Showing posts with label acoustic guitars. Show all posts
Showing posts with label acoustic guitars. Show all posts

7/15/2012

NEW SIX SHOOTER HYBRID 6 STRING BANJO BANJITAR GUITJO Review

NEW SIX SHOOTER HYBRID 6 STRING BANJO BANJITAR GUITJO
Average Reviews:

(More customer reviews)
I haven't bought this item yet but it's the one that looks like a great one to start with. The price is in the budget. Once I buy it ( and I'm going to) I'll send another reveiw to tell you what I think about it.O. K. I'm just letting people know that I was not pleased with the sound quality of this instrument. It's hard to keep in tune and it sounds like a childs toy. I could go to Walmart and get a toy for a lot less than what I paid for this. Although the looks of it is very good, looks can be decieving.

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' Mahogany Resonator with Thumb Screws ' Mahogany Neck ' 3-Ply Maple Rim ' 24 Brackets ' Individual Geared Tuners ' Adjustable Truss Rod

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Yamaha PSRGX76AD 76-Note Touch-Sensitive Portable Electronic Keyboard with AC Adapter Review

Yamaha PSRGX76AD 76-Note Touch-Sensitive Portable Electronic Keyboard with AC Adapter
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I had been practicing on a 60 keys or so keyboard, that didn't have touch sensitivity, when I got into more advanced music. My left hand started running out of keys! This became very irritating very fast. So I set out to find a remedy. After sifting through almost all the keyboards , I decided on this one. The main reason was the 76 keys. When it arrived, I quickly plugged in and started playing. I was used to practicing with my other keyboard in my lap, but don't try it with this one! Get a keyboard stand as it is way too heavy! Anyway, the first thing I noticed was how realistic the sound was. And it had touch sensitivity too! The pieces I was playing sounded really good! There are also tons of different effects. You can make it sound like you are playing in a concert hall! I was really pleased with my purchase and my playing times became longer.
Then I tried taking the lessons that it includes. I was able to learn the right hand parts of songs when only one note gets played at a time. However I think someone recorded the song on the keyboard manually instead of by computer. The notes come out irregular when the pianist playes multiple notes with one hand in songs like Nocturne. I solved the problem by buying the sheet music for it. However I didn't buy the keyboard for lessons so it is a non-issue for me.
Now we come to the only thing I am really frustrated about. I have started playing really advanced pieces like Toccata & Fugue in D minor, Nocturnes, Ballades, and Sonatas. They will sometimes run off the board! Most of the time there is more than one note being pressed by the left hand so it doesn't sound quite as bad. But it unnerves me!
I don't mean to complain too much about this product as it is very good other than the lack of extra keys. For most people, 76 keys is more than enough. I'll just have to get a real piano sometime. But if you are thinking of getting a keyboard, don't even look at the others, you search has ended here.

Click Here to see more reviews about: Yamaha PSRGX76AD 76-Note Touch-Sensitive Portable Electronic Keyboard with AC Adapter

Work out your musical fingers on 76 full-size touch sensitive keys with the Yamaha PSRGX76AD. It features bass ports for upgraded sound quality and two-way stereo speakers. You can test your creativity with 256 instrument voices and 100 accompaniment styles, along with a DJ button for instant access to special dance voices.
Beginner and intermediate keyboard players will enjoy the Yamaha Education Suite, featuring lessons and grading. This keyboard includes 100 built-in songs to learn to play and a song book. For private practice, a headphone jack is provided. The PSRGX76AD also features a five-song, six-track sequencer for recording original songs. You can embellish using multifingering auto accompaniment, pitch bend wheel, DSP, chorus, and reverb effects. With 10 drum kits and 32-note polyphony, the PSRGX76AD provides the flexibility and basics you need in a keyboard.
It includes a music rest and a Yamaha PA3B power adapter. Alternatively, it uses six D-cell batteries.

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Alesis iMultiMix 16 USB 16-channel Compact Mixer with USB Review

Alesis iMultiMix 16 USB  16-channel Compact Mixer with USB
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I have had this set for about a year now and can't say enough good things about them. When I tell my friends how much they cost, they are in disbelief! What a bargain. There is a good variety of sounds and plenty of room to make your own kits. This set could easily sell for the double the price it currently goes for.

