Showing posts with label midi keyboard. Show all posts
Showing posts with label midi keyboard. Show all posts

6/29/2012

Akai MPK 49 Controller Keyboard Review

Akai MPK 49 Controller Keyboard
Average Reviews:

(More customer reviews)
First of all, the pads DO suck. MPC's are known for their pads so you'd think Akai would at least be able to put the same type of pad/contact design on their MPK line. Instead they put a bunch of pads with no play that feel like buttons and make the keyboard housing vibrate when you pound them. On top of that they placed the contacts so far away it's damn near impossible to get 127 velocity on the pads without going Full Level. Even my LPD8 feels better than this thing. And even though they look like the MPC1000 pads, the 1000 pads are twice as thick as the ones here. I would have loved for them to have put the 1000 pads on this. At least then I'd be able to play back a chopped loop without feeling like I'm dialing a phone number.
The best part of the controller is the control surface. The transport keys, knobs, and sliders feel great. The LCD screen looks great.
Something unique about the controller is that it has built in MIDI settings that mimic classic MPC functions (16 level, MPC swing, note repeat). Too bad the pads keep you from fully enjoying these features.
The keys are decent but slightly noisy because they vibrate on release. The controller is also one of the few 49 key controllers out there with aftertouch. I prefer the lever-like feel of the Axiom when it comes to using aftertouch but the keys here are not a dealbreaker.
There's also a simple arpeggiator you can use. It's fairly simple in that there are only 5 settings you can use to separate notes in a chord. If you've used a more sophisticated arp (like the one on a Yamaha KX8), you'll be disappointed though.
The MPK is a good controller but Akai could have done way better than this. If you're using this for the keys and control surface it's a decent investment. But if you're thinking of buying this for the pads so you can drum and play back chopped loops, get an MPD instead.

Click Here to see more reviews about: Akai MPK 49 Controller Keyboard

More than just a USB/MIDI controller, the Akai MPK49 USB/MIDI Controller Keyboard helps you maximize your musical ideas on-stage or in the studio. It combines a high-quality, 49-key, semi-weighted keyboard with aftertouch and 12 genuine MPC drum pads. It also offers 48 total accessible pads via 4 pad banks, and you can control up to 72 different parameters via 24 assignable Q-Link knobs, faders, and buttons as well as optional footswitches.


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6/13/2012

Line 6 POD Studio KB37 Review

Line 6 POD Studio KB37
Average Reviews:

(More customer reviews)
I'm new to creating music on a computer, and my research, along with tons of positive reviews from others, led me to the POD Studio KB37 as a good all-purpose starting point. In terms of flexibility, this package is very hard to beat. The built-in inputs and mic preamps let you record just about anything, from guitar/bass and other electric instruments to vocals and acoustic instruments (using your own mic, of course). For these uses alone, the KB37 is a great way to get sound into your computer with minimum headaches. Simply connect the KB37 to your computer with a single USB cable. It's USB-powered, so you don't even have to plug it into a power outlet.
The hardware's MIDI keyboard and control surface open up a whole new dimension. They allow you to add keyboard parts and adjust some software parameters via real-world knobs and buttons; this is much faster than clicking and dragging onscreen "virtual" controls.
The included software package reveals the KB37's full potential, transforming an otherwise great product into an incredible bargain. Sure, the Reason Adapted (synth, sampler, sequencer, and effects) and Ableton Live (multitrack recording) software are the "lite" versions of these programs, but even so, they're very versatile and powerful. If you're fairly new to DAW software, trust me, even the lite version of Reason is pretty incredible -- you'll get a lot of use out of it. It includes tons of sampled real-world instruments, fully functional and tweakable soft synths, drum machine, sequencer, effects, and a lot more. It takes quite a while to explore its impressive capabilities. Once you do, you'll know whether you want to upgrade to the full version, which is available at a discounted price. But again, the lite verion will be plenty for many users.
Finally, you get Line 6's POD Farm software, which gives you an arsenal of stompbox and rack effects for guitar, bass, vocals, and just about anything else. On top of that, it includes amp, cab, and mic preamp modeling. You get everything that most guitar multi-effects units provide and then some. Because it runs on your computer, naming and saving patches is quicker and easier than stand-alone multi-effects units, and you can save as many custom patches as you like. And, unlike stand-alone units, POD Farm is expandable. Line 6 claims that the KB37 allows you to monitor your tone, complete with effects, without a latency problem (a lag between playing a note and hearing the output). This is not an empty promise. On my modest laptop, which runs Windows Vista on an Intel Core 2 Duo T5550 (1.83GHz) with 3GB of RAM, I experience zero latency problems.
All told, for the price of one guitar multi-effects unit, you get everything you need to start a home studio. If you're a full-time keyboard player, this package probably isn't aimed at you. As its name suggests, the KB37's keyboard has only 37 keys. So, there are probably better MIDI keyboard controllers out there for you. Plus, as a keyboard specialist, you'd most likely want a full version of whatever synth software you prefer. On the other hand, if you play guitar or bass and you want all the building blocks for tweaking your tone, adding vocals, effects, *and* getting your feet wet with powerful synths, sampling, and multitrack recording, here it is for a laughably low price.


