Average Reviews:
(More customer reviews)"Warning: Made in China" might have been a better label. I've got nothing against stuff that's made in China. In fact, most of what I use on a daily basis was made there. But when it comes to Pro equipment, I worry when I see that.
Well, I was right. The first preamp I received was DOA. OK, not truly DEAD, but channel 1 wasn't usable do to a lose connection inside the unit.
One RMA latter, and I have a usable unit. Almost.Noise:
It says "-128dB EIN @ 60dB of gain with 150 ohm source" Well, if that's actually true, it's a great marketing ploy.
What I actually got, when the signal entered the digital realm, was a noise floor between -65db and -70db @ 60db of gain with 150 ohm source.
Usability:
The headphone monitoring circuitry adds a lot more noise to the monitor signal. Not a problem, but it confused me when I first tested the unit.
The "AIR" function on the preamp isn't usable. Turning it on causes 60Hz Hum in the signal. Disconnecting the preamp from ground did nothing. I'm not sure if this is my unit, my house's wiring, or a design flaw. I don't want to RMA this thing again, but I might ask the support people about it. "AIR" isn't an option I'd ever use. (there's no control over the affect, just on/off)
I also get 60Hz Hum in the line and instrument inputs. More so in Channel 1 then 2. As I'll never use the line inputs, and probably always use a DI box with guitars and the like, this isn't a problem.
The Compressor and EQ modules work as expected.
Everything else seems to work as expected.
So, to sum up, It seems like a nice design, but with quality control issues.
Click Here to see more reviews about: Focusrite TwinTrak Pro Dual Mono/Stereo Tracking Solution and True Stereo Compressor
Designed principally as an affordable, high-specification dual mono/stereo tracking device, TwinTrak Pro also boasts comprehensive latency-free monitoring, unmatched digital connectivity, and all within a sturdy 2U 19-inch rack-mount chassis. Each channel features Focusrite's award-winning Platinum pre amp, embellished with the option of instant 'air' and variable input impedance for improved microphone performance and extended creativity. A mid-scoop EQ follows, and provides variable frequency and depth of cut for vocal problem solving and miked-up cabinet ambience. In pride of place is TT Pro's powerful dual mono/stereo optical compressor. This optical compressor features Focusrite's custom fast-acting optos, alongside side-chain inputs and the ability to operate as a true 'twinned' stereo pair. These circuit design innovations are complemented by a comprehensive set of focused controls. TT Pro is the first Platinum to feature a D/A converter as standard, alongside its optional analogue to digital converter. The D/A converter enables the user to feed mono or stereo digital signals into TT Pro. These signals can be fed either into the stereo latency-free monitoring section, or via line inputs (post- the pre amp stage) for further processing. The signal can then return to the digital audio workstation via Focusrite's established stereo A/D converter option. Together, these facilities make TT Pro the perfect analogue interface for any digital audio workstation, and equally the world's first 'hardware plug-in'.
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