Click Here to see more reviews about: Alesis iMultiMix 16 USB 16-channel Compact Mixer with USB

Part of a new class of iPod mixers pioneered by Alesis, the compact Alesis iMultiMix 16 USB mixer features a Universal Dock for iPod that enables recording directly to any Apple iPod Classic, 5th generation (video) and 2nd or 3rd generation iPod nano. The mobile recording mixer has iPod transport controls and a control wheel built into the surface for complete control of the iPod while it is docked in the mixer.
Great for recording live recordings of any performance, home studios, stages, podcasts, and houses of worship, the iMultiMix 16 USB offers eight analog inputs, 100 digital, 28-bit effects, phantom power and two switchable mic/line/guitar inputs. Integrated USB audio output enables you to move your recordings to a Mac or PC without special drivers or complicated set-ups. Steinberg Cubase LE 4 and Ableton Live Lite Alesis Edition recording software are included so no additional programs are needed for professional recording.
The iMultiMix 16 USB can also playback music from the iPod, and mix your live performance instantly with the iPod. This makes the iMultiMix 16 USB perfect for using the iPod as a backing track for solo or band performances, while mixing sound sources all in one compact, convenient place.
Key Features
Integrated recording to iPod (5th Generation, 6th and 7th Generation Classic) and iPod nano (2nd through 4th Generation)
Eight high-gain mic/line preamped inputs (XLR and 1/4-inch balanced)
48V phantom power
Limiter eliminates clipping on recordings
16-bit, 44.1 kHz recording to computer or iPod
Two guitar mic/line inputs
Aux sends and returns
100 onboard, 28-bit digital effects: reverb, chorus, flange, delay
Three-band EQ on each channel with high/low shelving and midband pass/reject
Steinberg Cubase LE 4 and Ableton Live Lite Alesis Edition recording software included

Specifications
Mic In Sensitivity Range: -60dBu to -10dBu nominal, +5dBu maximum
Line In Sensitivity Range: -40dBu to -+10dBu nominal, +25dBu maximum
Mic/Line Gain Range: +10 to +60dB
High-Pass Filter: 75Hz, 18dB/octave
High Shelving: 12kHz, +/- 15dB
Mid Bandpass/Band Reject: 2.5 kHz, +/- 15dB
Low Shelving: 80Hz, +/- 15dB
Aux Send A & B Gain Range: -∞ to +10dB
Aux Return A Gain Range: -∞ to +15dB
Effects Level/Aux Return B Gain Range: -∞ to +15dB
Channel Level Gain Range: -∞ to +10dB
Main Mix, Ctrl Room Gain Range: -∞ to +10dB
1/4-inch Inputs: Stereo Aux Return Level -- +4dBu nominal, +20dBu maximum
RCA Inputs: Tape In Level -- -10dBV nominal, +5dBV maximum
1/4-inch Outputs: Main Mix, Ctrl Room, Aux 3/4, Ext Aux Send Level: +4dBu nominal, +20dBu maximum
Headphone Output: 75 ohm output impedance >105mW into 75 ohms, >40mW into 600ohms
RCA Outputs: Tape Out Level -10dBV nominal, +5dBV maximum
iPod Recording:
iQuality: 44.1kHz, 16-bit stereo at 1411kbps
iRecording Time: 30 GB: 2 hours, 55 minutes; 60 GB: 4 hours, 30 minutes

Dimensions: 13 x 19 x 3.25 inches (WxLxH)
Weight: 15 pounds (with adapter); 12 pounds (without adapter)
Minimum system requirements: Microsoft Windows XP (32-bit) or Vista (32-bit); Mac OS X


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ISP Decimator Pro Rack G Noise Reduction Review

ISP Decimator Pro Rack G Noise Reduction
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This is a tremendous piece of gear that I use in both live settings and for recording. It is a MUSICAL noise gate, that is, it puts a "gentle fade" on sustained notes, as opposed to awkwardly choking them like many other gates. Worth the expense. Tom Vitacco (Chicago area guitarists) [...]

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The Decimator ProRackG guitar noise reduction system defines a new standard for excellence in real time noise reduction performance. The Decimator ProRackG was designed to provide the maximum possible performance in a rack mount dual channel noise reduction system designed specifically for extremely high gain guitar amplifiers.

