Nady MPM Portable PA System Review

Average Reviews:

(More customer reviews)Do not waste your money on this product! First the amlefire broke on me so they sent me a new one which was completely different than the origianal. After that both the speakers burnt out on me. The micorphone screw cracked the day i oppened it. This product will break easily on you and it's not even good for parties. This is probably the worst thing I ever bought.

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Consumer Alert! Most users do not need a license to operate this wireless microphone system. Nevertheless, operating this microphone system without a license is subject to certain restrictions: the system may not cause harmful interference; it must operate at a low power level (not in excess of 50 milliwatts); and it has no protection from interference received from any other device. Purchasers should also be aware that the FCC is currently evaluating use of wireless microphone systems, and these rules are subject to change. For more information, call the FCC at 1-888-CALL-FCC (TTY: 1-888-TELL-FCC) or visit the FCC's wireless microphone website at www.fcc.gov/cgb/wirelessmicrophones Note: All of the wireless systems that AMS sells comply with the FCC guidelines and regulations. We are presenting this information as a matter of legally required disclosure. This complete PA system is an incredible value and includes Nady's MPM 4130 4-channel 130 watt powered mixer with built-in digital delay, a DKW HT handheld wireless system, and a pair of the 300 watt Nady PS112 2-way speakers featuring a 12 inch woofer and a 5x15 inch horn. Cables and speaker stands are also included. This is the perfect system for band rehearsal rooms, aerobics studios, many worship and theater applications, as well as solo & small ensemble music acts. Nady MPM 4130 Powered Mixer Rugged and easy to operate, the MPM 4130 mixer offers great features and performance and is ideal for many venue applications. The MPM 4130 features combination XLR and 1/4 inch inputs, separate delay, bass & treble controls for each channel, and RCA CD/Tape In/Out jacks. Nady MPM 4130 Powered Mixer Features: 4 mono Mic/Line inputs with combo XLR-1/4 inch TRS jacks Amplifier delivers 130 watts @ 4 oh

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JBL MRX525 15-Inch Premium 350-Watt Two-Way Portable Loudspeaker Review

Average Reviews:

(More customer reviews)I have a live sound company. I have a small trailer and no employees. I cater to the local scene and have even worked shows with international touring bands. I need to have lightweight yet good sounding speakers. NO, these are not as nice as the JBL SRX series or some of the other pro cabinets BUT...Everybody loves how they sound. I have four of these cabs and mate them to EAW LA400 subs. Yes-I know people say you don't need a sub with these but yes, you do. I run a lot of metal and hardcore shows and subs are essential. Maybe for acoustic shows you can get away without subs..but I always have them.
I run my system in stereo and power these cabs with a Crown XTi 4000 amp. Each set gets an XTi amp. These speakers really like to be turned up. For a smaller room with less screaming metal needs you may want to go with the smaller MRX cabs. I also have a set of those.
Most reviews tell how great the speaker sounds, the highs, the tasty lows. Honestly, so much depends on the room and the way the PA is tuned. Great equipment sounds bad when set up improperly. My board is one of the following: Allen & Heath GL2400, Presonus Live,or a small Mackie. I also use a DriveRack for processing. With proper set-up these speakers will cut through the stage sound and push the vocals through the metal mayhem. I have also used them at acoustic shows and yes they do sound sweet. I could spend more money on SRX cabs and someday I might. But right now these cabs work great because they are not power-hungry and don't need monster 20-amp amplifiers or a three-way system. They are very light and easy to carry. Lastly, they sound great and people constantly compliment me on the sound. If you want to move up from more generic cabs..you won't be disappointed. DJ, metal, acoustic, trance, worship..I have done it all!

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JBLMRX525 15 Inch Premium 350W Two Way Portable Loudspeaker in a Black Duraflex Finish for Pole Mount,FOH, DJ and all PA Applications.

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Samson XP308i Portable 8 Channel PA System, 300 Watts Review

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(More customer reviews)This sounds pretty good :) Packs quite a punch, very clear for a small PA system.

