11/02/2011

Line 6 POD HD 500 Review

Line 6 POD HD 500
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Before we get started, I am more "pro" than amateur. I work at a church as a pastor of Worship Arts and use this in my work. But I hesitate to say I'm only "pro", because "amateur" means you do something purely for the love of it... and I feel that way about music... So...
First... the models I've tested are far and away more realistic to my ears than other modelers I've used, which includes Logic Studio's amps (these sound almost as good btw), POD X3Live and XTPro (the HD models are noticeably better... and the fizz is GONE GONE GONE), the original POD and 2.0 (which sounded the same to me and made me happy at the time), and the ToneLab SE (which I missed for a while, but not anymore).
I made a few patches for one of my guitars based on having a Bassman 4x10 alongside the Dr. Z, and it is the coolest sound I've ever made with this guitar... easily. Better sounding, to my ears, than the real amps I've been using (maybe because I put them off stage and don't run them very loud). I ADORE the sound of this unit.
Oh, and as always... forget about all the pre-sets. They're probably all as useless as you imagine they might be.
Now the bad news. And it's significant... for some...
First off, editing is clunky like it was on the XT and X3Live. Just forget about trying to use the display. Connect to a computer... Seriously. When you start from an init patch, you only get lucky, it seems, to manage to coax it into "two amp" config...
Next, The functionality of this unit is exaggerated by it's specs. You will almost certainly NOT be able to do 8 FX at once the way you're thinking. Why? Let's say you use an XT or a X3. think about what you're used to.
You start with 8 FX
Subtract effect banks for...
1. volume pedal (you need to use an effect bank). You might be able to use an analog pedal, but I like my volume after my compressor... so I have to do it in the loop I guess...
2. FX loop (only works with an effect bank... Line6, is there any way you can make this always active in a firmware upgrade? Seems like you could.)
3. Noise Gate (used to be always available... don't worry if you mix this with the M13 as I plan to do, though, as the M13 has a great gate). I mostly use clean or just barely broken-up amps, so I might be able to skip this.
4. Wah (this is always available and active in the X3 and below).
5. Post-EQ. The X3Live had a final EQ before final output that I liked a lot. in addition to all the other FX, too. You need to dedicate an FX bank now.
SO... you might only have 3FX left. For me, put in a clean boost and tube drive (which I think sound better in this box than they did in the M13. Probably because they're "digitally part of the signal" is all I can think) and a verb for the amp. No slots left. What if you need delay and modulation? EEK! I have to re-think the way I use FX in this box. Still evaluating how that will work for me.
What if you're a guy like me who was using the X3Live (occasionally) as a one-box solution for a dual-voice guitar. (All my guitars have piezo bridges.) No dice.
I will have to use an acoustic preamp. No matter. I have one. I will probably dedicate a "null" amp to bring this signal into the unit and mix it.
In addition, there aren't as many computer-recording routing options as the X3Live, and the SUPER-sweet ability to switch between two FX chains in one patch (instead of switching programs) is gone. As far back as my old Vox ToneLab SE, I could literally switch channels from one amp/cab to another in the same FX chain. You could do something similar on the X3Live. Not here. Also... Line 6, why on earth can't you make the Midi in and out work as a USB Midi interface with this unit? How complicated can that really be?
In short... the X3Live has significantly... SIGNIFICANTLY more flexibility imho than this unit, for many of us at least, and ought not to have been discontinued imho. For some of you, it's still a viable option.
You also still might need your other FX!
I thought it might be possible that this unit, even if I needed to use my AG Stomp for my acoustic side again (which I'm happy to do) would bump my M13 off the stage. Maybe not. At least not all the time. That said, I think from what I'm hearing that some of the FX (especially the dirt pedals) work FAR better inside this box than they do in the M13 when you connect it to a POD or amp.
My favorite patches so far that I've made (which use the Bassman model and the UNBELIEVABLE Dr. Z model... far and AWAY my favorite amp model EVAH!) don't leave any room for modulation or other special FX. (I'm not a "switch whole patches on the fly" guy. I turn FX off and on.) So I need my M13 after all. And the way I use my M13, having four FX processors with 3 FX available at any time is something I don't think I can live without anyway...
My rig is not getting any simpler, though... and that is a minor disappointment. The X3Live was a one-box solution for the two-voice guitar I do... Am I complaining? No. Because the sound of this unit is so extraordinary. I'd take off a full star for this shortcoming, but the fact is the unit sounds good enough that I can't do it.
There will, at some point, I hope, be a next-generation of this technology which will possibly address some of the usability shortcomings, but I have to say, for this price, I am totally satisfied with the sound, and have the other gear to add to it to make it totally work for me... BIG TIME!
In the meantime, am I willing to trade the flexibility of my former rig for the sound of this one? Heck yes, it sounds that good. I even love the models of amps I know I'll never use for the first time ever....
So... I will likely have a rig consisting of the HD500, and sometimes an M13 (I'm SERIOUSLY thinking of down-sizing that to an M9, but probably won't bother), and an acoustic preamp (currently a Yamaha AG-Stomp) mixed in with the HD signal through the mp3 input or using ONE of the FX to route it through the aux input.
Am I disappointed? Not really. I'm only nit-picking so that you will know all the trade-offs. For what I have been fantasizing about, basically an M13 in form and function with a handful of amp models shoved in the box, this is as close as we're probably going to come. And, did I mention... the SOUND! It's seriously great!
UPDATE! I have learned that I will indeed have no problem replacing my M13 as well, and am selling it in the next day or so (already have offers). It's a great unit, but I simply will not need it anymore with this thing around.