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7/14/2012

Audio-Technica AT4021 Cardioid Condenser Microphone Review

Audio-Technica AT4021 Cardioid Condenser Microphone
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(More customer reviews)
This is a sweet little small-diaphragm condenser. It is near-ruler-flat from 20-20KHz. Getting those extremes -- 15K-20Hz and especially 20-50Hz -- is unusual in an affordable cardioid SDC.
I like this mic for general acoustic ensemble or instrument recording because of the extended low and high-end (really sweet lows). It is very popular on acoustic guitars, and wherever you want to capture the shimmer up top (choirs, drum overheads). I've gotten agreeable full-range jazz drum kit tracks by setting one up level with the top of the kick, a foot out in front of the kit.
Another mic to consider at this price/performance point is the Shure SM81 Instrument Microphone (it has just the slightest bit of color compared to the 4021, and a narrower frequency range, but it is a classic clean bright sound for this kind of thing). You can find sound samples of this and other comparable mics by searching for SDC microphone shootout on the web.
You may also be weighing this against Rode NT5 Matched Pair Recording Condenser Package (or you were back when this was $250). I think the 4021 sounds a tad better than the NT5 as a single mic, a little less hyped upper mid. But if you are planning on using two as a stereo pair, you might prefer the NT5 matched pair, because its off-axis response is more suitable for stereo recording. The off-axis response of the 4021 is pretty interesting -- it stays flatter for the mid- and higher-frequencies, and drops off for the lows. That's backwards from many mics. It means it's more forgiving about placement for something like an acoustic guitar or cymbal. But it also means your stereo image will smear towards the center with coincident stereo miking techniques, except for the low frequencies (exactly where coincident imaging is less effective anyway).
So if you use a pair of these for stereo, set up non-coincident, ORTF or even as you might place omnis. I get really pleasing results with a 4021 pair inside a grand piano, in an ORTF configuration nearly centered inside with one pointing to the high hammers and one pointing to the low strings at the back of the piano.

Click Here to see more reviews about: Audio-Technica AT4021 Cardioid Condenser Microphone

Ideal for critical studio and live applications, the low-profile AT4021 offers a flat, extended frequency response, high maximum SPL, and wide dynamic range. Its low self-noise is perfectly suited for the most sophisticated recording equipment. Its low-mass diaphragm improves transient response, increases response bandwidth and reduces handling and mechanical noise transfer. The microphone offers outstanding reproduction of low-frequency sounds.

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7/13/2012

Ketron SD2 Orchestral Wizard Sound Module Review

Ketron SD2 Orchestral Wizard Sound Module
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Like the prior reviewer says the acoustic instrument sounds in the SD2 are far better than similar Roland synth modules. I've been searching for the best acoustic musical instruments for many years and not other module even at 2 or 3 times the price has as many excellent sounds.
The Tenor Sax, in fact, is a wonderful breathy Tenor reminiscent of Stand Getz not only in the low register but also in the upper one, whereas I find the baritone sax to be too harsh, I prefer a more mellow Gerry Mulligan quality.
The clarinet is also excellent, especially in the upper register where it has a rich, brilliant voice -perfect for jazz.
The violin and viola recorded w natural vibrato are also top notch -with wonderful dynamics.
The Golden Trumpet is one of the smoothest trumpets you can find and the various muted Trumpets are also pretty good.
The flute is quite good, but I've got better trombone sounds elsewhere.
This synthesizer works fantastically well with a wind controller such as the EWI-4000s, the newer EWI-USB, or Yamaha models.
For the maximum fun, be sure to use it with Band-in-a-Box and you will have a wonderful combo going in no time at all. You will notice that when you enable an entire family of an instrument, you will get some instruments that obviously are outside the family. This is because the SD2 has a modified General Midi implementation, done, I'm told by the manufacturer, in order to remain compatible with some older Ketron synth modules/instruments which were designed prior to the popularity of General Midi. If you want to hear some samples of what this synth sounds like, go to the manufacturers site, or go to[...] music site and look for my Jazz2010 page.

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The Ketron Orchestral Wizard (SD2) is a pocket size sound module designed for all PC and Midi applications. Equipped with the same sound engine found in the new Ketron SD5 keyboard, the SD2 has all the latest features for recording, programming and live performances, featuring a New Stereo Grand Piano and huge Orchestral voices such as Saxophones, Brass, Woodwinds, authentic Guitars, Accordions and many others. The quality of these instrumental voices (following the traditional Ketron Best Natural sound heritage) is a remarkable advantage on the SD2, especially when stacked against other competitors. In addition, the SD2 includes very distinctive Audio Drum and Percussion Loops selected from Slow, Jazz, Latin, Acoustic, Traditional, and Dance styles.

