Showing posts with label preamp. Show all posts
Showing posts with label preamp. Show all posts

7/06/2012

Focusrite ISA One Classic Single-channel Mic Pre-Amplifier with Independent D.I. Review

Focusrite ISA One Classic Single-channel Mic Pre-Amplifier with Independent D.I.
Average Reviews:

(More customer reviews)
This preamp is cleanish warm and can be nice and warm when stacked on tracks...Its a pro preamp and never think its not, The DI is very handy and can actualy be used for stereo recording with the preamp and di input.(input another preamp out to DI input to the optional a-d out)outs are now stereo...
Two recordings at the same time is a big deal if you have the a-d card, it has 2 xlr outs or the a/d card stereo outs with preamp and another input....again these preamps are used on professional recordings the isa 110's which this is a single version....
This unit does not include the a-d digital card, they run around $399 but are pro quality as well, not at all like Focusrite's cheaper pres a/d or the Behringer's a-d mess....

Click Here to see more reviews about: Focusrite ISA One Classic Single-channel Mic Pre-Amplifier with Independent D.I.

Focusrite is dedicated to bringing you the tools you need to enhance the way you work. Our products are made with pride and principle by engineers who themselves are musicians and understand the part our products play in your process. The ‘ISA One' microphone pre-amplifier delivers Focusrite's prestigious ISA transformer-based pre-amp in a rugged and portable chassis, at a groundbreaking price. ISA One features the classic vintage microphone pre-amplifier topology from the original ISA110 module, including the Lundahl L1538 transformer and bespoke zobel network. The pre-amp is complemented by a line input and an independent D.I. channel, complete with dedicated gain control, active or passive impedance switch, a TRS Jack output for routing to an amp and an independent XLR output on the rear. This flexible independent D.I. makes the ISA One ideal both for engineers wishing to blend a D.I.'d guitar signal with a mic'd guitar cabinet, and for demanding performers who require a single classic solution for both guitar and vocals.ISA One also features an insert point, for extra processing between the pre amp or D.I. and the optional converter. Phantom power, phase reverse and a 75Hz, 18dB/octave high-pass filter are also available from the angled front fascia. Independent input metering for both channels is provided by a moving coil VU meter with variable calibration to suit analogue and digital recording media, alongside two six-LED peak meters; inputs can be metered either pre- or post-insert. The meter calibrations utilize all the same reference points as Digidesign's Pro Tools HD system, allowing effortless line-up. ISA One's headphone output features a dedicated volume control to deliver an external stereo cue mix fed to the headphones via two TRS jack inputs on the rear of the unit. At Focusrite our focus on quality is all-consuming. All of our products are easy to use, logically designed, and give years of class-leading, top-notch performance.

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6/25/2012

Avalon VT737SP Class A Tube Channel Strip Review

Avalon VT737SP Class A Tube Channel Strip
Average Reviews:

(More customer reviews)
I use this channel strip during nearly every recording session I run. The sound is amazing for vocals (in combination with a good mic), producing a warm and yet extremely clean sound.
I have used the unit on acoustic guitar, kick drum, electric guitar and even bass. I was able to get stunning sound from all sources, with a little tweaking of the settings and mic placement.
This unit is capable of immaculate results. Well worth the money.