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New HD amp modeling: sound and feel like never beforeHD amp models defy the accepted standard. They feel, behave, and interact with previously unachievable realism.Creating these new HD amp models was no small feat. We mixed 15 years of amp modeling experience with 3 years of new research and development to build an entirely new amp modeling technology from the ground up.During that time, we hunted down 16 incredible amplifiers andwith the help of LAs top tube amp expertsrestored each one back to peak condition. The new modeling technology uses 10-times more amplifier information than before, including single-ended class A tube stages, class AB push/pull interactions, power supply behavior, and more. The result is unprecedented, warmth, feel, sustain, and articulation for you to fall in love with.Tube amp fanatics have long enthused that their favorite stacks and combos arent merely amps, but instruments themselves, with playability equal to that of the guitar plugged into them. New HD modeling takes the POD HD experience to that same exalted level, capturing the genuine playability that great guitarists demand. Your amp collectionnow in HD!On the menu is a collection of freshly modeled amps, many of which are brand-new to POD, and all of which are essential for performing guitarists who require a wide variety of tones in one streamlined, multi-FX-sized package. POD HD500 includes 16 HD amp models based on* Fender Twin ReverbHiwatt Custom 100 (DR103)Supro S6616Gibson EH-185Fender BassmanFender Blackface Deluxe ReverbDivided by 13 JRT 9/15Dr. Z Route 66Vox AC-15Vox AC-30 (Top Boost)Marshall JTM-45 MkIIPark 75Marshall JCM-800 (2204)Bogner UberschallMesa/Boogie Dual RectifierENGL Fireball 100*All product names are trademarks of their respective owners, which are in no way associated or affiliated with Line 6. These trademarks of other manufacturers are used solely to identify the products of those manufacturers whose tones and sounds were studied during Line ...

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Ibanez RG Tremolo Series RG470MH Ash Body Electric Guitar - Natural Review

Ibanez RG Tremolo Series RG470MH Ash Body Electric Guitar - Natural
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Just got this guitar at Bizzare Guitar in Phoenix and it is splendid.
Took a few days to get used to from playing my jackson soloist but I like this one better now !!
I have always wanted a natural wood style body and this ash is sweet !!

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The RG Tremolo series includes many models with a variety of different features and exciting finishes. The one constant factor in all of them is the Edge Zero II tremolo with the Zero Point System, which allows for killer trem effects as well as total tuning stability. These trem-equipped guitars have ushered in a whole new way to play hard rock and metal and they continue to push the boundaries while standing up to the most abusive whammy bar users around. Lightning fast fretboard work is no problem with the Wizard neck, flat fingerboard, and jumbo frets.

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11/01/2011

Schecter RS-1000 acoustic guitar (Gloss Black) Review

Schecter RS-1000 acoustic guitar (Gloss Black)
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This guitar is wonderful it has a very rich tone and beautiful look . I would definitely recommend it ! very fast shipping . I upgraded from a basic fender acoustic and am very happy this guitar is one of the best iv played.

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Schecter RS-1000 Electric Guitar Gloss Black (BLK)

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Hofner Icon Series Beatle Bass; Sunburst Review

Hofner Icon Series Beatle Bass; Sunburst
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Out of my 4 other basses, this is my favorite performance bass. It looks good on stage and sound unbelievable through an amp.
When I want to practice it's good to use if I don't have an amp since it's a hollow body. The minor down side is that it feels cheap and fragile, but it doesn't really bother me.
All in all, I love this bass!

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Hofner Icon Violin bass. Sunburst Finish. Based on original Hofner 500/1-With case.Value priced!