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7/11/2012

JBL LSR2325P Pair of Bi-amplified Studio Monitors Review

JBL LSR2325P Pair of Bi-amplified Studio Monitors
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Me:
Musician, been recording on 4 track, 8 track, 16 track & 24 track recorders since 1996, i have pro mics (M-Audio Sputnik, AKG D5 & C3000, Rode NT3) and have owned many others, i use a TC-Electronic G-Force and a TC Helicon Harmony G-XT.
How i chose these speakers:
- I took a trained sound engineer friend (who has been recording since 1996 too and who attended a Sound Engineer course at SAE) with me because he is the only person whose ears i trust and because i wanted to be sure i wasn't going to choose the wrong set of speakers.
- I went to all the major studio gear stores in Paris, France, in the Pigalle area where all the music stores are. We listened to many many different speakers, sometimes without prejudice and other times with great hopes because we've been reading about brands like Genelec & Dynaudio & all the newer brands out there just like anyone who trusts the specialized press.
- We checked speakers ranging from 200 to 2000 a pair, more or less: we just tested everything they had that looked interesting, including the latest M-Audio, Yamaha, Alesis, Genele, Dynaudio, Adam, etc., etc., etc., etc.
- We tested the speakers on tracks we both knew very well & some very clean recordings as well as some others.
- We selected tracks for reverb to see if the speakers could render the reverb properly, which is something many speakers simply fail to do.
Results of the search:
- Against all expectancies, all the major contenders turned out to be crap. And i mean absolute garbage. Given that we both had exactly the same criticism about each speakers we listened to, i'm pretty sure we weren't being delusional. Now it is possible that the set-up in the stores were not optimal, and maybe the passive speakers were linked up to a bad amp, but most speakers were active & linked to the source via a professional monitoring system with lots of switches designed specifically for this purpose.
- Genelec flaws: no mids AT ALL, same power as a bad car stereo, no bass.
- Dynaudio BM15 ACTIVE: absolute crap amplification, rubbish.
- ADAM A5: aggressive mids, crap treble, no bass. Absolute GARBAGE.
- Yamaha (new NS-10 style speakers) & M-Audio: average sound, not enjoyable at all.
- Most speakers had a very aggressive sound in the mids or treble, and lacked bass. Even in the very expensive range of speakers, none managed to impress us and virtually all were flawed in some aspect that alone would render them totally useless & unbearable.
- The last store we visited was definitely much more pro (Sound Factory) and had real speakers. They played us some PMC passive speakers linked to a 300 stereo amplifier. We were AMAZED. They were fantastic. Well, these were not the most expensive (around 1000 a pair i think), and by far the best. They aren't used at Abbey Road for nothing then...
We then told the salesman we had already heard his Dynaudio BM15's and said we hated them & didn't want to waste his time with those -- "skip em!", we said -- but he had the passive version. And they were very good. The difference was AMAZING. In other words, manufacturers of speakers know how to make speakers, not amplifiers. So get the passive version of whatever you want, and add your own amplifier, the result will be incredibly better, i assure you.
So far the PMC were the best and the Dynaudio were not bad but not cheap. Just out of curiosity i asked to check out the tiny JBL 2325P's that were a ridiculously cheap 400 and were active...i said to him "i guess the JBL are crap but let's give em a try anyway, just to see"...he replied "no, they're not bad actually".
With my friend we both looked at each other with big eyes, we were very pleasantly surprised...they weren't quite as good as the PMC but they easily beat all the others we'd listened to that day.
I ordered this in the US because i now live in Mexico. I got them here on Amazon for 400$ (470$ or so with shipping), with 2 Samson speaker stands and 2 Wirlwind XLR cables. I just set them up today, on their stands.
I don't have a proper good quality source at the moment, my SACD player is in France, so i tried first via the minijack output of my Toshiba P300 laptop and the sound was harsh & had some very apparent artefacts due to the extremely bad quality of this output (Toshiba should be ashamed, really). I then switched to my Archos 5 mp3/video player and the sound is incomparably better. Not perfect, of course, we're not talking about a proper HQ source here, and remember the connection is a cheap minijack=>RCA cable, nothing like XLR=>XLR.
On bad recordings, or old ones, the sound is not so good, and indeed that's exactly how it should be: these speakers tell you when the source is bad. But switch to Kate Bush's Aerial album (her latest, from 2005 i believe), encoded in high quality by myself, and the bass response is amazing, everything is perfect.
Summary:
- Incredible bass response for 5 inch woofer, simply amazing. And it doesn't sound artificially boosted as on some speakers that just try too hard.
- Very well balanced & detailed mids & treble. Although i do prefer the treble & mids on my previous speakers (B&W DM602 S2 -- Bower & Wilkins make excellent passive speakers, with kevlar woofers & perfect tweeters, but you need to be very careful positioning them to get good bass response). But these JBL 5" woofers provide more oompph in the bass than by much bigger B&W's used to. Quite amazing, really. And it's not muddy bass, it's clean, well controlled, has fast attack and nice round oompph. I can hardly imagine how good the 2328p's must be! They were much more expensive, though, & too big & heavy for my needs.
- Very small in width but deep & quite heavy (7.7kg).
Manufacturer's specs seem accurate upon listening (for once) and outperform by far much bigger & much more expensive speakers:
43Hz-20Khz
55 W LF - 35 W HF (don't let this fool you, these speakers are loud enough to make you deaf for indoor use).
You have a treble +/- switch on the back & the same for bass. These work rather well but don't feel too solid & i wouldn't play around with them too much.
The volume knobs are not smooth but have small 'steps' to them so you can set both speakers to exactly the same setting easily. They have a good feel to them.
You have line balanced ins on XLR & TRS jacks, plus unbalanced line in on RCA/cinch.
The on-off switch on the back is silent & a blue light on the front tells you when the speakers are on.
Overall opinion:
The best active monitors by far in 2009-2010 for this money or size? I'd bet they are, yes.