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Samson XP308i Portable PA System; Have the power to perform wherever you are.With powerful, full-range sound in an all-inclusive portable package, the XP308i is an ideal single system solution for a variety of live sound applications. A compact PA system with dual 2-way speakers, on-board mixer and 300 watt power amplifier, the XP308i is the ultimate in portability thanks to a clever, lightweight design that allows you to connect all the pieces together into a single, easy to transport case. The internal 2x150 watt Class D power amplifier produces an incredibly clean and powerful stereo sound. It's also remarkably lightweight and efficient with very low current draw.The system's speakers are 2-way vented enclosures with heavy-duty 8-inch woofers for deep bass. These are complemented by a 1-inch titanium tweeter set in a custom horn with a 60 x 90 degree coverage pattern. The result is consummate dispersion and loud, lucid audio.The XP308i's 8-channel mixer can be removed from the speaker for tabletop use and you can use the kickstand to set the mixer at an ergonomically correct angle. The mixer features four mic/line inputs, allowing you to connect microphones or line signals. It also provides two stereo inputs for connecting line signals from keyboards, drum machines or MP3/CD players. You can even engage the phantom power switch if you are using condenser microphones.Bass and treble control are also provided for each of the channel inputs. For enhanced convenience and versatility, the XP308i features a built-in iPod dock which easily connects to most iPod models for seamless music playback. You can also use the iPod to incorporate background tracks or repeat a commercial message at a fair or tradeshow.With all these comprehensive features set in one portable, great sounding system, the XP308i stands out as one of the most versatile and inclusive portable PA systems on the market.

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Yamaha STAGEPAS 300 Portable PA System Review

Average Reviews:

(More customer reviews)I first auditioned the Stagepas300 several months ago, along with a friend, and we judged it relative to other portable PA's in the ~$500 - $1000 list price range. He immediately bought one, I soon did the same. We are both acoustic solo players/singers (since the late 1950's) who occasionally work with one or more other musicians doing mostly folk, old time, early country and bluegrass, and ragtime and country blues repertoire. Think acoustic music in small to perhaps 1,200 sq ft sized venues and you'll have an idea where this PA is a very strong contender and good value to boot. Other applications, especially those employing larger ensembles, electric instruments, or high decibel levels in large spaces deserve beefier gear in order not to disappoint.
The build quality is very good for an inexpensive portable PA (much more so than the rivals I kicked around a bit). I use only microphones but the XLR, ¼", and RCA input jacks all feel good. Onboard phantom power would have been much appreciated and its lack is one of the weaknesses of the Stagepas300. Others have derided the reverb effect, but I use only the lightest amount for enhancing vocal ambience and have no complaints. I've also acquired the pole mounting hardware for the speakers and the adapter for mounting the mixer on a mike stand--they're a bit pricey, but, all-in-all, the whole thing still cost me only around $500 and it looks and sounds great. If your needs increase, this set up is extremely easy to upgrade/expand without becoming at all obsolete.
More than anything else, the Stagepas300 sounds very good. Yamaha makes good mass market audio gear and the 300 has solid, smooth output. The electronics have a 20Hz-20kHz frequency response with reasonable specs; the speakers are rated at 55Hz-20kHz and if you use good quality microphones and cables this is probably what you get in terms of audible response. It's quite good, very little audible distortion at moderate volume levels and little hum or other noise--a very smooth and natural sounding output. There are limited hi and lo EQ abilities on all the input channels, but I'm pretty much into the `straight wire with gain' philosophy anyway. Just to round out the set up FYI. Bob uses two Shure 87a microphones, I use two CAD C-195s and two Astatic CTM 1000A dual capsule cardioids condenser mikes (when playing in a duo) and I can't really tell much difference in the output.
We're both very happy with our Stagepas300's. If your expectations are reasonable and this review resembles you, chances are that you too will be very happy playing and singing through this system.


