Showing posts with label tuner. Show all posts
Showing posts with label tuner. Show all posts

4/06/2012

Tech 21 BSDR-DLX SansAmp Bass Driver Deluxe Review

Tech 21 BSDR-DLX SansAmp Bass Driver Deluxe
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I play in 2 bands and I typically use 2 to 3 Basses on stage depending on the band (and the stage). I have always fought with having to dial in the right tone for each Bass every time I switch Basses. The Tech 21 BSDR-DLX SansAmp Bass Driver Deluxe solves that problem. I can preset the 3 main tones I need for 2 Basses and when I switch basses, it just takes a split second to hit the footswitch and I have the exact sound I need. This thing is very easy to setup and has a boatload of other features. Besides the obvious XLR Direct out, it also has a 1/4" Parallel out that is pre-tone controls so you can send your unaltered Bass signal to a Tuner or in my case, another amplifier. It also has an effects loop so you can have your effects setup and just hit one switch and you have the tone you need plus the effects you need. There's a small learning curve and you need some time for trial and error with the tone controls and the drive, level and blend controls if your customizing your own sounds. You can also just use the stock sounds that come pre-programmed and it sounds great. I've had many compliments from band mates as well as fans in the audience about my sound since using the Bass Driver Deluxe. I would definitely recommend the Tech 21 BSDR-DLX SansAmp Bass Driver Deluxe for any Bassist. I would also recommend you buy the optional Tech 21 DC2 DC2 Power Supply.

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6-channel, dual input pre-amp, stomp box and DI all in one. Dial up big vintage tube tones, bright modern slap sounds, gnarly distortions, and all in between.

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2/22/2012

Peterson V-SAM Virtual Strobe Audio Metronome Review

Peterson V-SAM Virtual Strobe Audio Metronome
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I am called on to tune harpsichords, and this is often done using unusual temperaments and pitch standards far from A=440Hz. I formerly used the excellent Korg MT-1200, because it could be programmed to any temperament, and because it allowed a very wide range of pitch standards (I often need to tune to A=411, for example). Korg has discontinued the MT-1200, replacing it with the model OT-12, which has most of the same features but is not programmable. When the MT-1200 that I used went bad (its memory chip failed, so it needed to be re-programmed every time I used it, quite a hassle), I went on a search for something else that would do the job.
After consulting with harpsichord players, builders, and other experts, I learned about the Peterson V-SAM. None of my experts had actually used this tuner, but had heard that it was an amazing new device that was great for harpsichords. I called Peterson (for a very long time known as a venerable manufacturer of stroboscopic tuners) and their sales people confirmed that the V-SAM was excellent for this kind of instrument. I let my experts know what Peterson had told me, and so they independently bought V-SAMs at the same time I bought mine.
About a week after I got my V-SAM, I started getting calls from the others. Nobody could make the V-SAM work with harpsichords. It was unstable, and would frequently not even recognize that a note was being played on the instruments. Suspecting a faulty unit or perhaps a faulty manufacturing run, I checked my V-SAM with some wind instruments. It worked fine. Several calls to Peterson tech support revealed that if I simply added an external microphone, the V-SAM would work great on the harpsichord. I tried hand held mics, clip on mics, and suction-cup mics, and nothing helped. The others had similar experiences.
Finally, I was able to talk to engineering at Peterson, and was advised that the V-SAM was never designed to work with instruments like pianos or harpsichords. They said the tuner was intended to be used with instruments that can sustain their tones, like violins and wind instruments.
I have since returned my V-SAM, as have all my associates. I want to stress that this is not really a fault of the unit...Peterson is a good company with a high quality product. The problem is that this design is not suitable with certain instruments that produce transient tones. Unfortunately, Peterson sales and tech support did not know this and led me astray. Likewise, most retailers simply parrot what Peterson says or implies in their sales capacity, and hence the bad information is kept circulating.
In my opinion the V-SAM is a fine product for most applications, but if you want to use it with instruments that produce tones that decay quickly, look elsewhere.


