Boss BR600 Digital Multitrack Recorder Review

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(More customer reviews)I have had this recorder now for almost 3 months and I am blown away by the capabilities of this unit.
Expect This:
1) Small
2) Light weight
3) Excellent sound quality
4) Easy to operate basic features
5) Can back up songs to computer (and reload them back into unit)
6) Programmable drums (you can string together patterns into a "song" or tap in your own patterns)
7) Nice amp modeling (lots of "stomp box" settings and Bass guitar simulations so you can play bass with a regular guitar..and it sounds believable)
8) Nice effects (reverb, chorus, delay, comp. limit, etc.) that you can program to some extent
9) Has a line in so you can use an external mixer if you want
10) Onboard stereo Mic is astonishlingly clear and sensitive (you can record live gigs with nothing plugged in)
11) Seperate rhythm track fader so you don't waste a track for drums
12) 64 virtual tracks so you can have different 8 different performances on say Track 1 (but you can only play select and play one at a time...but cool for alternate versions of a song)
13) Cut and paste performance data on the same track or between tracks
14) Punch in/out recording so you can zero in and re-record over "bad sections"
15) Pitch correction that actually will correct your off key singing (not the best quality but ok)
16) Excellent tool for the singer/songwriter to "flesh out" ideas into a digital quality recording
Don't Expect This:
1) No way to sync with external sequencer (no SMPTE or MTC)
2) Can only record two "things" at a time (guitar/mic, 2 mics, or 2 guitars) unless you use external mixer
3) Easy access to features (with a single small LED display you are stuck with "menu trees")
4) The batteries to last long. I put new batteries in and got the "low battery" message only after 1 hour of use. I use AC all the time so not a big deal to me.
5) The 125 Meg card to hold more than about a single fullup 8 track song (get the 1Gig card immediately...only about $30)
6) To have 8 independent tracks. You have 4 mono tracks and 2 stereo tracks so it is really a cross between a 6 track and 8 track recorder...depending on how you look at it.
7) Export your whole song in .WAV or .AIFF format (only individual mono/stereo tracks can be exported so do all your tracks is sort of time consuming...but it can be done)
8) Great microphone performance (the preamp is a little weak...at least for the dynamic cardioid that I use
Given all the above I still give it 5 stars and here is why:
1) Form Factor (small and lightweight)
2) Sound quality
3) Ease of use (to lay down multiple tracks quickly)
4) Onboard rhythm (hundreds of patterns (intros, verses, fills, and ends) that you can string together.
5) Onboard amp modeling (and especially the bass simulation....don't have to buy a bass guitar)
6) Cost....incredible amount of features/quality for $350. I had a studio in LA 15 years ago and this unit is the equivalent of over $5000 worth of gear (8 track cassette deck, effects boxes, bass guitar, guitar amp, and drum machine). I can't believe how all this stuff is now part of something the size/weight of a magazine.
7) Easy backup of data on computer so you can have a downloadable "library" of songs and download them seperately when you want to work on them.
The only feature I wish this thing had was a way to sync up with a DAW sequencer. But you can always export your tracks out as WAV or AIFF files and import them into your DAW.
But for me, I just want something that is always ready to go if I get an idea for a song and I don't want to have to boot up a computer or play with a bunch of cords and gear. I just turn this thing on with nothing attached, grab my acoustic guitar, and sing/play thru the built in Mics to "get the idea down". Then I go back later and "do it right".
My two tips are:
1) Get the 1Gig card as the 125Meg card is just too small for real work
2) And "if" you are unhappy with the Mic sound, run your Mic into a preamp and feed the signal into the unit thru the line in. When I did this my vocals became "alive". The guitar in has plenty of "oomphf".
I love this unit. It does everything a singer/songwriter who wants to quickly sketch out ideas could want. And if you want to do some quality recording it will do that too.

