Average Reviews:
(More customer reviews)I would like to share with other guitar players my first impressions and usage experience owning this product by describing it the best way I can because the product really deserves respect.
Here is my review. I tried to organize in topics for fast reading.
Review Summary:
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Amazed and surprised by Zoom build quality and equally about sounds you get out of this tone factory.
Absolutely convinced that is the best bang for buck guitar pedal.
Twin valves combined with the solid state circuit and fast 32bit processor delivers to your physical amp/headphones vivid and professional tones.
USB Interface works great. You can use it as recording interface with any sound application that supports ASIO (low latency sound drivers)
Buy with confidence. Build Quality and Finish:
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Solid body / All metal construction;
Heavy duty foot switches;
Average quality connectors on the back of the unit;
Even if you fight with this pedal you may lose because it is strong and a bit heavy.
The unit plus power supply weights about 9 kilograms / 20 pounds.Usability:
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Before plugging it on the wall and your axe on the Input take some relaxed time to read the small manual that comes with the unit.
The way you choose banks and patches or edit/store the variables are comfortably smart and very logic after you understand it.
For example. If you edit a preset, the led inside "Store Preset" switch and "Exit" switch will turn on so you know which options you have easily.
You don't have to be a tech guy or a sound engineer. Goodwill and enthusiasm will do the job.
Even in low light environments you can operate the unit because of it's design and leds.
I have friends that got Boss GT-10 and says that he create a tone in a couple of minutes with EZ-Tone feature.
But I believe the following:
- Every effect or function have at least 3 or 4 sub-settings for fine tuning.
- Stacking up to 10 FX;
- Select over dozens of amps and mics setups.
I really don't care if it will take a minute or ten because "any tone" is fast on both units.
But the tone you really want for sure is a tailoring job. You have to bring a sound straight out of your head and save it as patch when satisfied. This take time at least for me.
Small LCD seems to be a con but I'm satisfied.
It's equipped with a small two lines classic blue/white screen but the info you get is useful.
So if you see what you need is just fine. Sometimes less is more ;)
For live action the patch selection is easy, instant and smooth.
There are UP/DOWN bank foot-switches and for each bank you may choose 5 patches using the lower five foot-switches.
So it's easy to memorize and recall.
All small buttons are translucent and have leds inside that goes from green to orange or fade off.
I like that because you know just by looking the pedal if the delay, reverb, pre-amp, etc are enabled or disabled.
All small buttons act the same way.
For sure it's easier to spot a "Green Led" near your right foot while stand-up playing than trying to read a big LCD screen with lot's of info on it. It's just a guess because I don't have any other pedal with huge screen.
G9.2tt is simple to use but powerful and the most important. Works.
There are dozens of patches ready to use as read-only.
The same patches are available to be changed on the user area of the internal memory. This is good because you can use the variety of built-in tones as base for yours.
Never edited the patches using Midi cable. But specs says it's possible.
Price:
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It's a fair price for what you get. No fancy stuff but good equipment.
This unit have dual valve that just freak you out even using a training 20watt cube. (BTW I use a Roland 20-X Cube)
Zoom G9.2TT is affordable on the price tag but does not have a fragile construction neither a work as noise generator machine.
Some guys I know says that old Zoom products were bad quality but the same people and also they really changed the product quality for better now.
Sound Quality:
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I'm not a sound engineer or audiophile but really love hi-fi audio and this unit delivers that.
The solid state circuit mixed with analog valves create great pre-amp output and pleasant sounds.
Also never noticed any kind of delay between input/output sound like we have when doing DSP using computers.
My opionion is that you still get a pretty a warm sounds even digitally processed. Maybe because of the Accelerator/Energizer twin valves.
I just cannot compare the digital processing of Zoom unit to software DSP like Guitar Rig or Amplitube.
Even using high quality sound card I just don't feel the same.
Overall conclusion:
I feel great using this product daily while practicing. No problems at all since I bought.
Also the built-in patches are enough to entertain yourself playing and playing for hours. P.s.: If you love guitars or classic rock you must watch the movie "It might get Loud";
Where The Edge from U2, the legend Jimmy Page (Led) and Jack White from White Stripes talk about their first music experiences and influences; How they started loving this great instrument. The electric guitar.
It's really deep and moving. Rent, buy or borrow!!
Appreciate your time!
Bruno Ratnieks
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Zoom G9.2tt Twin Tube Guitar Effects ConsoleThe G9.2tt is a multi-effects powerhouse. With sophisticated amplifier and stompbox modeling, 120 different effects, a built-in tuner, the ability to optimize for particular amps, and plenty more, it's ideal for studio and stage alike. The Z-pedal officially takes it to the next level, allowing you to control up to four parameters by moving your foot on two different axis (up and down or side to side).