Click Here to see more reviews about: Line 6 POD Studio KB37

POD Studio KB37 combines the stunning sound of POD Farm' plug-in with a powerful and versatile USB interface and 37-key MIDI controller. Essential to the success of countless platinum-selling albums, these immortal Line 6 guitar, bass and effects tones are now available for recording guitarists. POD Farm, The Premium Tone Plug-inPOD Farm plug-in features the sounds of the sought-after vintage essentials and must-have modern monsters necessary for a pro-sounding recording. It includes 18 immortal guitar amps Models,24 guitar cabs, 5 bass amps and 5 bass cabs, 29 essential stompbox and studio effects. Drag and drop models into the signal flow, pre or post amplifier. The carousel-style gear browser, displaying each and every coveted model Plus, get your free FX Junkie model pack and add 35 more effect models including synths, filters, delays, and more to POD Farm!KB37, the Lowest Noise for the Clearest RecordingsKB37 boasts the lowest noise for recording guitar, 12dB more dynamic range than similar interfaces, for clear and dynamic recordings. Plus, exclusive Line 6 ToneDirect' monitoring virtually eliminates latency allowing you to record with amp and effect modeling and without sacrificing tone or feel.Half rock-solid guitar interface, half feature-packed MIDI controller, KB37 is as versatile as it is powerful. It features 37 full-sized velocity-sensitive keys, a pitch bend wheel, octave up/down buttons and a set of software-assignable controls.Start Recording Right Out of the BoxPOD Studio KB37 includes POD Farm plug-in, Ableton Live Lite Line 6 Studio Edition 16-track recording software ideal for guitarists, and award-winning Reason Adapted production software featuring a sought-after sequencer and tons of stunningly lifelike instruments. This collection of studio-standard hardware and software provides instant pro recording, right out of the box.

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5/20/2012

Akai Pro MPK88 Hammer Action USB Midi Controller Review

Akai Pro MPK88 Hammer Action USB Midi Controller
Average Reviews:

(More customer reviews)
A lot of reviewer here on Amazon, and also on Guitar Center and YouTube seem to think the action is heavy and loud. I have now owned and used 5 full size (88-key) pianos to use with sequencing on my PC and this is the best one yet. I got the MPK88 because of all the controls it offered. I use it with Reason 4.0 and it works perfectly!
I'll quickly compare it to my past pianos:
1) Technics (now Phillips) electric piano - felt great, sounded great, but not many built in sounds and no MIDI controls except for the keys themselves, and MIDI playback was always at 100% velocity (so it was super loud when playing MIDI into the Piano. I got rid of this to get my...
2) KORG Triton Extreme - AWESOME keyboard/workstation. My hope was to do all my sequencing and sampling on this keyboard without a PC, but after discovering Reason 4, I just used it as a MIDI controller. It was only a step up from the Technics piano in that it had the pitch bend and mod wheels. The "transport controls" (stop, play, record, etc) didn't map to MIDI out data, so I couldn't sync those buttons to Reason. The knobs would map out okay, but there were only 4! The Triton was a $2500 board new, and it felt as good as the Technics to me. Since I wasn't using all the bells and whistles of the KORG, I sold it and downgraded to an...
3) M-Audio Pro Keys 88 - Advertised as a "stage piano" that thing is solid, but not really all that great for the built in sounds. As a MIDI controller it offered about as much as the KORG except the knobs and sliders were not mapable. The keys themselves were hard to play in that it took a lot of pressure to get them moving, then they collapsed down the rest of the key stroke. The velocity readings were always high because of this (one had to play hard to get to play evenly). I could change it to a different velocity curve, but then everything would simply be scaled down and the notes I wanted to be high velocity wouldn't be. In other words, the keyboard lacked dynamic contrast. This problem moved me to my spare "gig board"...the
4) Casio CDP100 - It has built in speakers and standard MIDI out (like the Technics), but with shorter keystroke (and less pressure needed) than the KORG and M-Audio boards. This allowed me to have expressive playing (smooth playing) without having to play hard. The problem here is that the velocity readings were all so low! Even when I did play hard, they rarely went above 75%. Finally, i was fed up. I wanted a ton of MIDI controls with accurate playing and no concern for built in sounds. This led me to the
5) Akai MPK88 - Now that I've gone through all the other boards, I can say it feels somewhere between the KORG and the M-Audio. It's heavier than what I remember the KORG being and it does a bit of that key-collapsing feel of the M-Audio, but it reads the full range of velocity as I expect them to be read! I can play soft and loud passages, and they all show up as intended. That's the most important part to me. The board could be improved by taking out some of the initial force needed to press a key, but still, it deserves a much higher rating than it's been getting for a MIDI controller.