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BR-600 Overview8 Tracks & BeyondThe BR-600 provides eight simultaneous playback tracks, but there's more than meets the eye. Each of the eight tracks also contains eight V-Tracks (virtual tracks), which gives musicians quick access to 64 tracks of recorded material. They can record dozens of takes, and choose their favorites for mixdown.BOSS FXTracks can be manipulated with the powerful effects built into the BR-600. Derived from BOSS high-end recorders, these quality algorithms can give even the dullest tracks maximum impact - mistakes can be fixed, mixes can be mastered. Included in the effects suite: COSM guitar and bass amp models plus chorus, delay, reverb, and EQ for every channel. Pitch correction is provided as well.Drum Machine OnboardThe BR-600 has a high-quality drum machine built in. Perfect backing tracks can be assembled from the nearly 300 drum/percussion patterns built in, or beats can be programmed from the velocity-sensitive pads. Rock, pop, blues, country, R&B, Latin, and more - kick-start a song from the many styles provided.Field RecordingWherever musicians go, the ultra-portable BR-600 is ready to record. It can operate on six AA batteries (or AC). Quality stereo microphones are built in for point-and-capture recording on the spot. Whether for recording band rehearsals, gigs, or capturing ambient sounds, the BR-600 is all musicians need to get the job done with no hassle.CompactFlashThe BR-600 records its CD-quality digital audio direct to the included Compact Flash card, the international standard for reliable, portable storage, and even comes with a custom carrying bag and XLR-to-1/4" mic adapter.

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Nady MPM Portable PA System Review

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(More customer reviews)Do not waste your money on this product! First the amlefire broke on me so they sent me a new one which was completely different than the origianal. After that both the speakers burnt out on me. The micorphone screw cracked the day i oppened it. This product will break easily on you and it's not even good for parties. This is probably the worst thing I ever bought.

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Consumer Alert! Most users do not need a license to operate this wireless microphone system. Nevertheless, operating this microphone system without a license is subject to certain restrictions: the system may not cause harmful interference; it must operate at a low power level (not in excess of 50 milliwatts); and it has no protection from interference received from any other device. Purchasers should also be aware that the FCC is currently evaluating use of wireless microphone systems, and these rules are subject to change. For more information, call the FCC at 1-888-CALL-FCC (TTY: 1-888-TELL-FCC) or visit the FCC's wireless microphone website at www.fcc.gov/cgb/wirelessmicrophones Note: All of the wireless systems that AMS sells comply with the FCC guidelines and regulations. We are presenting this information as a matter of legally required disclosure. This complete PA system is an incredible value and includes Nady's MPM 4130 4-channel 130 watt powered mixer with built-in digital delay, a DKW HT handheld wireless system, and a pair of the 300 watt Nady PS112 2-way speakers featuring a 12 inch woofer and a 5x15 inch horn. Cables and speaker stands are also included. This is the perfect system for band rehearsal rooms, aerobics studios, many worship and theater applications, as well as solo & small ensemble music acts. Nady MPM 4130 Powered Mixer Rugged and easy to operate, the MPM 4130 mixer offers great features and performance and is ideal for many venue applications. The MPM 4130 features combination XLR and 1/4 inch inputs, separate delay, bass & treble controls for each channel, and RCA CD/Tape In/Out jacks. Nady MPM 4130 Powered Mixer Features: 4 mono Mic/Line inputs with combo XLR-1/4 inch TRS jacks Amplifier delivers 130 watts @ 4 oh

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SKB Laptop/4U Rack with two step handle and wheels Review

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(More customer reviews)We bought this unit for a 15 gig tour which required travel on 4 continents. The case was made ok and looks good enough. It's acceptable for light gear, but I would never leave my laptop inside it while traveling. Here were the problems that I found with it. There are only a set of front rails, even though the unit is symetrical, a set of back rails would have been useful for mounting power supplies. The rails are only fixed to the unit by means of rivets into the plastic This has caused an issue where one side of the plastic is tearing away and the entire rail with rivets ripped out of the case. This is why I said that it's only good for light equipment. The could have made an entire metal cage inside the case which would have kept everything secure and square. The unit is good with the lid which is useful for extra cables and non-rackable equipment to be stored for travel though the plastic base has also warped downwards in this section, not sure if it's due to stress on the case or packing but I generally don't squish too much into that area. This unit was the only 4U case that I could find with built-in wheels and handle, as well as TSA approved and fit on normal flights (not as over-sized luggage) which is a big plus. Also I can transport the unit alone without help or assistance. Other slight desing flaws include the front panels that do not allow for much clearance so generally you can't leave anything plugged in to front mounting equipment when it's packed up. The plastic used doesn't seem as tough as that used for Peli-cases. Also the little feet mounted on the front broke off on the first flight and the screws that were there to hold them in were sheered off shortly after. They would be wise to mold in the rest feet to the top case piece instead of using those cheap plastic pieces.
I think that SKB could improve this product and they could make a killing in the market since there is nothing else like this. It's a bit sad that after one year on tour the unit will have to be replaced.