Energizer using 12AX7 tube Giving body to the guitar sound and adding supple power and intensity--that is the task of the Energizer. Turning up the TUBE control to drive the 12AX7 produces warm crunch with rich harmonics. The BOOST control spruces up highs and lows, resulting in more transparency. Enjoy a powerful tone also when recording directly to a line input or via USB on a computer.
ZFX-3--a 32-bit DSP designed by ZOOM The heart of any multi-effect device is its processor and decoder section. ZOOM has started a fresh chapter with its new ZFX-3 chip. The 32-bit architecture ensures outstanding performance and allows smooth and detailed signal processing. Accuracy and speed ensure that even delicate picking and fingering work come across with impressive clarity.
DSP sound modeling plus tube circuitry create the ultimate in distortion 96 kHz sampling and 24-bit A/D/A conversion assure super high resolution sound. An abundance of signal processing power allows accurate recreation of the complex upper-range harmonics that are the hallmark of tube amplifiers. Analog circuitry using a 12AX7 tube then adds that classic warmth and sonic impact to the DSP sound. The result combines the best of the digital and analog worlds: distortion so advanced and sophisticated it elevates your guitar playing to the next level.
Preamp section with two channels The preamp section, comprised of the amp/drive-modeling, and EQ modules offers two channels per patch. You can easily select a channel by simple foot switch operation. Toggle between a Fender clean sound for rhythm and a Marshall drive sound for lead, while keeping modulation and spatial effect settings the same. The user interface with analog knobs lets you shape the sound with the same facility as on a guitar amp.
Great for stage work or direct recording The amp/drive-modeling blocks have two dedicated algorithms for each amp/drive type, designed for live playing and direct recording. The CABINET effect simulates amp and mic recording characteristics as well, and the algorithm is automatically switched according to the CABINET on/off setting.This lets you bring the same guitar sound that you used during practice or recording right on to the stage. Alternatively, sound settings that were determined during a session with the band can be used seamlessly in the studio as well.
Amp select feature This function optimizes frequency response to match the amp that you are using. Settings are available to get the best out of popular models such as Roland JC-120, a Fender combo, and a Marshall stack. The -10 dBm/+4 dBm output level switch allows the G9.2tt to be used as a preamp, directly connected to the power amp input of a guitar amplifier.
6-band graphic equalizer The built-in EQ module has six frequency bands optimized for electric guitar. Peaking type filters in the crucial middle range (400 Hz, 800 Hz, 3. 2 kHz, 6.4 kHz) are augmented by shelving type filters at the low and high end (160 Hz and 12 kHz). This ensures the shortest possible route from inspiration to actual sound.
Guitar amplifier/stomp box modeling Analog devices such as tubes and diodes have unique clipping characteristics. Sophisticated digital simulation finally makes it possible to recreate the sound of vintage tube amps and effect devices with astonishing realism. From popular names such as Fender, Marshall, and VOX to modern amps including MESA BOOGIE, Hughes & Kettner, and Diezel--the list of choices is extensive. The cabinet simulator even has settings for mic position, to achieve totally natural sounding performance.
32-bit processing for a wide choice of high-quality guitar sound effects Ranging from trusty old standards to advanced choices for specialized needs, the effect collection of the G9.2tt comprises 120 effects in 10 modules. Pick an MXR Dynacomp, famous for its unusual compression action, or select wah pedal simulations such as VOX and CRYBABY. Choose from three types of chorus for creating a solid, wide sound stage. Access seven types of reverb with transparent, unblurred sound. And the list goes on: tremolo with selectable modulation waveform, bend chorus with individual pitch bending, harmonized pitch shifter, multi-tap delay even reverse delay. These professional quality effects will fuel the creativity of every guitarist. The preamp section and wah/filter effects allow changing the module insert position for even more advanced tonal control.
Preset patches ready to use for recording or live performance Whether you are after a true-blue vintage tone or fat high-gain sound, you will find a choice here. There are settings that accurately simulate well-known amps and stomp boxes, settings that are modeled on the signature sound of famous guitarists, as well as totally original ZOOM effect sounds. The past and the future of guitar sound is right there at your fingertips. The G9.2tt comes preprogrammed with a total of 80 preset patches. For creative leeway, a user area capable of storing the same number of patches is also provided.