Click Here to see more reviews about: Akai Pro MPK88 Hammer Action USB Midi Controller

The Akai Professional MPK88 is a professional performance keyboard controller with MPC production controls. The MPK88 draws on the design of the popular MPK49, the first keyboard ever to features MPC pads. This first-of-its-kind keyboard is ideal for performance, starting with a premium, fully weighted, hammer-action keyboard, adding MPC pads, Q-Link controls, and a selection of MPC technologies. The MPK88 is born for the stage and is equally at home in the studio.CREATIVE INPUTMPK88 features an 88-key keyboard and 16 genuine MPC pads. The hammer-action keyboard is fully weighted and features aftertouch for expressive melodic control. The MPC pads are pressure and velocity-sensitive to capture every nuance of your creative concepts. The pads can access four banks of sounds, so you have 64 samples at your fingertips with the touch of a button.The MPK88 places dedicated transport controls within your reach for easy control of some of the most important tracking and editing controls. The MPK88 has modulation and pitch-bend wheels for expressive musicality, and two assignable footswitch inputs enable you to connect an expression pedal or other continuous controller and a footswitch for momentary controls like patch change or start/stop.
MPK88 Key Features
88-keyfully weighted, hammer-action keyboard with aftertouch for expressivemelodic creativity 16genuine MPC pads with pressure and velocity sensitivity MPCpads access four banks each for instant access to 64 samples Controlup to 72 software parameters with 24 assignable Q-Link knobs, buttons, andfaders KeySplit enables two different sounds from the same keyboard MPCNote Repeat, MPC Swing, and arpeggiator aid in creative process Transportcontrols for use with sequencers and DAWs MPCFull Level, MPC 16-Level, Tap Tempo, and Time Division assist with tempoand dynamics MIDI output over USB, bus powered, class compliant: plug and play with one USBcable Comeswith Ableton Live Lite Akai Edition software Workswith virtually all MIDI recording,sequencing, and performance software


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5/07/2012

Akai MPK25 25-key Keyboard Controller with MPC Pads Review

Akai MPK25 25-key Keyboard Controller with MPC Pads
Average Reviews:

(More customer reviews)
The keyboard, and controlling software is great. I really like Abelton Live after taking the tutorials! This comes with a older version of Abelton Live but it is a free download to get the latest version! Works great with my Macbook!
The bad part is that the pads are not sensitive at all. I have to pound to the point of hurting my fingers to get any noise at all. And thats to get any noise.. these are supposed to have many pressure levels. I was severely disappointed by the pads until I found out you can modify them for better response. Follow instructions on youtube.
Basically you can use layers of tape to put the pad in better contact with the sensor under it. The kits you can buy off ebay to do the same thing are little strips of rubber with instructions. I'd suggest saving some money by using the youtube video and finding the right thickness of rubber instead of using tape layers.
After modification this surface is 100% what I wanted. Too bad it come from the factory so amazingly crippled!