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NEW - Laptop/4U Rack with two step handle and wheels

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TC Helicon Correct XT Vocal Effects Processor Pedal Review

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(More customer reviews)First let me put up a disclaimer. This is an item that just came out this month, so I haven't had much time to test every single feature out in full. I also haven't played with connecting it to my VoiceTone Create yet (my Create is not the XT model but the old one) as I want to hear what this can do stand-alone in full. I will be updating this review as time progresses. Expect a note about how well it connects with the VoiceTone Create next week.
Also note that I've only used this with a Supercardioid mic, which the instruction manual suggests for best results. They market the TC-Helicon brand mic (naturally), but I'm using my very trusted Shure Beta 58A Supercardioid Dynamic Microphone. I don't even own a condenser mic because I've always been very impressed with the quality of mic that Shure makes in their dynamic mics. I really can't justify an extra $700 for something that I don't think even sounds as good, nor do I have that kind of money. If I did, I would be getting the TC-Helicon VoiceLive 2 Vocal Effects Processor. If you do use a condenser mic for live performance, you can run the VoiceTone Correct XT through a phantom power mode. As for how well gating and anti-feedback works with a condenser, I cannot comment on how it is affected.
So why write this review right now? I did get to put the new features, anti-feedback and auto-gate, in the XT through very extensive tests. Thus, if you're already commited to getting a VoiceTone Correct and not sure if the added features justify the extra cost (last I saw, the old model is $90 cheaper, but that could be different now) or curious if you should upgrade, then hopefully this review will help you out. So far, in terms of all the other features that existed on the previous VoiceTone Correct, everything seems to be in check.
AUTO-GATE:
My band's practice space is a vocal and audio engineering nightmare. It's a very tiny room with exposed insulation and wood (soon it will be dry wall, but even then, the only thing it has going for it in terms of acoustics is the floor is carpeted). The main amps are ones that were generally favored in the 80s for outdoor concerts. Great for if we start doing some gigs where we need our own equipment, but not the most ideal for what our practice space is. Pretty much the back wall is lined completely with amps for the vocals, guitar and bass. Amps are pointing in just about every direction in the room, so it's pretty much impossible for me to get anywhere close to an ideal set up. Background noise was a confusing mess, and it was a pain to get the set up on the main board to not go red while still hearing a good volume of vocals in the mix. Enter auto-gate.
Just at the default factory settings, it has eliminated all background noise going into the mic. In fact, to pick up my voice at all, I have to have my lips about one inch away from the mic. With a supercardioid, this is actually a good thing as these mics are designed for vocalists to be singing really close to it if not with their lips actually on the mic. So anytime my lips aren't practically making out with my microphone, I'm not meaning for whatever I'm doing to be picked up live. So far, ZERO background noise has leaked through to the mains.
I used to be upset that I couldn't get the mic that I wanted with an on/off switch, but the gating on this pedal is so great that I'm actually glad I don't. It's like I have an adaptive on/off on the mic that knows exactly when I want it on or off, and without the background noise.
ANTI-FEEDBACK:
In terms of anti-feedback, it seems to work well. I can't tell if it's all just because of the gating that has fixed back my feedback issues or not, but I have had no issues since I've been using the Correct XT in our practice space.LIVE COMPRESSION, EQ, DE-ESS:
I will make a couple notes here about these features. By default, the red light for "Warmth" was off. I decided to click it on, so anything I say here is based on that assumption.
Most of my singing-style is clean tone, four-octave range, and I've been fairly pleased with these features so far in terms with how it shapes my voice. I absolutely love the produced sound this pedal is capable of. However, I mostly want to address what this did for my screams. I tried out some of my high screams (imagine Viking/Black metal) with these features. With no additional effects, this device helped shape those screams into something much more rich and thick than any thickening effect I've used on my VoiceTone Create. I imagine the sound when I combine the two is going to be phenomenal.
AUTO-PITCH CORRECTION:
I haven't noticed too much going on here, but I didn't expect to. Every band I've auditioned for has been impressed with my pitch accuracy. The times I do miss a note, it's almost always because I don't know how the vocal part goes on that section, and thus I'm missing it by singing the wrong note as opposed to being flat or sharp. This is based on tuning chromatically, so it only does minor adjustments, not the miracles of Auto-Tune. I will run this through some stress tests and update at a later date.Expect this section to be updated at least three months from now. Since the VoiceTone Correct XT is a brand new item, it's impossible for a consumer review to accurately comment on longevity yet.
So far, all the build quality and sturdiness feels just as good as my VoiceTone Create. I've been stomping on my Create and throwing it around in my trunk for eight months now, and it still feels brand new. I expect I'll get similar treatment from the VoiceTone Correct XT.
OVERALL IMPRESSIONS:
I'm just happy I have something that solves the issues of my band's practice space. That alone is worth the price of this pedal for me. Throw in the produced sound that it adds to live vocals through compression and de-ess, and this thing is just incredible. Some of the EQ and Warmth you may not enjoy, but all settings are adjustable on here and can be used manually or adaptively. Personally, I've been very pleased with the adaptive tones it picked for me. Everyone's voice is different, though, and you may not find the same results here, but it's not difficult to just disable one of the features you don't like.
I also very much like that it can be connected to the computer for firmware updates. As for how much of a difference this makes, only time will tell. For now, it's just an extra blanket of security to make me feel ensured that my pre-amp won't get outdated soon like my VoiceTone Create did when they released the XT version.