Intuitive interface great for stage use Each of the four analog style rotary knobs let you directly edit parameters on-the-fly, a total of four simultaneously. The LCD panel clearly shows patch and parameter names. Direct access keys are provided for each module. The advanced user interface is designed to ensure hassle-free operation, while not getting in the way of your creativity. On stage, the foot switches allows easy effect bank selection, module and hold delay on/off switching or tap tempo input. The self-lit switches show module status at a glance.
Real-time modulation for 4 simultaneous parameters fosters lively playing The built-in expression pedal allows control over effect parameters in realtime. Common pedal effects such as wah, pitch, and volume control are ofcourse supported, but you can also opt to adjust drive gain, modulationrate, delay/reverb mix level, and other parameters. Up to four parameterscan be assigned to a single pedal, allowing dramatic techniques such asraising the chorus, delay, and reverb at the same time. Create a rotary speaker style sound by varying tremolo, chorus, and auto-panning rate. Also,the ARRM (Auto Repeat Real-time Modulation) function is capable of producingrhythmical tone changes, opening up a wealth of possibilities.
World's fastest patch change speed: 7 ms Switching patches has never been smoother or less noticeable. With its record-setting speed of 0.007 seconds (7ms), the G series never miss a beat.When changing to a lead preset in the middle a song, you no longer need to press the switch in advance, simply push the foot switch and start playing your solo.
Built-in tuner supports special tuning requirements The guitar tuner can be called up instantly by pushing a dedicated footswitch. In addition to the standard auto-chromatic tuner, various othertuning methods for guitar and bass are possible, and open tunings are alsosupported. High-brightness LED indicators make the note readout easy to seeon a dark stage. The calibration range is A 435 to 445 Hz, and muted tuning(without sound output) is also possible. Tuning your guitar has never been easier or more convenient
ZNR keeps playing pauses really quiet The built-in ZOOM Noise Reduction (ZNR) provides optimized signal performance for guitar. While minimizing any alteration of the original sound, ZNR cuts unwanted noise during pauses. Tails of sustained notes remain unaffected, with a long natural release.
Ultra low noise design with 120 dB S/N ratio and -100 dB noise floor With an amazing rated signal-to-noise ratio of 120 dB and a -100 dB noise floor, background noise ceases to be a problem, leaving only superbly clean, transparent sound.
Sturdy metal chassis and rubber damping for superior toughness and durability The combination of a solid metal chassis with shock-absorbant rubber damping ensures that the unit can stand up to the rigors of on stage use. Take it on the road or bring it into the studio, the G9.2tt will not let you down. And it looks great, too, the stylish two-tone coloring using silver and black, rounded shape, and chrome-plated parts give the unit a high-class, futuristic appearance.
USB based audio interface functions The USB port allows the unit to function as an audio interface for a computer. Simply plug the unit in to your computer with a USB cable to use the high-quality sound of the G9.2tt in a computer-based recording system. The high-performance DAW application "Cubase LE 4" comes bundled with the unit, so you can start creating sophisticated music straight away. Because playback from the DAW application can be monitored at the unit itself, there are no latency problems during recording.
MIDI IN/OUT jacks allow linking to other equipment The ability to exchange MIDI data with other devices opens up a wealth of possibilities. You can switch patches in conjunction with a MIDI enabled preamp, or use the unit as a real-time controller for other MIDI equipment. By connecting the MIDI interface to a computer, you may use a dedicated editor/librarian application to edit and store patch data.
AUX IN jacks accommodate external sources The playback signal from external sources can be plugged-into the AUX input. Jam along with a rhythm machine, external CD or mp3 player. You may also utilize the connectors as a stereo line input to record audio into your computer via the USB interface.
Accelerator blends tube and solid state sound The analog input section incorporates an Accelerator that can amplify the signal in a tube or a solid-state based circuit. The 12AX7 tube produces fat, sturdy sound that can be mixed with the clear and transparent sound from the solid-state circuit. Blending natural compression with typical tube saturation characteristics creates a rich, organic tone.
Z-pedal takes pedal performance to the next level The pedal on the right side of the G9.2tt supports 3D action by sensing not only conventional up/down but also sideways movement. The Z-pedal lets you build highly complex sound control patterns by allowing you to assign up to four parameters in each axis of pedal movement (vertical and horizontal). There are also effects specifically designed for use with the Z-pedal. Get creative in ways never imagined before, and explore a whole new realm of pedal performance.
External send/return loop connectors A separate stomp box, rack-mount effect or other device can be connected to the G9.2tt's effects loop and used as part of a patch. Send/return level as well as on/off status are stored as part of the patch. Find new uses for your favorite pedals and spark your creativity in a variety of unexpected ways.
What's in the Box G9.2tt Unit, AC adapter, Cubase LE 4 Install Disc, User's Manual
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