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(More customer reviews)I have had my dn3 for about a year and a half. It all started one day I went with my son to Guitar Center. We went into the acoustic room and proceeded to play nearly every guitar there. I already owned a Taylor Big Baby, so I was a bit partial to them. The sound is so pleasing to my ears. Anyway, I wanted to like a lot of the guitars, but I didn't. In fact, almost every time I picked one up I was disappointed by what I heard, except when I picked up the dn3. Not only did it sound beautiful, it actually sang in my hands. With every strum it sang again and again and again. I kept looking at it thinking it was alive. After a year and a half with my dn3, playing it for my own pleasure, song writing and worship leading, it continues to sing each and every time I play it. I often play with others in worship and I have to sometimes bite my tongue wanting to tell some of them to get a real guitar. For years I felt that like person - the one who plays, but just always feels like they don't have the instrument they need to truly sound beautiful. Now I do, and I'm loving it. I know that there are higher end Taylors that look more beautiful. I would love to have a guitar that has all the abalone inlays and such, but by far the most important thing to me is sound. Yes, your guitar is pretty, and has decent action and playability, but how does it sound? Mine sounds like heaven.
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The heralded Dreadnought is the most traditional of all acoustics. By definition, it's a battleship of a guitar and the Taylor DN3 pays tribute to that legacy--and then some. The DN3s booming bass and articulate mids dare you to dig in and challenge your flatpicking prowess. Simple, traditional styling and renowned Taylor craftsmanship make this sapele and spruce acoustic guitar one of Taylor's most popular models.
Taylor's DreadnoughtThe original Dreadnought acoustic guitar appeared early in the 20th Century, and its no-frills, no-nonsense shape made it a logical namesake of the huge battleships of that day. Most subsequent Dreadnoughts, including Taylor's, have been derivative of that early design. In 1997, however, Bob Taylor re-designed the Taylor Dreadnought by softening the curves at the top and bottom and generally refining its overall shape. In 2003, gloss-finish Dreadnoughts also underwent bracing refinements that substantially increased their overall volume and bass response, without sacrificing Taylor's signature balance and clarity. Dreadnought six-strings shine as "plectrum" or "rhythm" guitars because they respond well to flatpicking or light-to-heavy strumming.
Features ebony wood fretboard and bridge.
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