Click Here to see more reviews about: Akai MPK25 25-key Keyboard Controller with MPC Pads

A portable keyboard controller, the Akai MPK25 is a powerful production tool with MPC production controls. Featuring the same MPC pads as the MPK49, the MPK25 scales down the keyboard by 24 keys and retains the utility, capability, and flexibility that makes the MPK49 one of the world's hottest keyboards. Because of its small footprint, you can create tracks whenever inspiration strikes you. Plus the portability makes it a great travel companion. All you need is your laptop and the MPK25. AC_FL_RunContent( 'codebase','http://download.macromedia.com/pub/shockwave/cabs/flash/swflash.cab#version=9,0,28,0','width','330','height','220','title','Akai MPK25 Compact 25 Key Keyboard Controller','src','http://www.americanmusical.com/ItemFiles/Flash/AKAmpk25','quality','high','pluginspage','http://www.adobe.com/shockwave/download/download.cgi?P1_Prod_Version=ShockwaveFlash','movie','http://www.americanmusical.com/ItemFiles/Flash/AKAmpk25' ); //end AC code Akai MPK25 Keyboard Controller Features 25-key semi-weighted keyboard with aftertouch for expressive melodic cr

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2/19/2012

Casio PX-330 88 Key Digital Stage Piano with Tri-Sensor Scaled Hammer Action Review

Casio PX-330 88 Key Digital Stage Piano with Tri-Sensor Scaled Hammer Action
Average Reviews:

(More customer reviews)
I am a professional jazz pianist of some 30+ years. I recently bought this keyboard as a much needed gigging and practicing piano that was light weight, had built in speakers, 88 note key weighted action and a good piano sound. You will find all of this and more in the PX-330. I don't think there is any other keyboard currently being manufactured that provides all these features at this low a price point.
Pros:
- great weighted action... a bit mushy but one can certainly adapt to it easily.
- good piano sound, but not without its faults (see below) It reminds me of the sound of the Kurzweil pianos.
- auto arranger with tons of grooves for practicing and jamming.
- good selection of song style presets... it even has "Giant Steps" for all you jazz pianists to practice on. Any tempo, Any key.
- some interesting world beat grooves are included along with standard pop, rock, latin, etc. grooves
- weighs only 25 lbs... this is one of the best features of all!
- skinny... easy to carry
- built in speakers lead to instant gratification when turning on the keyboard and playing. You just sit down and play. No muss, no fuss.
- good contruction. Uses alot of plastic. Not as good as Roland or Yamaha but good enough
- pitch bend wheel is a surprise bonus
- nice LCD display is a big improvement over previous models
- line inputs let you bring in a submix from an mp3 player, iPod, or mixer
- two separate 1/8" mini stereo headphone outs
- good for education and dual playing... the keyboard can be split into duet mode each playing the same sound
- the auto harmony feature is very good and alot of fun to play around with. (dual voice, three voice, etc.)
- memory card slot for saving your patches and performances
- excellent price and value for the money
Cons:
- piano sound is good but suffers from too fast a decay in the middle register. It's difficult to make a melody "sing" or play in a smooth legato style. This decay problem would be fine in pop or rock music, but for solo jazz and classical it is a definite flaw. It is not so noticeable when playing with a rhythm section.
- there is no way to adjust the volume of the primary piano sound when using splits or accompaniments. You can decrease/increase the accompaniment, but cannot increase the main voice independently.
- there is no way to adjust the reverb wet/dry depth. I find this particularly irritating, since certain styles of music require more reverb. Access to a heavier reverb would also help cover over some of the flaws in the piano sound. However, you can adjust the reverb wet/dry depth on the individual accompaniment parts. Why they didn't include this feature on the main sound is a mystery to me.
- labeling of buttons is too dark and hard to see, especially in dim lighting
- buttons lack tactile "feel", are shallow, and can easily be missed in the heat of a performance. Combine this with hard to see labels and you have a recipe for disaster. However, most of the buttons do have LED lights which helps in seeing what is engaged.
- unit comes with a cheap sustain pad/switch which easily flips over when playing. For serious playing you will need to buy a separate sustain pedal. Or use gaffe tape.
- the polarity of the pedal is reversed and cannot be changed internally like many other keyboards. This forces you to buy Casio's pedal unit. A work around is to buy a sustain pedal with a polarity switch, or a regular sustain pedal which you can adapt reversing the polarity of the wires.
- the unit supports half-pedaling which is great, but only if you buy the Casio pedal board.
- the much ballyhooed "acoustic resonance" feature is barely discernible and for all intents and purposes contributes nothing to the piano sound.
- multiple button and combination button pushes can easily make for confusion. You will need to sit down and really learn this keyboard to effectively use its features esp. during performance.
- some of the auto accompaniment parts are pretty cheesy, and with a few exceptions the non-piano sounds are just so-so.
- at maximum volume there is some distortion in the piano sound coming out of the built in speakers.
- when using split keyboard mode, the sustain pedal sustains both zones... If you are playing bass with your left hand, it will sustain when you pedal for the piano sound. Not good.
- Flimsy 1/4" jacks will not last in the long run.
I do not mean do denigrate this product by listing all the cons... overall, it's an excellent low priced piano packed with features not found in other brands that cost more. I just wish I could get comfortable with the fast decay in the middle register, and have more control over the effects. The sustain on the lower split is an oversight that should be corrected.
I have Synthogy Ivory on my laptop, and on more important gigs I use the PX-330 as a controller for the Ivory piano. I bring the output of the Ivory back into the line inputs. Now that's a righteous piano sound! Nevertheless, I am happy I bought this keyboard and am sure it will serve me well as I continue to make music.