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The Peterson V-SAM' presents a combination of programmable Virtual Strobe' tuner, audio tone generator, and metronome in a hand-held format. It marries the revolutionary Virtual Strobe Technology', first introduced in the VS-1 tuner, with a new, brighter, high-contrast display. The high-output tone generator within the V-SAM offers 10 octaves of audible tones, which conform to a selected preset or custom temperament and are adjustable in 0.1 cent increments. This permits ear-training possibilities previously unavailable in a hand-held device.Versatile MetronomeThe V-SAM's audio/visual metronome allows tap or dial-in tempo, adjustable beats per measure, beat subdivisions, and a stopwatch function.Built to be BetterThe V-SAM's "tuner mode" expands upon the Peterson VS-1' with an even wider variety of alternate temperaments and the ability to select temperament tonal roots. In addition, the user can create and store custom temperaments and use them with the same flexibility as preset ones. The V-SAM automatically detects a note being played in real-time and is accurate to 1/1000th of a semitone. It can transpose displayed notes based on any of 12 scale notes.

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2/13/2012

ISP Technologies Decimator G String Noise Reduction Guitar Effects Pedal Review

ISP Technologies Decimator G String Noise Reduction Guitar Effects Pedal
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This thing is amazing, for the price you pay you get what you deserve. For years I have been turning the guitar itself down and playing covered up in the only position that has the least amount of hum. I have spent hundreds chasing a way to control this to be a least tolerable. ISP has provided it for a couple of hundred.I Really wish they would have come up with a few years back, they would have saved me countless hours of frustration. Seriously, whether your a single coil or a hum bucker player you need this pedal. Loop or at the end of your string it is the absolute best in its category. I will never consider parting with it. Get yours today , you've read this far. Put it in the cart, you will be very glad you did. :-)

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The Decimator G String is a noise reduction pedal that delivers performance like that of the renowned ISP Decimator ProRackG. The Decimator G String provides a totally independent channel of sound reduction that can be inserted into a series effects loop or after a preamp section with the advantage of having the Decimator level detectors track the guitar signal directly. With the G String pedal you can set the threshold and no matter what level of noise the Decimator will track perfectly without any side effects. And the amazing thing is that you can switch from high gain to your clean channel and never have to switch the Decimator G String off due to the threshold being set too high. It's simply transparent.The noise reducing pedal has an input to connect a guitar directly and a buffered output signal to feed the front of a guitar rig directly while providing a separate audio channel of Decimator that can be inserted in the signal chain of any guitar rig. You can insert any other pedals between the output of the Decimator G String and the input of your guitar amplifier. This allows the Decimator G String pedal to remove any level of noise you may have even with overdrive pedals at the front end of the amp.

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12/15/2011

Keeley Fuzz Head Guitar Effects Pedal Review

Keeley Fuzz Head Guitar Effects Pedal
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i bought the fuzz head purely for enlightenment... was going to study it and work at making something similar. who needs to? this thing is bad ass! robert is the master. this thing hits the fuzz world with vengence and much much more. roll off the volume and it cleans up beautifully. super simple layout makes it real easy to work with. just as the manual says... set it higher than you would really expect to use it and let your guitar volume do the rest. my diode switch is very subtle... almost to the point that i'm not sure it's doing anything, but the way it sounds is superb. i've been meaning to place a call to keeley to ask about that, just haven't done it yet... not too pressing as it rocks!

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The Fuzz Head is designed to work like Fuzz Face pedals many players use as a lead boost, but a Fuzz Face can be muddy, lack note definition, be too bassy and lack sustain. The Keeley design is transparent, has better frequency response, and gives you that cutting edge for lead breaks. The GE mode is raw and open. Silicon/Germanium toggle switch. This is like a gain/style switch. The "SI" mode inserts two diodes (one silicon and one germanium in parallel) in the distortion circuit so you can have a modern twist on a vintage sound. It increases the gain and compression a bit for more sustain and more of an overdrive mode. Very transparent and dynamic. Takes the best qualities of the germainum designs and overdrives. Roll back the volume on your guitar for clean sounds, a variety of tones, textures, and natural fuzz/overdrive! Internal drive-range control. Allows you to set up the range of the external drive control. Perfect for fine tuning light overdrive tones to raging fuzz. Simple to setup and use as a lead boost. Combine with Keeley TS9, BD-2, DS-1 mods for a great dual pedal setups. If you have a Class A amplifier, the Fuzz Head is the perfect addition to your setup!

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9/17/2011

Empress Superdelay Review

Empress Superdelay
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If you are looking for lush delays that can create ethereal textures and give the music some breath, this is the pedal for you. Its simply the best delay stompbox you can buy, with the only other being the Eventide Timefactor.

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The Empress Superdelay isn't your basic delay. Sure it does basic delay sounds, and it sounds better than anything else out there while doing them. But if all you want is a simple delay, the Empress Superdelay isn't for you. The Empress Superdelay is for musicians who want to be inspired by their pedals, not limited by them.

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