Click Here to see more reviews about: Avalon VT737SP Class A Tube Channel Strip

The Avalon VT737SP features a combination of TUBE preamplifiers, opto-compressor, sweep EQ, output level and VU metering. VT737SP's preamp provides a 48V phantom powered input, an Instrument DI and a balanced line input. The Opto-compressor features twin Class A tube triodes for gain matching. Full dynamic control from soft compression to hard-knee limiting can be achieved with threshold, ratio-compression, attack and release controls plus gain reduction selection on the large VU meter. Special spectral control including de-ess is available with the dual sweep mid EQ to side-chain switch. The EQ section can be flipped pre or post-compressor. The high and low EQ bands provide the smooth characteristics of an all passive design, while the dual mid bands include variable frequency and switched Q-width selection. Whether you're recording a solo vocalist or an acoustic instrument, mastering, or recording symphonies, let Avalon take you to the leading edge in analog and experience sonic reality like never before! Avalon VT737SP Features Vacuum tube triode signal path Soft-start tube life extender Stereo link for compressors Sealed silver relays for signal routing Transformer balanced microphone input High-voltage circuits for max headroom and low noise Discrete Class A equalizer with musical passive filter Internal discrete power supply with toroidal transformer Large control knobs with professional conductive plastic potentiometers VU meter for output level monitoring and compressor gain reduction Great Unit. Allows the user to slam into the red! The Avalon VT737SP is a great unit. It has so many strengths that basically you could say that as a MIC Pre/Channel Strip goes, thi

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4/24/2012

M-Audio Fast Track Ultra 8R Review

M-Audio Fast Track Ultra 8R
Average Reviews:

(More customer reviews)
Both this and the Presonus FireStudio are quite awesome audio interfaces. Never heard a pop and static is phenomenally low. It is built like a TANK and I'm sure it could withstand a beating. Preamps work great. The only downside, and I mean the only bad thing about this interface is that MIDI requires a breakout cable. Not a big deal but it's just something you could lose easily. I definitely recommend getting this. It really is great.

Click Here to see more reviews about: M-Audio Fast Track Ultra 8R

Designed for comprehensive studio work, the Fast Track Ultra 8R audio/MIDI interface delivers 8 x 8 I/O, high-speed USB 2.0 connectivity, MX Core DSP mixing/effects and eight preamps with award-winning Octane technology. Top Features -high-speed USB 2.0 interface -24-bit/96kHz professional audio on all I/O simultaneously -MX CoreTM DSP technology -flexible channel routing, monitor sub-mixing, and effects processing -8 preamps with award-winning M-Audio OctaneTM technology -premium input circuitry for recording an entire band -compatible with Mac and PC -works with most audio production software Record drum kits and full bands on all eight inputs simultaneously-with superior 24-bit/96kHz fidelity. The on-board MX Core DSP mixer processes eight hardware inputs and eight software returns to the eight hardware outputs, expanding the total I/O to an impressive 16 x 8 configuration and delivering flexible routing and monitoring with delay and reverb. With reliable, low-latency M-Audio drivers and compatibility with most major recording software, the Fast Track Ultra 8R puts the core of your powerful project studio in a single rack-mount unit. High-speed USB 2.0 Technology The next generation of recording interfaces has arrived. Fast Track® Ultra 8R utilizes high-speed USB 2.0 technology to deliver the bandwidth for 24-bit/96kHz audio resolution throughout the recording and monitoring process. With a maximum data transfer speed of 480Mbps, this jump in performance allows you to enjoy outstanding sound quality on all inputs and outputs simultaneously. Speed Comparisons in Mbps Connection Maximum Speed USB 1.1 12Mbps USB 2.0 480Mbps FireWire 400 400Mbps Built-in Effects Processing Tired of tracking vocals and instruments dry becaus

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3/30/2012

Tascam US1641 USB 2.0 Audio and MIDI Interface with digital Connection - Macintosh and Windows Review

Tascam US1641 USB 2.0 Audio and MIDI Interface with digital Connection - Macintosh and Windows
Average Reviews:

(More customer reviews)
I looked at virtually every multiple mic interface on the market and couldn't find anything to touch this in features and/or price... so I bought it.
Wow!This thing rocks! I connected up 8 microphones for Kick, Snare, Hi-hat, Tom 1, Tom 2, Tom 3, Left Overhead and Right Overhead... all those mics plug into the 8 XLR mic sockets at the front of the unit. Got some really great 20ft XLR mic cables from Amazon for only $6.95 each (Whirlwind LowZ Microphone Cable (20 Foot) I then plugged in my bass guitar into one of 2 switchable line/guitar 1/4" mono inputs on the front.
Each of the 10 front panel inputs has a volume control knob and red/green led. The drummer hits each drum individually one by one so I can adjust each vol control so that it just occasionally clips red but mostly stays green.
After adjusting the six individual drum mics I now get the drummer to play the whole set and I adjust the left and right overheads mics so they don't clip (go red). That's it! The mics are setup ready to record.
I took the main output from the back of the unit to my monitors and there's a volume control on the front of the unit to allow you to turn down the monitor while recording... then you turn it up to listen back... so in effect, the unit has it's own monitoring control.
Two headphone jacks would've been nice, but I used a Y-adapter 1/4" Headphone Splitter to split the output allowing me to plug in the two headphones for me and the drummer.
I now setup recording on my laptop (HP TX2500z) using the supplied Cubase LE4 software which is really easy to use - buy yourself the The Complete Idiot's Guide to Recording with Cubase. There's no specific book for version LE4 but this idiot's guide worked great for me.
A note about my notebook - It's a tablet PC laptop HP Pavilion tx2500z 12.1" TOUCH-SCREEN Notebook with a great touch screen - so you can arm/disarm or mute/unmute your record channels/tracks just by touching the screen buttons with your finger - it's just like a real mixing desk with real tactile switches - it's really cool!
You may need to tweak your laptop for audio recording to get the best results otherwise you will hear artifacts (odd noises) when recording if the laptop is struggling to find the necessary processing power. I tweaked my laptop and it was just amazing to see the difference in performance. You can Google "Tweak Vista for audio recording" to find the information on how to tweak.
I also replaced my 5400rpm drive with a 7200rpm drive Seagate 500 GB 7200RPM 2.5" Drive - it's real easy to do... Google "Upgrading laptop hard drive". As well as getting a faster speed drive I also made it a 500GB to replace the 320GB drive that I had - so lot's more space... and very low cost too!
RESULTS!!!!!!!!!!!
Well... Let me tell you, I was absolutely BLOWN AWAY by the results obtained with this unit! The Tascam 1641 is an amazing piece of gear and Amazon's price is just out of this World at only $299...
It's like having a whole recording studio in a box - the mic pre's, the mixing desk (vol controls), the signal LED's, the monoring vol control, headphone controls, etc... AND the software - all for $299 - You can't beat that!
The actual sound that I got was totally professional - I couldn't have done better if I was in a top-notch recording studio. I am 100,000% satisfied!
GO FOR IT!!! HIGHLY RECOMMENDED!!!!!!!



Click Here to see more reviews about: Tascam US1641 USB 2.0 Audio and MIDI Interface with digital Connection - Macintosh and Windows

With sixteen inputs, the TASCAM US-1641 is the ideal choice for musicians to record the whole band to a computer. Eight mic/line inputs plus six line inputs gives you plenty of channels for a large ensemble, drumset, live recording or worship service. It includes Cubase LE4, Steinberg's latest version, for 48 tracks of 96k/24-bit recording power. Using the latest high-speed USB 2.0 technology, the US-1641 packs the interfacing power of a big console into only one rackspace.The eight mic inputs employ TASCAM Pro mic pres for 60 dB of gain and phantom power for studio-quality recordings. Two balanced TRS line inputs on the front panel are switchable to guitar level for direct-in recording of bass or guitar tracks. Four more balanced line inputs and outputs fill out the rear panel, along with MIDI and S/PDIF digital inputs and outputs for a total of 16 ins. A built-in power supply means there's no special wall-wart to lose, and connection to the computer is handled by USB 2.0 technology - 40 times faster than USB 1.1 and 20% more bandwidth than FireWire 400.The US-1641 comes with Cubase LE4, Steinberg's latest version of the 48-track, 96kHz recording workstation, so you'll be ready to cut tracks right away. Also included is TASCAM's Continuous Velocity Piano, a VSTi plug-in for Windows that uses Giga technology for totally authentic grand piano sounds. The US-1641 installs ASIO and Core Audio drivers for Windows XP, Windows Vista 32 and Mac OS X, with simple instructions for hooking up to Logic Pro, Cubase, Nuendo, Digital Performer, SONAR, Reason, Live and nearly all other recording software. For musicians and bands always looking for more inputs, the US-1641 is the ultimate choice. Gather up your mics and head to your TASCAM dealer for more.