Click Here to see more reviews about: Casio PX-330 88 Key Digital Stage Piano with Tri-Sensor Scaled Hammer Action

The new Casio Privia PX-330 redefines the digital piano category with unprecedented sound quality and performance in a sleek package that is supremely portable. Featuring all new grand piano samples and a new Tri-Sensor 88-note scaled hammer action keyboard and weighing only 26 lbs., the Casio Privia PX-330 is versatile enough for any home, studio or stage.

Realism, Expression and Dynamics The grand piano sounds in the PX-330 delivers an unprecedented level of realism and expression. Four dynamic layers of stereo piano samples are integrated with Casio's proprietary Linear Morphing System, for a grand piano sound with seamless transitions and a superior dynamic range. For added realism, the PX-330 simulates the sound of the open strings when the dampers are raised by the pedal using Acoustic Resonance DSP. The PX-330 also has 128-note polyphony, enough horsepower for the most demanding musical passages and the ability to layer sounds and use the damper pedal without worry of dropped notes. The result is a grand piano experience that is unsurpassed at any price.
Truly Expressive Touch The Privia PX-330 features a new Tri-Sensor 88-note scaled hammer action keyboard. Casio's superior engineering has resulted in an authentic piano touch that captures every detail and nuance of your performance. This scaled hammer action provides the weight, feel and resistance of a piano without sacrificing the portability of the instrument.
Performance, Studio or Stage The superior keyboard action, piano sound and built-in USB MIDI interface make the PX-330 the perfect instrument to integrate into your studio. When you're ready to take the PX-330 to a gig, the built-in registration memory allows you to instantly recall splits, layers and combinations of sounds. The PX-330 also has 1/4-inch outputs for great live sound from your amp or the house's PA system.
16-Track Recorder, Pitchbend Wheel and Much More While it's easy to connect the PX-330 to your computer, you can easily create and compose music using internal 16 track recorder. Utilizing the PX-330's 250 on-board sounds and 180 rhythms you can record up to 16 tracks. Accepting SD memory, you can save your songs and take them with you or load standard MIDI files that you've downloaded from the web. With these flexible tools you can capture moments of creativity and remember song ideas. It also works great as a practice tool. A built-in metronome and optional accompaniment mean you can practice in-time and later listen back to what you just played. A pitchbend wheel gives you full expression for 250 tones. You can even plug in other instruments or an MP3 player into the keyboard and hear it through the internal speakers and headphones.
Professional, Versatile and Portable Design Whether you're at home, working on a studio or out on stage, the PX-330 was created to tackle it all, making it a valuable investment. With its light weight, you can easily take the PX-330 from home, to rehearsals, to the gig and back with no worries. It connects effortlessly to your computer via USB and connects just as easily to a live mixer for use on stage. The Casio PX-330 is now the indisputable leader in the digital piano arena.
8 Digital Effects Add a little more depth and variation to the built-in tones with 4 reverb and 4 chorus effects, along with brilliance and acoustic resonance settings.
Duet Function The new duet functions allows teachers and pupils to play parallel to each other. The PX-120 can be divided into two keyboard areas, which can be transposed individually.
Two Headphone Connections The PX-330 features two headphone connections, ideal for the duet function.
Stereo Line In/Out Connect to a PA system or studio equipment, or connect other sound sources with the line inputs.
Powerful Speaker System The PX-330 features built-in speakers, with 2 x 8 Watts of output power, to fill a room with sound.
3-Pedal Unit Support With the optional SP-30, the PX-320 has up to three pedals with half-damper effect. This "half-damper" effect simulates a "half-pedaled" damper pedal.
What's in the Box Privia PX-330 Keyboard, AC Adapter, Music Stand, User's Manual

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