Click Here to see more reviews about: JBL LSR2325P Pair of Bi-amplified Studio Monitors

The JBL LSR2325P Powered Studio Monitor is a bi-amplified 2-way model with a detented level control that allows fine adjustment of individual speaker levels to balance the speaker in your system. Low Frequency and High Frequency Trim controls let you tailor the speaker's response to preference or room acoustics. A neoprene rubber pad on the bottom of the speaker provides acoustic isolation and increases stability when the speaker is placed on a speaker stand or a console top. Mounting points are included and the enclosure has been reinforced for safe mounting using industry-standard mounting hardware. Featured to integrate into professional systems, the LSR2325P includes balanced XLR, balanced 1/4 inch and unbalanced RCA inputs that allow connection to a wide range of playback sources including computer audio workstations, professional mixing consoles, as well as consumer playback systems.

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7/07/2012

Denon DJ DN-S5000 Table Top Single CD Player Review

Denon DJ DN-S5000 Table Top Single CD Player
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I am a DJ with 23 years' experience, who worked for Denon as a "Certified Denon DJ" and beta tester (2004-'05), and for Guitar Center as a Pro Audio salesperson (2005). I can say with certainty, the best (and for me, only) CD player options available to long-time DJs who expect their equipment to withstand the rigors of the club and of the road, are the Pioneer and Denon. I use Denon exclusively, as I have for years.
The difference between Pioneer and Denon offerings is perhaps the difference between Mercedes and Rolls Royce. Pioneer, already somewhat the industry standard, has forged ahead and made amazing contributions to the world of VDJs, with their incredible new mixers and their DVJ-X1 DVD decks. Its advantage over Denon is the removable chip that stores cue points for particular CDs; since quite a few clubs have these decks already, all you need is the chip and your music, and you're good to go.
But Denon's R&D department has continually scored coups with their players, beginning with this, the flagship DN-S5000, with its incredibly responsive belt-driven spinning platter (world's first) and its junior, the DN-S3000. It also has on-board effects--brake, dump (to backward mask profanity on the fly), and reverse. It also allows one to plays two tracks from the same disc AT THE SAME TIME (or mix back and forth between them); and with the hot disc feature, one can eject a disc while the song keeps playing, replace the disc for another, and fade into a track from the new disc.
Denon reproduces much of the look and all of the feel of vinyl turntables, and the ability for each model to store up to 1000 individual memo points, which can be communicated to another Denon player when linked, is another feature that embraces the Digital Age and distinguishes them from the competition. Free software are posted on the website, when available. Unquestionably, Denon also has the best 1-yr service warranty.

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The DN-S5000 is a tabletop single CD Player with the world's first motor driven active platter for true vinyl emulation.

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7/01/2012

Fishman Full Circle Upright Bass Pickup - 6 x 1mm format Review

Fishman Full Circle Upright Bass Pickup - 6 x 1mm format
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This is a very good pick up, I am running it with the Platnum Bass Eq, and my only complaint is that with the large body of the Bass if you do not adjust for the feed back you will not be able to get with in 15 feet of your amp, be prepared. (600w head w/ 8 drives in the cab). Other than that insalll was easy.

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Plug in the Full Circle and the sound of your upright is all there.Whether it's big, fat and punchy pizz, full-voiced arco or slap,you'll hear all the acoustic qualities, dynamics, and nuances ofyour bass - only louder.Encased in a sturdy aluminum height adjuster wheel, the FullCircle offers accurate, transparent sound. To match the pickup toyour instrument and playing style, a fine-tuning feature lets youquickly choose between an open, resonant response or a drierand more focused amplified tone.The Full Circle is a quick retro-fit on upright basses with heightadjustment wheels. A Pro-EQ Platinum Bass, Pro-EQ II or B-IIpreamp is recommended, but not required. Professionalinstallation is recommended.

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6/23/2012

Allen & Heath AH-ZED-24 24-Channel Mixer with USB Interface Review

Allen and Heath AH-ZED-24 24-Channel Mixer with USB Interface
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An incredible mixer. No drivers needed for the computer. Easy to use. Great for home studio.