Click Here to see more reviews about: TC Helicon Correct XT Vocal Effects Processor Pedal

Like having a live engineer and vocal coach at your feet. Smooth, pro vocal tone with the security of active anti-feedback is yours with Correct XT. Match that with TC Helicon's natural auto-chromatic pitch correction, it's like having a live sound engineer and a vocal coach at every gig. TC Helicon VoiceTone Correct XT Features Studio-grade compression, de-ess and adaptive Shape EQ to brighten and smooth vocals Effortless auto chromatic pitch correction helps you sing in tune Automatic anti-feedback seeks and destroys feedback.

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Tascam 2488 Neo Multitrack Digital Recorder Review

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(More customer reviews)I write songs and play acoustic guitar, and going back many years have a number of audio cassette recordings which recently I converted to MP3's and transferred to my computer. I spent some time searching for a digital multitrack recorder which I could use going into the future. Inasmuch as I only use between 4 and 6 tracks per recording, I almost settled for a less expensive machine; but I'm glad I put out the extra few hundred dollars for the Tascam 2488 neo. I especially like the following features:
(1) The autopunch feature is great. It allows me to very easily correct my mistakes without having to re-record an entire track.
(2) The 250 virtual tracks available for each song allow me to do a number of takes for each track and choose the one I like best.
(3) The new Mastering tool is awesome. After reading a couple of books on home recording, I was left with the impression that the final step of mastering is one that perhaps I should hire a professional to do. While I'm sure I could achieve slightly better results doing this, the Tascam 2488 neo does an excellent job of mastering my mixes with the push of a button.
(4) The 80 gig hard drive is more than ample; and it is very easy to transfer both individual tracks and completed songs back and forth between the neo and my computer.
(5 The user's manual is very thorough and easy to understand. In today's world user's manuals often are vague and indecipherable; so anticipating this possibility when I bought the unit, I also bought the DVD tutorial which is sold separately. The tutorial indeed was helpful but turned out to be unnecessary. The user's manual covers everything in detail; and if anything, it spells out the obvious at times.
I could go on: But the most important thing is that I now can make (and have made) multitrack recordings of my songs which appear at least to me to be professionally done. The best thing is that the more I use this machine, the quicker it is becoming to make new recordings because I've discovered the settings I like best and can quickly recall them and use them for different songs.

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The Next Generation of Tascam's 24-track, 24-bit Recorders. Featuring 8 mic inputs, Tascam's 2488 Neo recorder is up to the challenge of recording and mixing a full band. Create a fully mastered CD with excellent mastering effects; reverb, amp simulation, compression and EQ processing. TASCAM utilizes an easy-to-use interface, powerful preamps and all the effects needed to light up the charts. The 2488 Neo is the ultimate 24-track production machine. Tascam 2488 Neo Features Upgraded mastering effects for pro-sounding CD mixes include: Multiband compression EQ and noise shaping 3-band EQ on 24 channels 8-inputs and stereo bus High and Low sweepable shelving bands Full parametric mid band Three aux sends on all channels (except the effects return) Loop effects; reverb, delay, chorus and more on an aux send and return Guitar multi-effects; overdrive, distortion, chorus, delay, flange and more Eight assignable dynamics processors for compression (record or mixdown) Dedicated Stereo Compressor on the stereo output Eight inputs: 4 XLR (or 1/4 inch) with phantom power and four 1/4 inch inputs Nineteen 45mm faders including master fader LCD display for viewing meters and edit parameters 80GB hard drive 250 Virtual tracks CD-RW; Record Audio CDs, import/export WAV files and backup hard drive High-speed USB 2.0 connect to PC or Mac for data backup and SMF/WAV file Recording resolution: 44.1kHz, 16-bit or 24-bit AmericanMusical.com is an authorized dealer of Tascam products.