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Breedlove Atlas Studio D25/SM Acoustic Electric Guitar Review

Breedlove Atlas Studio D25/SM Acoustic Electric Guitar
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I am a full time middle school choir director, part time church music minister, who loves to have a guitar by my side all the time. I play in semi - professional venues and I know what a good guitar is supposed to sound and feel like. I simply cannot afford to spend the money necessary when it comes to buying an American made guitar with the sustain, fit, and finish you will find in a good Martin, Taylor, or Gibson acoustic guitar. My frustration has been that I know a Chinese or Korean made Takamine, Fender or Ibanez acoustic guitar simply cannot give me the sound and satisfaction of an American guitar that has been and will be out of my price range for the foreseeable future. My reality was that I would have to wait until the miraculous day when I would have a couple of thousand extra dollars laying around to be able to buy the guitar that I truly wanted. Then the remarkable happened. My wife and I were in a music store and I saw this Breedlove Atlas Studio D25/SM. It is made in Korea but assembled with American materials and given it's final set ups and inspection by it's home company of Breedlove guitars in Oregon. I picked it up and gave it a try. I was literally floored by the rich, ringing sound. The sound is ridiculous. The sustain held for a solid 15 plus seconds. The basses are rich and melodic, far unlike any Asian assembled guitar I have ever played. Now hear me when I say that I have read the reviews of many Asian guitars by folks who truly want their instruments to sound like the American guitars that they cannot afford. They truly think that they are playing a guitar that can compete with American guitars. I know virtually all of those reviews are exaggerated or even untrue, even if they believe them to be so. I have spent a significant amount of time playing Martins and Taylors even though they belonged to friends of mine. I have even played some of Breedlove's American made instruments. This is the ONLY Asian made guitar that I can honestly say sounds as good, if not better, than it's American counterparts. I know that you have to spend around $2,000 to get this kind of sound. It's construction, fret work, and sound is truly amazing. It has a solid back and top with HPL sides. I promise you that you will not be dissapointed in this guitar. You will NOT be able to replicate this sound for around $1000 like Breedlove has been able to do with this guitar. There is hope for us poor folks in the Breedlove Atlas Studio D25/SM.

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The all new Studio D25/SM is a state-of-the-art acoustic electric guitar ready to record. The all new and amazing L.R. Bagg's Stage Pro pickup is designed for serious performers with volume, EQ, chromatic tuner, notch, filter, in-line mute and phase functions. This guitar combines award winning Breedlove design elements, a balanced tonal signature and the highest quality manufacturing practices in the world to bring you a highly affordable acoustic masterpiece for the studio or stage.

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Giannini GWSCRA6 EL Handcrafted Series Steel Craviola® Guitar (Acoustic-Electric, 6-String) Review

Giannini GWSCRA6 EL Handcrafted Series Steel Craviola® Guitar (Acoustic-Electric, 6-String)
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The first time I saw a Craviola was on a PBS fundraiser on TV. They were featuring artists and songs from the 70's, and the leader of the group "Starland Vocal Band" was using it on their song " Afternoon Delight". I was curious about the guitar he was playing so I started researching it. It took quite a while, but stumbled on the name & origins of the Giannini Craviola from Brazil. Every review was positive and mentioned the fact that the Craviola's unique shape definitely drew a lot of attention from the audience and musicians alike. When the price dropped to closeout prices on Amazon, I decided I couldn't pass up the opportuniy to try one out. What a shocker, the sound is extremely pleasant and the shape allows one to play it comfortable while sitting without a strap. I decided this would be my go to acoustic when performing. It has not let me down. The sound is bright with just enough bass. The setup was good and did not require any adjustment on arrival. If you're like me, and enjoy finding instruments out of the ordinary, you can't go wrong with a Giannini Craviola.

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Acoustic-electric 6-string, steel, Craviola with B-Band 4 band preamp. Solid Sitka Spruce top, Pau-Ferro/Morado back and sides, gold plated machine heads and adjustable truss rod. Supplied with Giannini gig bag.

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New Pro Flame Maple Top Viola Violin Beatle Bass Guitar Review

New Pro Flame Maple Top Viola Violin Beatle Bass Guitar
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Came to me fast, no damage, and was not expecting to get an amp cable along with it. The guitar is very light, giving it somewhat cheap feeling. But seeing as how some of these models came be over a thousand dollars, I oversee that. All in all, I love this guitar and played many Beatles tunes on it.

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This semi-hollow body bass guitar sounds like the original with it's short scale length, wood bridge and humbucking pickups. The semi-hollow construction of the body also adds to this classic sound.

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