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The ZED-24 is a small format, USB-equipped stereo mixer for live and recording. The ZED-24 has a fantastic pedigree which comes from nearly 40 years of making mixing desks for the professional sound community. The audio circuitry is based on years of continual development and refinement and the performance of all the elements within the mixer is has been perfected to ensure the very best sound quality possible. This is a mixer for anyone, from entry-level to professionals, who appreciates fantastic sound, rugged build quality and imaginative feature sets. It'll be equally happy running your gig on stage, recording live or mixing down in your studio at home.The feature-set of the ZED-24 mixer is incredibly advanced for a mixer at this level – it has 23 independent sources to the mix, 10 independent outputs, 4 aux sends, a USB send & return for PC or Mac recording, playback and effects, a unique dual stereo input capability and some very advanced monitoring facilities. In fact, ZED-24 is so packed full of great features that you'd think it would cost much, much more! It can be used for many different tasks, whether in live performance, utilizing plug-in effects via USB, live recording via USB and Cakewalk, studio recording or mixing down to produce your own 2-track recordings.

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6/15/2012

5502 Skyline Series 5 String Bass Review

5502 Skyline Series 5 String Bass
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Great bass!super low action and great preamp.I have this same model and I cant put it down,wide finger enableing you to really dig in.This bass sounds like a musicman,fenderjazz and a p-bass all wrapped up in one,well built.

Click Here to see more reviews about: 5502 Skyline Series 5 String Bass

The Lakland 55-02 Skyline Standard bass is equipped withtheir familiar MM/J pickup configuration and custom 3-band preamp used in the US-made 55-94. The controls on the 55-02 are the same as on the 55-01 and the master volume pot can be pulled to bypass the active preamp. The 55-02 has a 3-way toggle for coil splitting. Features include an ash body, maple neck with a 35" scale and 22 frets, Hipshot licensed Ultralight tuners, and a Lakland Dual Design bridge. Case not included.Nut Width1.8"Nut TypePlasticFret Size.041/.085"Width at Final Fret3.3"1st Fret Neck Depth.81"12th Fret Neck Depth.92"Fingerboard Radius10-13" (Compound)Scale Length35"Frets22Bridge String Spacing.75"Neck WoodFlat-Sawn Rock Maple with Graphite Reinforcement BarsBody wood(s)AshFingerboardMaple with Dots,Rosewood with DotsTunersHipshot Tapered Shaft (Optional Hipshot D-Tuner)Truss Rod AccessNeck Heel: 5/32" HexPickguardOptionalControlsCut and Boost: Bass, Midrange, Treble, Panning-style Pickup Blend Control, Master Volume (pull for preamp bypass),3-way Bridge Pickup Coil Tap ToggleBridgeLakland Dual Access (through body or through bridge)PreampLakland LH3PickupsLakland MM-J Lakland basses all feature a 2 year, non transferrable warranty.

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Replacement Strat Parts Kit Black Review

Replacement Strat Parts Kit Black
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I bought this set to finish a guitar that I am building from scratch. At first glance, it looks like a great deal. I ordered this kit and immediately contacted the vendor (WD Music) with a question. I asked if the pickguard, trem cover, knobs, etc. were black and if they were not could they sub black. The response I got was that no, they are white and that if I had wanted them black, I should have called in the order and that it was too late now to do anything.
5 days later the box arrived at my door. It was very well packed and complete with all the parts described. The pickguard was pre-wired and ready to go. There were not any instruction sheets what-so-ever. I have to say that I was less than pleased with the quality of the items. The tuners are very cheap Kluson Delux machines with plastic knobs. The pickguard is a white-black-white and is of decent quality. Pickups are Kent Armstrong, and the jury's still out on those. Cord jack and strap buttons are low quality and a dingy satin black finish. The tremolo is also the same dingy satin black and seems to be low to medium quality. The "extra parts" are lowest-of-low quality and include 2 screwdrivers a super cheap string winder, strings, polishing cloth and cord.
In all, for half the price it would be an ok set, for $250, it's not.

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WD parts kits to completely build and finish your guitar. No additional expense or parts required. All you need is an evening or two and you can build your own home built custom shop guitar. Here's what you get-Pre-wired WD® pickguard assembly featuring KENT ARMSTRONG pickups, vintage style tremolo with all hardware, genuine KLUSON® tuners, jackplate with Switchcraft® jack, neckplate and cushion, tremolo cover, strap buttons, string trees and all necessary screws to put it together. All electronics feature push pin connectors for solderless connections. We even throw in screwdrivers, drill bits, polishing cloth, high quality cable,set up strings, peg winder, and picks. ALL COMPONENTS CAN BE USED AS DIRECT REPLACEMENT FOR MANY FENDER® INSTRUMENTS.