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The STAGEPAS 300 was the first in the line of complete compact PA system offerings from Yamaha. It was designed to give quality minded musicians, performers, speakers and other presenters a solution for their smaller performances, without sacrificing high fidelity and professional appearance. The mixer of the STAGEPAS 300 also contains the two 150 watt digital power amplifiers, and it resides in the back of oneof the two passive loudspeakers that complete the system. The other loudspeaker has a convenient accessory compartment for the included speaker cables or other gear. This mixer has 8 total inputs. 4 are mono and can accept either microphone or line level instruments, and there are two stereo inputs to accept line level stereo sources like keyboards or CD players. Digital reverb is included onboard the mixer along with EQ or tone controls. In addition to providing simple operation, the mixer will operate installed in the speaker cabinet, out on a table or on a microphone stand with the optional adapter. Simple quarter turn fasteners allow easy removal and replacement with a coin.. The loudspeakers systems offer an 8" long travel woofer and 1" titanium high frequency driver assuring full fidelity sound. Due to their compact design, the loudspeakers require an external bracket to adapt for tripod stand use. The travel case accepts the speakers with these brackets attached. At less than 40 lbs, this system plays well beyond its size with remarkable fidelity.

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Behringer Europort EPA150 Ultra-Compact 150-Watt 5-Channel Portable PA System with Digital Effects and FBQ Feedback Detection Review

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(More customer reviews)I was needed a PA system for a indoors and outdoors small parties where quality sound is required in the range of 100 feet. This system has meet all my expectations: sound was loud and clear, plenty of controls, ability to mix the sound from several sources. I really liked it.

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Sometimes you just don't need a large, complicated PA system to get your message across. In fact, you might not need a big system at all! For those occasions when you do need to get your voice above the crowd, such as a company meeting, a picnic or party, the EPA150 brings that extra volume, along with all the accessories you'll need, in a convenient, easy to carry and setup package. And the good news is you don't have to be a sound engineer to run it!

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Traynor TVM50 50W 1x10 Battery Powered Guitar Combo Amp (Black) Review

Average Reviews:

(More customer reviews)I like it a lot... For not having to have a generator/soundboard/speaker outdoor sound system, this is a great alternative. Sounds great and easy to use.

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Perfect for rehearsal or street corner concert, the 50-watt Traynor TVM50's two-channel design allows quick connection to any microphone, instrument and CD / MP3 player. Individual volume control as well as separate tone controls on the input channels makes the TVM50 combo amp an ultra-compact PA system solution.Channel one is tuned for vocals with an XLR / TRS combi-jack input for low or high impedance mics. A single sweepable tone control that boosts intelligibility and overall presence with a minimum of tweaking makes the TVM50 guitar combo amp ideal for quick set up. A 1/4" input on channel two handles any instrument source including acoustic or electric guitars and keyboards.An additional RCA auxiliary Input allows quick connection to CD or MP3 players. The Traynor TVM50's wedge monitor shape projects to an intimate audience from ground level. An integrated stand adaptor allows the TVM50 guitar amp to be mounted on any speaker stand when used as a small announcement PA or background music source.Maximum versatility and superior tube-like tone is now available in solid-state guitar amplifiers. The Traynor DynaGain Series employs three-stage dynamic tube emulation circuitry and our proprietary continuously variable 'Contour' (DG60R) control to provide unparalleled tube-like tone from a solid-state amplifier. The Transconductive power amplifier design used exclusively in the DynaGain series ensures the solid-state amplifier sounds just like a tube amp.Pushing the boundaries of modern technology we have discovered how to use Dynamic Gain control in the preamp to ensure the best tube emulation possible from an entirely solid-state circuit design. Dyna-Sound speaker emulation on the headphone output, and speaker defeat switch makes the DynaGain amplifiers the perfect amplifier for the practicing musician.Solid-state guitar amps series characteristics Traynor's solid state guitar amplifiers with three-stage DynaGain tube emulation Transconduct

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