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TASCAM DP-008 8-Track Digital Portastudio Review

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(More customer reviews)After wanting a digital multi-track for a long time, I finally decided on this model, and I'm glad I did.
One thing that is not included in a list of specs is the usability factor. I've purchased my share of electronic devices for making and recording music over the years. Just looking at a dry list of specs has often been my method of deciding on what to buy. Well, on paper the DP-008 looks good, but it's not until you use this to cut a few tracks that you realize how well it is designed. I'm SOOOO glad I didn't buy the DP-004, as this model is clearly the results of Tascam eliminating the weaker aspects of the 4 track model just in time for the 8 track version.
I have seen a lot of digital multi-tracks that look good on paper, but to use them is a real pain. The fact that the DP-008 has all the individual track knobs means that you don't have to go flipping through pages on a menu or choosing the "hot track" in some other way. Here it's all laid out logically and makes tweaking the final stereo mix a piece of cake. Sure it would be nice if there were level sliders rather than dials, but these work just fine.
I use this model to record myself playing guitar and bass, run a Boss drum machine into it, and I record vocals with an external mic though a small mixer that has some helpful effects on it. You don't need a mixer, though, as the included mics are quite good. I am able to record several tracks, "bounce" them if I want to, and then write them to a stereo master mix. Then, I export that mix on the unit itself (sounds weird, but basically you're just creating a wav file that can be seen by a computer). The final step is connecting the DP-008 to a computer and merely dragging the song files over to the computer. I then use Audacity to convert it to an ogg file or mp3.
I use Linux and the process of transferring songs to the computer is very simple. In the past you would have received a useless cd-rom with a crappy "song transfer" program and maybe some crapware to go along with it. I'm glad that Tascam has decided to treat the customer right and state it clearly: There is no need for special software. Once you export the song, it will show up as an external storage device and you can simply transfer the files over to your computer, whether it's a PC running Windows or Linux, or a Mac.

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Concentrate on your music and not on the recording process with the easy-to-use Tascam DP-008 8-track digital Portastudio, which can capture CD-quality audio wherever you roam. Using a Secure Digital (SD) memory card, you can record two tracks simultaneously and work with up to eight tracks in a multi-track project.
You can use built-in microphones to grab ideas, plug condenser mics into the XLR inputs or plug a guitar directly in to lay tracks. There's even a metronome and chromatic tuner built-in for tight-sounding tracks. The DP-008 also allows you to digitally bounce tracks to make room for more, and touches like editing and undo make recording stress-free.
Each track on the DP-008 has its own row of knobs for level, pan and effects, just like Tascam's classic cassette Portastudios of the past. The effects knob sends to a built-in stereo reverb processor with hall, room, stage and other effects. Each track also has EQ to tailor the sound for your mix. When your song is complete, mix it to a dedicated stereo track while riding levels and flipping pan as much as you want. You can export your mix, or even individual tracks, as a WAV file.
What's in the BoxTascam DP-008, USB cable, 2 GB SD card, batteries, user manual
Features and Specifications
8-track Digital Portastudio
2-track simultaneous recording
(2) XLR microphone inputs with phantom power
(2) 1/4-inch line inputs, one switchable to guitar level for direct recording
1/4-inch footswitch input and Autopunch features for punch-in recording
RCA line outputs
1/8-inch stereo headphone output
Chromatic tuner and metronome features
Stereo reverb effect on send/return path
Level, Pan and 2-band EQ controls per channel
44.1kHz/16-bit recording resolution
Records to SD or SDHC Card media, up to 32 GB supported
USB 2.0 connection to computer for backup and track/mixdown export
Built-in stereo electret condenser microphones
Backlit LCD display
Powered by four AA batteries (included) or PS-P520 power supply (optional)
Up to 5.5 hours of battery life (recording, phantom power off); up to 6 hours of battery life for playback
Measures 8.7 x 1.42 x 4.98 inches and weighs 19.7 ounces (without batteries)

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