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6/14/2012

Carl Martin Hot Drive and Boost MKIII Pedal Review

Carl Martin Hot Drive and Boost MKIII Pedal
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Got this sweet pedal at 1/3 of normal price! LOVE IT!!! It sounds great,really helps my sound alot. Doesnt use batteries, BONUS!!

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The anniversary Hot Drive'n Boost MK3, featuring a complete new overdrive design that gives a even more authentic 'tube" simulating overdrive than the original HDB, which is know to be one of the best.The new HDB MK3 sound like a tweaked up quality tube amp, and on contrary nearly every other overdrive pedal does it not change the original tone, has no midrange pronouncement, no low end cut of, no high end cut of, all that gives a tone of a clear brilliant tube drive of it's own.FEATURING: Built in mains power supply.Two in on functions (overdrive & boost).Blue high bright LED.With the BOOST feature the Hot Drive'n Boost MK3 is a "TWO IN ONE" pedal. That allows you to get that extra "kick" (up to 20db) for solos to really stand out.The Hot Drive'n Boost MK3 has a built in regulated (+-12V) power supply. This enables us to design circuitry of the highest quality with maximum headroom.The low output impedance insures a lo noise connection, and gives improved working conditions for the guitar amp.

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6/12/2012

Raxxess ER1216 Sloped Studio Rack with Casters (12 over 16 Space, Black Oak) Review

Raxxess ER1216 Sloped Studio Rack with Casters (12 over 16 Space, Black Oak)
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I never expect much from knockdown furniture, but I was still disappointed. I had two big issues with this product. The first issue is a problem with the side pieces. The holes for the rails have pilot holes, which is good. The problem was that both sides were drilled the same. The pilot holes were drilled on both pieces as if they were both for the left side. Unfortunately, I didn't realize the problem until after I had the rails installed. The instructions have you install the rails on the side boards before assembling the cabinet. There's really no reason for that and I would have noticed the problem if I had put the cabinet together first. If I had noticed the problem before hand, I could have easily drilled the pilot hole all the way through the side and corrected the problem. That's how I ended up fixing it, but now I have ugly holes on the right side of the rack that are very visible.
The other problem is that there aren't enough screws to complete assembly. The screws supplied fit both the rails and the casters. There's not enough included to secure both. I had to go buy more to secure the rails properly. I checked the packaging and I received the number of screws they specied, but if you put a screw in each pilot hole they pre-drilled, they are short about 6 screws.
Aside from my extra holes ... the completed assembly looks pretty good. They did a god job on the laminating in that only the back edge of the pressboard is left exposed. They also provide black covers for the screws. Be aware that this rack has a front rail only, so if you are mounting something heavy you'll need to put those items on the very bottom so that you have the bottom of the rack for support.
For some reason, the product picture has changed since I order. This rack has the top portion of the rack sloped. The current picture is just a standard rectangle rack. Be sure you know what you're ordering.

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The Raxxess ER1216 Sloped Studio Rack is an economy rack constructed with heavy duty 3/4-inch medium density fiberboard and attractively finished with a black oak laminate. It is shipped knocked down and assembles in minutes with the hardware kit provided. Rack rail included is of 11-gauge, cold rolled steel. Furniture grade casters are standard equipment on this slant rack. A great combination of form and function. AmericanMusical.com is an authorized dealer of Raxxess products.

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6/11/2012

SubDecay Prometheus Review

SubDecay Prometheus
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The best Filter Pedal in the world. I have tried every filter Pedal out there and this is the most musical useable sounds and the most user freindly filter on the market. You can dial in any / Wah / or funk sound you could possibly want. Cheap price considering its potential. My five year search for the right filter is finally over for now. Now I am curious about The Subdecay DLX Pedal. If you are in doubt check out their demo on youtube. What you see is what you get. I know some video demos fabricate the sounds of effects units to put out more than they actually can without using enhancement computer software. But this pedal can deliver the same smooth wah and filter sounds that they show off the Prometheus on the Subdecay website or on Youtube. If you are looking for Totally Spaced Out Sound effects and Bizarre Filter sounds don't buy this Pedal. But if you are looking for a Filter sounding pedal that is pleasing and very smooth and musical then this is your pedal. Funk /Reggae /Blues / Modern and Smooth Jazz / Country / Zydeco / Rhythm & Blues/ Classic Rock / End Of Story Go Out And Buy One Now / You Won't Regret It