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3/10/2012

M-Audio Fast Track Ultra High-speed 8 x 8 USB 2.0 Interface Review

M-Audio Fast Track Ultra High-speed 8 x 8 USB 2.0 Interface
Average Reviews:

(More customer reviews)
I don't understand what all the fuss is about. I've gone through many different operating systems and computers, and drivers and have not had ANY issues with this product. It works flawlessly on XP/XP SP1/2 and Vista. It has a couple very minor issues on Vista X64 but nothing that would break the work flow noticeably.
I'll begin by saying that it has probably the best layout I have ever seen on a sound card. It is also the most powerful at the time for USB sound cards all together. It has 6 1/4 inch inputs on the back very well laid out, and 6 matching 1/4 inch outputs on the back aswell... this setup keeps wires nice and neat (unlike others where you gotta plug stuff in all over the place in all directions.....
on the front you could either hook up four mics or two mics and two instruments.... what nice is that the first two inputs can either be xlr or 1/4 inch..... All four inputs have knobs right there on the front to control the preamps for each channel individually. Also on the front.... TWO, not one, TWO headphone outputs with individual volume controlls and LED's to indicate clipping and signal (that can be assigned to play different channels alltogether). And of course there is a volume control, right there on the front. What I should note is that there are four buttons to switch from the front inputs to the back ones.
Some other nice features include an input and output for an insert effect (so you can hook up for example a compressor)... the only flaw with it (actually what' nice is that I called m-audio and they took a unit from their warehouse, set it up, and tinkered with it trying to figure it out).... but anyways the only flaw is that it cannot be inserted to any channels but channels 1/2..... Of course the thing has phantom power but if you choose to run with it off you can still use normal mics... What's also so nifty is that if you want to go somewhere with a lap top for example you can ditch the power supply alltogether and still have channels 1/2 for input and output powered by the USB bus.
The latency on this card is great... I can't say it's as perfect as I want it to be (especially with Vista x64) but I can safely run a 128 sample buffer running under 10ms completely safely and if no input is needed and those are disabled a 4 ms delay is pretty safe and works great....Another great thing is the software mixer, you can route just about anything into anything else, it simply makes this card have no limits as far as routing (except for that insert effect thing but I don't really use it anyways since I use the daw for that)The only serious issue is that after switching to Vista x64 I have not been able to get the "High Performance Mode" to work which affects the buffer a little bit.
Other then that, solid 5/5... I've recommended this product to many people, all have bought it, all had no problems.
The biggest issue with this card is people, people that can't install the damn driver. It's a little bit more of a pain in the butt then simply installing a CD but if you follow directions it will work.
Would buy again but I'm more then happy with the one I got :)

Click Here to see more reviews about: M-Audio Fast Track Ultra High-speed 8 x 8 USB 2.0 Interface

The Fast Track Ultra 8 x 8 audio/MIDI interface takes M-Audio's acclaimed mobile recording line to the next level with high-speed USB 2.0 connectivity, MX Core DSP mixer and four preamps with award-winning Octane technology. Featuring both analog and digital I/O, it allows recording on all eight channels simultaneously with pristine 24-bit/96kHz fidelity--while M-Audio's mature low-latency drivers ensure rock-solid stability and performance. The on-board MX Core DSP mixer processes eight hardware inputs and eight software returns to the eight hardware outputs, delivering flexible routing and monitoring with delay and reverb. Compatible with most major audio software*, Fast Track Ultra lets you record the way you want--in the studio or on the go.

