods with "the most durable, elastic, and sonorous qualities," and today's guitars from Gibson Acoustic are no different.
Abalone Rosette A rosette is the beautiful, hand-crafted circle around the soundhole, and can be one of the most ornamental elements of any acoustic guitar. It is also one of the most subtle and complicated woodworking decorations on any acoustic guitar. The rosette on the J-45 Custom is one of Gibson's finest. It is a double-ring rosette with an abalone-filled middle. The main ring consists of seven-ply binding, and the second ring is three-ply binding, adding a stylish, understated elegance to the J-45 Custom.
Bracing Every acoustic guitar made by Gibson features hand-scalloped, radiused top bracing inside the body, a feature normally found only in limited run, hand-made guitars. By scalloping each brace by hand, the natural sound of the acoustic is focused more toward the center of the body, enhancing the instrument's sound projection. The J-45 Custom features a variation of Gibson's "X" bracing pattern situated behind the soundhole, with a set of tall and thin braces for the back, and scalloped tall and thin braces for the top. This legendary bracing design delivers a balanced expression, with punchy, deep lows, warm mids, and clear, crisp highs. It also projects a natural compression, which helps the J-45 Custom blend nicely with any accompaniment.

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