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The Prometheus is a voltage controlled 12dB filter which can be manipulated by playing dynamics or an internally generated signal. What's it do?The Prometheus is everything you've ever wanted in a filter pedal.* Loads of headroom* Reasonable size (measures about 3.7x4.7 inches)* Highpass, Bandpass, and Lowpass filtering with adjustable intensity (resonance)* Forward and reverse envelope following* Sample/Hold step filtering based on 3 different wave forms.* No special power supplies required. Operates with a single 9 volt battery or standard 9 volt adapter.All that and it has some "hidden features" as well.* The LFO rate can be adjusted to run much faster than the the step rate. This can be used to create very interesting arpeggiation.* The Depth knob can push the filter cutoff frequency outside of the audio range. This can be useful to create a slow attack effect.* The step rate can be turned up high enough for smooth modulation. This can be used to create and autofilter effect, that can sound similar to a phaser or tremolo.* A fixed filter effect is possible by turning the depth knob down all the way, and using the Frequency knob to set the filter cutoff.Item WarrantyThe Prometheus is hand made in Newberg Oregon with high quality components.Die cast aluminum enclosures for durability.3PDT switches for true bypass switching.Runs for many hours on a single 9 volt battery, or can be powered by a 9VDC adapter.Blue LED indicator.

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6/05/2012

Digitech Jam Man Delay Looper Bundle w/FS3X Footswitch Review

Digitech Jam Man Delay Looper Bundle w/FS3X Footswitch
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What can I say The Digitech Jam Man Delay Looper Bundle w/FS3X Footswitch,was a great purchase for me, this pedal is simply awesome,and the deal I got through Amazon is beyound belief,product arrived within 2 days of placing the order,and I haven't had any regrets.This Digitech JamMan ROCKS MY WORLD.Thank You

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When DigiTech developed the PDS 8000 looper pedal over 20 years ago, it offered eight seconds of delay or looped audio. When the company reinvented looper pedals in 2005 with the original JamMan, over six hours worth of material could be recorded and stored on a removable media card. Now DigiTech has combined the best of both these worlds in the JamMan Delay Looper pedal. The JamMan Delay Looper features both true stereo looping and a fully programmable stereo delay with powerful control over both effects.

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5/27/2012

Schertler DYN-B for Double Bass Review

Schertler DYN-B for Double Bass
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I am professional bassist. This is a very nice transducer for arco and pizz playing. It is XLR, but does NOT require phantom power. That means you can use a mono 1/4" plug / XLR cable and your own amp. To use it, simply roll the silly putty into a worm and make a ring around the center pole. then stick it on instrument's top, about a hand below and between the bridge feet. This gets a more natural sound through the amp than most pressure mounted bridge pickups- like Underwood, Realist, Planet Wing, Shadow, etc- and it has less impact on the acoustic sound of the instrument.
It will require some experimentation with placement and some tone shaping (preamp of some kind). I think this is one of the best solutions for arco amplification, and it is very balanced between arco and pizz playing. It also does well to keep the lower and upper registers balanced, though some of that will depend on where you mount the transducer. Depending on placement this can sound very 'honky' but with trial and error, I believe many good sounds can be achieved. Every bass is different, and the best spot to mount it varies with each instrument. You can leave it on the bass for extended periods of time, but it is not permanent. This is one of the advantages, in my opinion- that you don't have to leave wires and pickups on the bass, which will affect the acoustic sound.
If feedback is a major concern for you, then you should go with a different pickup. If you are looking for a natural sound at reasonable volumes (don't point the speaker at the bass), or an easy interface with the PA (You can plug this directly into a mixer or a powered PA speaker), then this is worth checking out- assuming you have the scratch.
I have tried the DYN-B with Schertler PRE-A III preamp, and in my case it is not an ideal preamp for string bass. For upright bass, I would recommend a preamp with more parametric options. I did find the Schertler PRE-A III to be EXCELLENT for electric bass.
All that said, for this price you can buy a slew of cheaper pickups and microphones to play around with. If money is a concern, I recommend you check out the Planet Wing pickup and the Gage Realist pickups. For this kind of money you could also have a new bridge cut with the Fishman Full Circle installed.
Another observation: microphones always sound better than pickups, and this is true even for this $700 pickup. A microphone of 1/2 the price (RE-20) will sound twice as good, but won't necessarily work in as many settings/ applications.

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Swiss-made Schertler DYN-Series electrodynamic contact transducers are designed to be used in a variety of applications, from home recording to live performances, encompassing all types of music and musical playing styles where the utmost in accurate acoustic reproduction is required.DYN-Series transducers provide a sound that is exceptionally 'acoustic" in nature - the sound is close to that of a studio microphone, but without the on-stage problems of bleed or feedback.The Schertler DYN-B is the most natural-sounding double-bass transducer available.The easily-installed contact microphone (attached to the instrument's top with the included, inert putty) delivers a warm, accurate reproduction of YOUR instrument's acoustic tone, whether your style is Jazz, Rockabilly, Americana or Bluegrass.DYN-Series transducers ship in an elegant wooden box.

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