High-speed USB 2.0 Technology The next generation of mobile recording interfaces has arrived--the Fast Track Ultra features high-speed USB 2.0 technology for advanced performance. Like FireWire, USB 2.0 delivers the bandwidth for 24-bit/96kHz audio resolution throughout the recording and monitoring process. The increased data speed lets you enjoy exceptional fidelity on all of your inputs and outputs simultaneously.
Built-in Effects Processing Tired of tracking vocals and instruments dry? Fast Track Ultra features MX Core DSP technology that gives you reverb and delay on the headphone outputs with separate sends for every channel. Adding effects is an easy way to inspire creativity and infuse a performance with new energy--without taxing your CPU resources.
Make the Connection Fast Track Ultra provides a complete recording solution, with six channels of analog inputs and outputs plus 2-channel digital S/PDIF I/O. Unlike most USB interfaces, it features two dedicated inserts on the first two channels, giving you the ability to insert outboard processing before A/D conversion. Easy connection via a single USB 2.0 cable delivers both audio and MIDI communication with your computer. Compatibility with most major audio software, means seamless integration into any studio setup.
MX Core DSP Technology for Sophisticated Channel Routing The Fast Track Ultra makes it easy to create multiple monitor mixes when recording other musicians. The robust MX Core mixer employs an array of eight individual DSP cores to deliver near-zero latency and a matrix for sophisticated channel routing options--accessible via an intuitive control panel that utilizes a separate mixer for each pair of outputs. The mixer expands the total I/O to an impressive 16 x 8 configuration, allowing you to connect synths and outboard gear to any of the interface's hardware inputs, then mix them with the eight audio streams coming from your computer.
Professional Octane Preamp Technology The quality of your recordings is only as good as the initial signal. The Fast Track Ultra features four preamps with multi-award-winning M-Audio Octane technology, creating a premium front end that delivers amazing audio clarity. You get professional, low-noise, high-gain preamplification with enough channels for a variety of miking applications. Features include +48V phantom power for condenser mics, signal/peak LED indicator lights and a pull-out gain knob that activates a 20dB pad for recording at high volumes. See why world-class artists choose the M-Audio Octane preamp.
Dual Headphone Amp Whether you usually track vocals or an ensemble, you're likely to need multiple headphone mixes. Fast Track Ultra has two completely independent headphone outputs so you can take advantage of the DSP mixer's powerful routing options and create the right mix for your performers--complete with reverb and delay.
The Perfect Combination Apple's latest MacBook and MacBook Air laptops don't include FireWire connectivity--the latest models are all about USB 2.0. If you want to make music with a MacBook, the Fast Track Ultra high-speed USB 2.0 interface delivers the perfect solution. Whether you're a musician, producer or DJ, the powerful combination of Apple and M-Audio gives you everything you need to put together a high-powered personal studio.
Bundled Software
Ableton Live Lite Ableton Live Lite delivers much of the functionality of Ableton Live--the revolutionary, multi-award winning music production solution that allows you to spontaneously compose, record, remix, improvise and edit your musical ideas in a seamless audio/MIDI environment. Live brings your acoustic, electronic and virtual instruments--as well as your digital audio recordings and MIDI sequences--together in a single interface with unparalleled ease of use.
inTone | Express Bundle Creative Software Applications for M-Audio Hardware Products. Your M-Audio hardware is compatible with a suite of creative applications that enable you to start making music right away. Designed by leading audio effects provider Audiffex, the inTone series provides a broad array of tools--from guitar and bass stomp boxes to virtual mixers and much more. Each software program lets you arrange channel routing and effects in a variety of ways, so you can develop a sound that's truly unique.

What's in the Box M-Audio Fast Track Ultra, Software/Driver CDs, AC Adapter, USB Cable, User's Manual

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