Average Reviews:
(More customer reviews)This guitar is amazing. It is very crisp and bright so it is great for finger picking. Taylor is the new premier guitar maker. I was going to get a Gibson but they don't have different size necks. The neck on a Taylor, which is real ebony, is not even glued on so a repair guy can change the angle in ten minutes. Also the fretboard and neck continue up into the body, intead of the neck stopping and the fretboard resting on the body. When a neck bends it caused a bump at the 14 fret. Taylor has fixed this problem. Their pickup is the best. Research it before you spend money. The 300 series is the cheapest line with the expression system (yeah!!) A mint vintage Gibson is worth 100,000 and that is why they are not changing there technology. But there is better technology nowadays. Why not use it. The finish on a Taylor is UV cured in ten minutes. This shaves 3 days and a bit of money off the cost of the guitar. The wood doesn't warp in those three days. Also, the finish only has ten minutes to sink into the pores. I think that has something to do with the tone. I own the 314ce and it's bright tone is great for finger picking and strumming. The dreadnaught is supposed to be better for pure strumming. The best guitars for tone are supposed to be Gibson, Martin, Taylor and Takamine and all have a pretty large list of pro players but Taylor is taking off. Look at the list on there website. There are some other good one out there. This guitar is too sweet though. I never feel the need to review almost anythng but I am going to copy this and paste it on the other Taylor guitars, not just the 314ce. --pickup, neck finish and TONE!
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One of the true icons of the Taylor line, the 810ce is irresistible with its figured maple binding. The Expression System pickup and Venetian cutaway complete this ultra-premium acoustic/electric guitar.
Taylor's DreadnoughtThe original Dreadnought acoustic guitar appeared early in the 20th Century, and its no-frills, no-nonsense shape made it a logical namesake of the huge battleships of that day. Most subsequent Dreadnoughts, including Taylor's, have been derivative of that early design. In 1997, however, Bob Taylor re-designed the Taylor Dreadnought by softening the curves at the top and bottom and generally refining its overall shape. In 2003, gloss-finish Dreadnoughts also underwent bracing refinements that substantially increased their overall volume and bass response, without sacrificing Taylor's signature balance and clarity. Dreadnought six-strings shine as "plectrum" or "rhythm" guitars because they respond well to flatpicking or light-to-heavy strumming.
Features an Abalone soundhole rosette and detailed pearl inlays.
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